Title and imprint from from British Museum catalogue., Description based on imperfect impression; text lacking, image only., Plate from: The Butiad, or, Political register. London : Printed for E. Sumpter, 1763., Temporary local subject terms: London: Tyburn -- Executions: procession to Tyburn -- Gibbet -- Reference to the Treaty of Paris, 1763 -- Reference to cider tax -- Scots -- Emblems: dove with an olive branch., and Mounted to 31 x 45 cm.
Publisher:
Printed for J. Burd, in the Temple-Exchange Passage, Fleet-Street; and sold by all printsellers, &c in London and Westminster
Title devised by cataloger., Artist from original drawings in the British Museum., Date of publication based on running dates of the Great Exhibition: 1 May to 15 October, 1851., Design consists of large upper image and four rows of small figures below, three of the rows having titles etched within them: The arts and manufactures of France; The arts and manufactures of Turkey; [The arts and manufactures of] China., Text below large upper image begins: In consequence of the diversity of opinion manifested as to the most eligible site for the Great Exhibition ..., and Description based on imperfect impression; sheet trimmed within plate mark with some loss of image or text on three sides.
"Fox is being chaired (left to right) in a high-backed chair wreathed with laurel, according to the custom in Westminster at the close of an election. The three supporters of the chair (three quarter length figures in the foreground) are three ladies, all young and pretty, one of course the Duchess of Devonshire. On the third (left) is inscribed 'Portland Place', probably the Duchess of Portland, possibly Lady Archer, called 'the Portland Place Archer'. The other is probably Lady Duncannon. All three wear hats trimmed with a fox's brush. The foremost lady (right) holds a paper inscribed 'British Constitution'. Beside Fox in his chair is the cap of Liberty on its staff; he holds up a torn paper inscribed 'Rights of England'; in his left hand is a paper inscribed 'Privileges of the People'. A cluster of cherubs' heads beside him, emerging from clouds, is inscribed 'Voice of the People'; the principal cherub blows a trumpet from which issue the words 'Fox & Liberty'. In the background behind the chair (left) is a sea of heads; on the right is Sam House wearing his hat. Beneath the design is etched:'Friends freemen Britons all your strength be tried To quell oppression stem corruptions tide Let shouting plaudits fill resounding air And Fox & virtue set in freedom's chair.'"--British Museum online catalogue
Description:
Title trimmed from this impression? Title from earlier state published by W. Wall on April 12, 1784. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6524., Sheet trimmed on the bottom within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Countermark in center of sheet: T.W. [monogram].
Publisher:
Pubd. May 18, 1784 by W. Holland, No. 66 Drury Lane
Subject (Geographic):
England) and London.
Subject (Name):
Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Portland, Dorothy Cavendish, Duchess of, 1750-1794, House, Samuel, -1785, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Musical instruments, Parades & processions, and Political elections
Title and printmaker from British Museum catalogue., "Phillips" identified as printmaker in British Museum catalogue., Temporary local subject terms: Trumpet blown by cherub -- Furniture: Chair wreathed with laurel -- Cap of Liberty -- Cherubs' heads -- Election litters., and Mounted to 29 x 23 cm.
Publisher:
Pubd. April 12, 1784 by W. Wall, No. 31 Charles St. opposite Middlesex Hospittal [sic]
Subject (Geographic):
England) and London.
Subject (Name):
Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Portland, Dorothy Cavendish, Duchess of, 1750-1794, House, Samuel, -1785, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Angels, Musical instruments, Canvassing, and Political elections
A stage coach is drawn by two starved horses across rough terrain. An anxious looking Duke of Portland, the nominal head of the government, is being taught how to drive by Charles Fox who is in control of the reins. Their relationship is undescored by the crests on the side panels of the coach with the fox sitting on ducal coronet. Lord North stands in the basket behind, in place of a footman, watching with anger the proceedings on the box. The front left wheel is broken after going over the "Loan" rock; a larger "Reform Bill" boulder is ahead of the horses and The text below image is a paraphrase of the Duke of Chandos's speech criticizing North's coalition with Fox: "Such was the love of Office of the noble Lord, that finding he would not be permitted to mount the Box, | He had been content to get up behind, vide the Duke of C------. . . s's Speech Morning Chronicle 15th April". This was a speech by Chandos on the Irish Judicature Bill, 14 April, violently attacking the Coalition: "he particularly arraigned the conduct of Lord North, and said that not being able to get again upon the state coach-box, he had been content to get up behind." 'Parl. Hist', xxiii. 755
Alternative Title:
Such was the love of office of the noble lord ...
