"Three men sit, singing a catch, with a round table between them. A British officer (perhaps Cotton), wearing a cocked hat, sits in profile to the right, facing Dalrymple who sits (right) with tightly closed mouth, his hands on his knees. Between them, but with his chair from Dalrymple, sits a man in Spanish (here Portuguese) dress, wearing a feathered hat. The British officer sings: T'was You Sir-Hew - Twas Hew. that let the French Escape, That makes you look so blue Sir-Hew Sir Hew! He and the Portuguese (perhaps Freire) point minatory hands at Dalrymple, whose face is painted lead colour. On the wall are two pictures: (above the Portuguese) 'A correct representation of the French Plunderers stopt in their progress by the Spanish Patriots.' [at Baylen] and (above Dalrymple): 'A Correct representation of the French Plunderers quitting Portugal for France - under a British Escort.' In one a long train of wagons is stopped by armed men, in the other are ships in full sail. On the table are glasses and decanters of 'Port and Calcavella'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Watermark: E& P.
Publisher:
Pubd. Octr. 1808 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Spain. and Portugal.
Subject (Name):
Cotton, Charles, Sir, 1753-1812 and Dalrymple, Hew Whiteford, Sir, 1750-1830
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Generals, British, Military officers, Singing, Wine, Drinking vessels, and Pictures
Title from item., Attributed to Ansell in the British Museum catalogue., Sheet trimmed to plate mark at bottom., Temporary local subject terms: Containers: saltbox -- Tools: pitch-forks -- Allusion to taxation., and Watermark: J Whatman.
Publisher:
Pubd. Augt. 13th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Egypt.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Campaigns, Gout, John Bull (Symbolic character), Crowds, Exhibit booths, Fairs, Musical instruments, and Trumpets
"Dumouriez, followed by a tall and ragged sansculotte, marches aggressively towards a low barricade (left), behind which are frog-soldiers presenting their bayonets at the invaders. Dumouriez, foppishly dressed in regimentals, but with bare legs, his shirt confined by a sash, holds against his shoulder an enormous seal. He says, holding out his right hand, "Monsr Orange, I will seal up your Papers, & take care of your Cash". From his pocket hangs a scroll: 'New Laws for Holland Prepar'd by the Convention'. His 'aid du Camp' holds against his shoulder a gigantic piece of sealing-wax inscribed 'Fyn Se gelak wel brand en vart. houd', in his right hand is a large lighted candle or taper. He says, "Aha. Monr Grenouille I wou'd rather eat you than fight." He is perhaps Miranda, Dumouriez' second in command."--British Museum online catalogue
Alternative Title:
Dumourer and his aid du camp on full march and Dumourer and his aide du camp on full march
Description:
Title from item., Printmaker from British Museum catalogue., and Publisher's advertisement following imprint: ... where may be seen a complete model of the quillotine admitance [sic] one shilling.
Publisher:
Pub. March 13, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Netherlands
Subject (Name):
William V, Prince of Orange, 1748-1806., Dumouriez, Charles François Du Périer, 1739-1823, Miranda, Francisco de, 1750-1816, and France. Convention nationale.
Subject (Topic):
Neerwinden, Battle of, Neerwinden, Belgium, 1793, History, Campaigns, Foreign public opinion, British, Foreign relations, Sansculottes, Candles, Dandies, French, Frogs, Military uniforms, and Seals (Insignia)
In this anti-Jacobin, pro-Girondist print, seven prisoners, in various postures of distress and exclamation are seated on stools in a prison cell. Each one wears a feathered Liberty cap and each is tied to the cell wall by a rope around his neck. The cell is bare save a circular grated window in its top left corner. Speech bubbles hover above each prisoner reading: “Oh Damn it! Is this proper treatment for the Commissioners of a great nation?”, “Oh curse him this false Dumourier.”, “He has finaly trapt us”, “no hole to creep out at”, “Now I feel for the poor prisoners in the Temple”, “It’s all up. With us”, “Oh I could beat my brains out for making the motion that as brought us like asses to it”. The print alludes to the arrest of Charles Dumouriez who despite having played a key role in the victory of the Battle of Valmy in 1972 suffered a significant defeat in the Battle of Neerwinden (March 1793) at the hands of the Austrians which fuelled suspicion amongst the Jacobins of his loyalties. Believing that Dumouriez harboured royalist sympathies several commissioners representing the National Convention were sent to investigate him. Instead of cooperating with the investigation, Dumouriez turned against the deputies and the Minister of War (Pierre Riel de Beurnonville), arresting the commissioners and handing them over to the Austrian forces
Alternative Title:
Commissioners become hostages and French vermin in the German trap
Description:
Title etched below image., Date of publication inferred from the reference to events occurring in 1793., Reversed English copy, with English text, of a French print entitled "A qui Mal veut, Mal arrive." For the original French print, see Princeton University Library Graphic Arts Collection, call no.: GA 2012.01066., Text beneath title: Being a representation of the present situation of the commissioners, Bournonville, Memoire, Villeneuve, Camus, Lamarque, Luinette and Bancal who were sent to arrest Dumouriez, but the tables being turned upon them they were delivered up to the Austrians and by them imprisoned where they may reflect on the long and cruel confinement they subjected their unfortunate monarch to previous to his martyrdom., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. by J. Aitken, No. 14 Castle Street, Leicester Fields, London
Subject (Geographic):
France and Austria
Subject (Name):
Dumouriez, Charles François Du Périer, 1739-1823.
