Cartes-de-visite photographs created by photographers in the United States and Canada of Indians of North America, ca. 1860-1875. Images consist chiefly of portraits depicting men in traditional clothing, with a few examples of women and children. Tribal groups represented include Dakota, Fox, Navajo, Paiute, Paloos, Sauk, Shoshoni, Ute, and Yankton. Identified individuals include Spotted Tail, a Dakota chief; and Wolf Necklace (Harlish Washshomake), a Paloos chief. Another identified image consists of a copy photograph of a painting of Keokuk based on a daguerreotype made by Thomas Easterly in 1847 and Photographers and galleries represented include: A. W. Barker, Ottawa, Kansas; W. P. Bliss, Photographic Car; Charles Williams Carter, Salt Lake City, Utah; John N. Choate, Carlisle, Pennsylvania; William R. Cross, Niobrara, Nebraska; Duffin & Caswell, Winnipeg, Manitoba; Howard, Fort Bridger, Wyoming; Jackson Brothers Photography, Omaha, Nebraska; S. Park, Brantford, Ontario; Charles Roscoe Savage, Salt Lake City, Utah; Smith, Peabody, Kansas; A. W. Witherell, Keokuk, Iowa
Description:
Title devised by cataloger.
Subject (Name):
Barker, Anthony, 1930-, Bliss, W. P., Carter, Charles Williams., Choate, John N., Cross, W. R. (William R.), Hamilton, C. L., Jackson, William Henry, 1843-1942., Keokuk, Sauk chief, 1780?-1848., Mautz, Carl., Savage, C. R. 1832-1909. (Charles Roscoe),, Spotted Tail, 1823-1881., Witherell, A. W., Duffin & Caswell., and Jackson Brothers Photography.
Subject (Topic):
Dakota Indians, Fox Indians, Indians of North America, Navajo Indians, Paiute Indians, Paloos Indians, Sauk Indians, Shoshoni Indians, Ute Indians, and Yankton Indians
Cartes-de-visite photographs created primarily by photographers in San Francisco and northern California, ca. 1855-1895. Images consist chiefly of portraits depicting children, women, and men, in single, couple, and group sittings. Individuals in the images comprise various ethnic and cultural backgrounds, including Asian American and African American persons. The portraits also include persons with unique physical features, including midgets, dwarves, and giants. Occupations and group memberships represented in the portraits include butchers, circus performers, freemason, miners, musicians, sailors, and soldiers. Other images include portraits of dogs, and copy photographs of drawings, paintings, and dolls, Portraits of identified individuals include Baby Belmont, Frederick Coombs, Tom Coughlan, Tony Denier, Issac Sherwood Halsey, Little Clara Jenkins, Henrietta Lichau, and Eugenie Olanie. Other identified individuals include: Mollie Brown, a bareback somersault horse rider; A. Kerpen, a man with an eight-foot long beard; William Ingraham Kip, first Protestant Episcopal bishop of California; and two scholars in academic gowns, presumably from the University of California, George F. Stone and viticulturist Emmett Rixford, Individual photographers with galleries located in San Francisco include: T. A. Brown, John M. Bryan, Alexander Edouart, Sr., Oscar Foss, John D. Godeus, Thomas Houseworth, Benjamin Franklin Howland, J. Jackson, John Lucas Kingsley, Henry Kruse, Charles Lainer, H. Luther, Charles Albert Marston, George Daniels Morse, Eadweard Muybridge, Silas Wright Selleck, Jacob Shew, William Shew, Joseph Trinidad Silva, Hector William Vaughn, Carleton E. Watkins, John A. Winberg, and Lai Yong, Corporate photographic galleries and partnerships located in San Francisco include: Bayley & Winter, Bradley & Rulofson, Brown & Otto, Chalmers & Wolfe, City Mart Photographic Gallery, Currier & Winter, Edouart & Cobb, Hamilton & Kellogg, Hoebel & Luther, Houston's Excelsior Gallery, I. W. Taber & Company, Lawrence & Houseworth, New York Gallery, Peoples Art Gallery, Watkins' Yosemite Art Gallery, and Wise & Prindle, Individual photographers in other locations throughout California include: Joseph P. Lowe of Auburn; H. H. Frye of Chico; George W. Valleau of Colusa; H. H. Halsey of Dutch Flat; Amasa Plummer Flaglor of Eureka; Ellison Lassell Crawford of Georgetown; S. Johnson of Gilroy; Lewis Jackson Stinson of Marysville; Edward Abraham Kusel of Oroville; L. Dowe and George Ross of Petaluma; Flave H. Gaines of Red Bluff; A. P. Bailey and John A. Todd of Sacramento; James Atkins Clayton of San Jose; H. Schoene of Santa Clara; John E. D. Baldwin of Santa Cruz; John Pitcher Spooner of Stockton; Murry Dunham and James Girard Smith of Vallejo; Issac Sherwood Halsey of Volcano; and Skelton Sanford Noble and B. F. Stevens from unidentified locations, and Photographic galleries and partnerships in other locations throughout California include: Mains & Von Hasseln of Camptonville; Bluett & Fardon and Dunham & Lathrop of Oakland; Sanders & Stinson of Marysville; and Abell & Welsh of Roseburg, Oregon
Description:
Digital version available; and Title devised by cataloger.
Subject (Geographic):
California. and California
Subject (Name):
Abell, Frank George, Jr., 1844-1910., Bailey, A. P., Baldwin, John E. D., Bayley, Wilbur Fisk., Bluett, William H., Bradley, Henry William, 1813-1891., Brown, T. A., photographer., Bryan, John M., Chalmers, James Calder, Jr., Clayton, James Atkins, 1831-1896., Cobb, David., Coombs, Frederick, 1803-1874., Coughlan, Tom., Crawford, Ellison Lassell, 1833-1895., Currier, Amos., Denier, Tony, 1839?-1917., Dunham, Allen Murray, ca. 1834-ca. 1924., Dunham, Murry., Edouart, Alexander, 1818-1892., Fardon, George Robinson, 1807-1886., Flaglor, Amasa Plummer, 1848-1918., Foss, Oscar., Frye, H. H., Gaines, Flave H., Godeus, John D., Halsey, Henry H., Halsey, Isaac Sherwood, 1828-1895., Hamilton, Charles F., Houseworth, Thomas, 1829-1915., Jenkins, Clara., Johnson, Andrew, 1808-1875., Johnston, Amasa Park, ca. 1837-1931., Kellogg, Andrew J., Kingsley, John Lucas, ca. 1939-1869., Kip, William Ingraham, 1811-1893., Kruse, Henry., Kusel, Edward Abraham., Lainer, Charles., Lathrop, Frank Henry., Lawrence, George S., Lichau, Henrietta., Lowe, Joseph P., Mains, James Riley., Marston, Charles Albert., Mautz, Carl., Morse, George Daniels., Muybridge, Eadweard, 1830-1904., Noble, Skelton Sanford., Olanie, Eugenie., Prindle, Edward H., Rixford, Emmett H., Ross, George, 1832-1893., Rulofson, William Herman, 1826-1878., Sanders, Stephen Poole., Selleck, Silas Wright, ca. 1828-1885., Shew, Jacob, 1826-1879., Shew, William J., 1820-1903., Silva, Joseph Trinidad., Smith, James Girard, 1836-, Spooner, John Pitcher, 1845-1917., Stevens, B. F., Stinson, Lewis Jackson., Stone, George F., Taber, I. W. 1830-1912. (Isaiah West),, Todd, John A., 1827-1899., Valleau, George W., Vaughn, Hector William., Watkins, Carleton E., 1829-1916., Welsh, John Oliver, ca. 1840-ca. 1913., Winberg, John A., Winter, Daniel., Winter, Robert, ca. 1821-1893., Wise, James H., 1812-, Wolfe, Samuel Augustus., Yong, Lai., Abell & Welsh., Bayley & Winter., Bluett & Fardon., Bradley & Rulofson., Brown & Otto., City Mart Photographic Gallery., Currier & Winter., Dunham & Lathrop., Edouart & Cobb., Foss & Halsey., Freemasons, Hamilton & Kellogg., Hoebel & Luther., Houston's Excelsior Gallery., I. W. Taber & Company., Mains & Von Hasseln., Peoples Art Gallery., and Sanders & Stinson.