Description:
Title from British Museum catalogue; alternative title from text below image., Signed with the monogram of James Sayers., and Mounted to 37 x 56 cm.
Publisher:
Published 5th May 1783 by Thomas Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
A stage coach is drawn by two starved horses across rough terrain. An anxious looking Duke of Portland, the nominal head of the government, is being taught how to drive by Charles Fox who is in control of the reins. Their relationship is undescored by the crests on the side panels of the coach with the fox sitting on ducal coronet. Lord North stands in the basket behind, in place of a footman, watching with anger the proceedings on the box. The front left wheel is broken after going over the "Loan" rock; a larger "Reform Bill" boulder is ahead of the horses and The text below image is a paraphrase of the Duke of Chandos's speech criticizing North's coalition with Fox: "Such was the love of Office of the noble Lord, that finding he would not be permitted to mount the Box, | He had been content to get up behind, vide the Duke of C------. . . s's Speech Morning Chronicle 15th April". This was a speech by Chandos on the Irish Judicature Bill, 14 April, violently attacking the Coalition: "he particularly arraigned the conduct of Lord North, and said that not being able to get again upon the state coach-box, he had been content to get up behind." 'Parl. Hist', xxiii. 755
Alternative Title:
Such was the love of office of the noble lord ...
Description:
Title from British Museum catalogue; alternative title from text below image., Signed with the monogram of James Sayers., and Mounted on page 29.
Publisher:
Published 5th May 1783 by Thomas Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
A stage coach is drawn by two starved horses across rough terrain. An anxious looking Duke of Portland, the nominal head of the government, is being taught how to drive by Charles Fox who is in control of the reins. Their relationship is undescored by the crests on the side panels of the coach with the fox sitting on ducal coronet. Lord North stands in the basket behind, in place of a footman, watching with anger the proceedings on the box. The front left wheel is broken after going over the "Loan" rock; a larger "Reform Bill" boulder is ahead of the horses and The text below image is a paraphrase of the Duke of Chandos's speech criticizing North's coalition with Fox: "Such was the love of Office of the noble Lord, that finding he would not be permitted to mount the Box, | He had been content to get up behind, vide the Duke of C------. . . s's Speech Morning Chronicle 15th April". This was a speech by Chandos on the Irish Judicature Bill, 14 April, violently attacking the Coalition: "he particularly arraigned the conduct of Lord North, and said that not being able to get again upon the state coach-box, he had been content to get up behind." 'Parl. Hist', xxiii. 755
Alternative Title:
Such was the love of office of the noble lord ...
Description:
Title from British Museum catalogue; alternative title from text below image., Signed with the monogram of James Sayers., 1 print : etching on wove paper ; plate mark 30.5 x 43.3 cm, on sheet 32.3 x 45 cm., and Mounted on leaf 18 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 5th May 1783 by Thomas Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
Title from letterpress broadside with which this plate is associated. See Catalogue of prints and drawings in the British Museum., Plate from: The Butiad, or, Political register. London : Printed for E. Sumpter, 1763., Later state of the left side plate. Cf. No. 4013 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Corporations: Corporation of London -- Laws and statutes: cider act, 1763 -- Pictures amplifying subject: portrait of Lord Bute -- Excisemen -- Thrones -- Resignations: Lord Bute's resignation, 1763., Mounted to 31 x 38 cm., and Watermark.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
Title from the British Museum catalogue., Place, publisher, and publication date from book in which this plate was published., Sheet trimmed within plate mark., Seven lines of verse below image: Heere [sic] to the church, one of her youngest sonnes ..., Frontispiece to: Catholike history / Edward Chisenhale., and Temporary local subject terms: Devils -- Rebellion against popery -- Allusion to Reformation -- Ecclesiastical emblems: popery -- Gog and Magog -- Arms of the Chisenhale family -- Literature: Catholike history, by Edward Chisenhale, d. 1654 -- Protestant Church -- Catholic Church -- Churches.
Publisher:
N. Brooks
Subject (Name):
Innocent X, Pope, 1574-1655 and Chisenhale, Edward, d. 1654
"Satire on the times in four compartments each showing the figure of Time and a grindstone in relation to current events: the incompetent management of war with France; John Barnard's lottery scheme, in which Henry Legge, Chancellor of the Exchequer, had invested heavily; Henry Fox's "Treachery,Vanity, Folly & Impudence" which Pitt promises to crush; the burden of taxes on all but the friends of the Devil."--British Museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Design divided into four compartments, each with its own title and numbered Part 1 to 4., Temporary local subject terms: Grinding stones -- Britannia (Symbolic character) -- British Lion -- Personifications: Time -- Frenchmen -- Spaniards., and Mounted to 23 x 38 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