Subject (Topic):
Girondists, Prisons, Cells (Rooms & spaces), Prisoners, Liberty cap, History, Campaigns, Foreign public opinion, British, and Foreign relations
Reaction to the Battle of Long Island and the capture of New York by British forces. North and Mansfield stand on a platform, the former holding up a dispatch from Howe. Bute and George III stand behind them. A distressed Wilkes stands in the left foreground, with a tearful woman on the ground near him holding the cap of Liberty. Two ministers are depicted on the right, one being Sandwich, the other probably Germain. The seacoast is visible in the background with ships, some sinking
Alternative Title:
Patriots in the dumps
Description:
Title from item., Above image in plate: Lond. Mag. Nov. 1776., and From the London Magazine v, 45, p. 599 of Nov. 1776, although British museum catalogue gives date as Dec. 1, 1776.
Publisher:
Publisher not indentified
Subject (Geographic):
Great Britain, America., and United States
Subject (Name):
Mansfield, William Murray, Earl of, 1705-1793., North, Frederick, Lord, 1732-1792., Bute, John Stuart, Earl of, 1713-1792., George III, King of Great Britain, 1738-1820., Sandwich, John Montagu, Earl of, 1718-1792., Wilkes, John, 1725-1797, and Sackville, George Germain, Viscount, 1716-1785.
Subject (Topic):
Long Island, Battle of, New York, N.Y., 1776, Colonies, History, and Campaigns
"A scene in the Empress's dressing-room. Marie Louise is horror-struck at the appearance of Napoleon who advances towards her in profile astride the back of a crawling Mameluke; he is held up by two other Mamelukes who support his arms and shoulders. He is terribly emaciated and appears moribund. He wears uniform; his legs, feet, and hands are swathed in bandages, his (former) ear and nose covered with black patches. The crawling Mameluke, presumably Roustan, holds out a bottle containing a pointed nose, and labelled 'Le Nez de l'Empereur'. Immediately behind Napoleon and his three supporters are two kneeling Mamelukes, each reverently holding a tasselled cushion supporting a bottle; one being labelled 'Les Doights [sic] de l'Empereur Napole . . .', the other, 'Les Oreilles de l'Empereur Napoleon'. Behind them (left) another Mameluke advances with a bottle labelled 'Les Doights du pied de l Empereur Bon . . .' The Mamelukes wear Turkish dress with turbans. Napoleon looks in tragic silence at his wife, who is seated in regal state but turns aside weeping with violent gestures of despair. A small terrestrial globe decorates her chair; her foot rests on a stool in the form of a flattened polar hemisphere on which the word 'Brit[ain]' is visible. Over her low-cut dress is an ermine-bordered robe clasped with a fleur-de-lis. She is supported by an emaciated court-lady, with a patched face, proffering a smelling-bottle, whose profile and a small crown show that she is one of Napoleon's sisters; two other ladies, wearing crowns, stand behind the Empress, registering consternation. A less conspicuous lady weeps. On the Empress's right kneels the Governess of the King of Rome, Mme de Montesquiou, holding the screaming child, and weeping noisily. He registers angry terror at the sight of his father; his little crown has fallen off. His features, though fore-shortened and distorted, resemble those of his father, cf. British Museum satires no. 11719. He wears an ermine-trimmed robe over his childish tunic and breeches. Behind the Governess is a draped dressing-table, the drapery decorated by a large fleur-de-lis, and the toilet boxes ornamented with crowns. A terrified monkey climbs up the mirror, clutching at the crown which surmounts it, and looking over its shoulder at the shocking spectacle presented by the Emperor. On the extreme right a lap-dog stands on a cushion barking furiously at Napoleon. On the ground on the extreme left are two large round coffers, one inscribed 'Coffre Pour la Bijoutère [sic] Russe', the other expectantly open. Voluminous draperies on the left and right, supported on the right by a pillar add to the regal character of the room."--British Museum online catalogue
Description:
Title etched below image. and Four lines of verse below title: Dishonest with lopp'd arms the man appears, spoil'd of his nose, and shorten'd of his ears. She scarcely knew him, striving to disown, his blotted form, and blushing to be known. Dryden's Virgil, Book Six.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Geographic):
Russia. and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839, and Roustam, 1782?-1845
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Crowns, Dogs, Dismemberment, Dressing tables, Empresses, Ethnic stereotypes, Loss of consciousness, and Monkeys
Monseirs pounded in Prague and Monsieurs pounded in Prague
Description:
Title from item. and Publication date from British Museum catalogue.
Publisher:
publisher not identified
Subject (Geographic):
Prague (Czech Republic)
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, Lobkowicz, Ferdinand-Marie, prince de, 1726-1795, Charles VII, Holy Roman Emperor, 1697-1745, Francesco III d'Este, Duke of Modena and Reggio, 1698-1780, Broglie, Victor François, Duc de, 1718-1804, and Stair, John Dalrymple, Earl of, 1673-1747
Subject (Topic):
Austrian Succession, War of, 1740-1748 and Campaigns
Monseirs pounded in Prague and Monsieurs pounded in Prague
Description:
Title from item., Publication date from British Museum catalogue., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Geographic):
Prague (Czech Republic)
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, Lobkowicz, Ferdinand-Marie, prince de, 1726-1795, Charles VII, Holy Roman Emperor, 1697-1745, Francesco III d'Este, Duke of Modena and Reggio, 1698-1780, Broglie, Victor François, Duc de, 1718-1804, and Stair, John Dalrymple, Earl of, 1673-1747
Subject (Topic):
Austrian Succession, War of, 1740-1748 and Campaigns
"The Tsar, tall and well-made, very different from BMSat 9415, hurries forward, his ribbon and coat-tails fluttering. He wears a crown inscribed 'Disorder'; in his right hand is a paper: 'Order', in his left one inscribed 'Counter Order'."--British Museum online catalogue
Description:
Title from item., Attributed to Cruikshank in British Museum catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the eveg., Temporary local subject terms: Reference to Anglo-Russian campaign in Holland., Watermark: A. Stace 1798., and Mounted to 42 x 28 cm.
Publisher:
Pub. March 18, 1800, by S.W. Fores, No.50 Piccadilly
Subject (Geographic):
Russia.
Subject (Name):
Paul I, Emperor of Russia, 1754-1801
Subject (Topic):
Rulers, Second Coalition, War of the, 1798-1801, and Campaigns
Satirical print showing Napoleon after the battle of Maloyaroslavets (24 October 1812) during his Russian campaign (‘The Patriotic War’ in Russian parlance). He is vomiting fragments of plans and charts as well as a shattered anchor. In his hand he holds a large medicine bottle of emetic labelled in Russian: ‘Emetic. Pour Mr Napoleon. Heartfelt thank you, if only to take it more often. By order of the Russian army, from the pharmacy near Maly Yaroslavets’.
Alternative Title:
ПРОЩАЙ БРАТ, КЛАНЯЙСЯ СВОИМ, ДА НЕ ЗАБЫВАЙ НАШИХ”. НАПОЛЕОН ПОСЛЕ СРАЖЕНИЯ ПОД МАЛОЯРОСЛАВЦЕМ
Description:
Title supplied by cataloger., Printmaker from dealer's description., and Date of publication inferred from subject of print; the Battle of Maloyaroslavets took place on 24 October 1812.
Publisher:
publisher not identified
Subject (Geographic):
Russia.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Vomiting, and Medicines