Subject (Topic):
African Americans, Asian Americans, Photographers, Circus performers, Dolls, Dwarfs (Persons), Giants (Folklore), Miners, Musicians, Sailors, Soldiers, and Tall people
The collection contains correspondence, photographs, writings, an address book, a newspaper clipping, and a bookmark relating to Natalie Barney collected by Joan Schenkar, Box 1 contains correspondence, photographs, a legal document, an address book, and a newspaper clipping. The correspondence is among Barney, Bettina Bergery, Berthe Cleyrergue, Laura Dreyfus-Barney, Marcelle Fauchier-Delavigne, Nadine Hwang, Janine Lahovany, André Rouveyre, and Crédit Suisse Berne, dated 1935-1973. The bulk of the correspondence consists of eighty-five letters from Barney to Cleyrergue, dated 1940-1968. The photographs depict several individuals, including Barney, Dolly Wilde, Valery Larbaud, Hwang, Eva Palmer, Mina Loy, Djuna Barnes, Antoinette Gentien, Renée Vivien, Laura Dreyfus-Barney, and Marie Laurencin. The legal document is a typescript copy of a page from an April 1918 voir dire, detailing the troubled marriage between Colette and Henry de Jouvenal. The newspaper clipping is an undated cartoon of the temple de l'amitié in Barney's garden. The leather-bound address book belonged to Barney and contains two cartes de visite, Box 2 contains a photographic portrait of Barney at age sixteen, and Box 3 contains a metal bookmark with a butterfly design that belonged to Barney
Description:
Joan Schenkar is an American playwright and biographer., Natalie Clifford Barney (1876-1972) was a poet, playwright, novelist and essayist, whose salon in Paris, while serving as a gathering point for writers in general, aimed to promote the writings of women., Accompanied by a vendor list (in box 1)., and In French and English.
Box 3 contains one album with a mother-of-pearl front cover, holding 68 photographs in 24 double-sided leaves; the metal clasps are missing. Most of the portraits are captioned and include surnames Talbot, Lyell, Strickland, Wade, Ford, Hay, Napier, Popham, Cobb, Smythe, de Meesters, and others.
Box 1 contains one album bound with Mauchline ware covers, holding 185 photographs in 23 double-sided leaves; the metal clasps are missing and the portraits are not captioned. Auchinleck House is the central image on the album's front cover; images of other elements of the estate's landscape appear in the four corners, with an image of ferns on the back cover.
A carte-de-visite photograph created by the studio of Brown, Barnes, & Bell, circa 1885, inlaid in a page from album with manuscript inscription by an unidentified person that describes Millie-Christine and their physiology. Based chiefly in Liverpool, Brown, Barnes, & Bell operated studios throughout the United Kingdom, 1877-1933.
Description:
Acquired from various sources. For more information refer to the material in the collection. and Millie-Christine (1851-1912), also known as Millie McKoy and Christine McKoy were African American conjoined twins and entertainers. Millie-Christine were born on July 11, 1851, to Monemia and Jacob, slaves owned by Jabez McKay on a plantation in Welches Creek, North Carolina. Around eighteen months after their birth, McKay sold the girls to Joseph Pearson Smith (1815-1862) of Wadesboro, North Carolina. Smith and his wife, Mary Aleff Cooper Smith (1822-1893) educated the twins; they could speak five languages, dance, play music, and sing. During their lifetime, Millie-Christine enjoyed a successful career as "The Two-Headed Nightingale." On October 8, 1912, Millie died of tuberculosis, while doctors euthanized Christine.
Subject (Name):
Brown, Barnes & Bell, Millie-Christine, 1851-1912, and Millie-Christine,--1851-1912--Portraits.
Subject (Topic):
African American entertainers--Pictorial works, African American singers--Pictorial works., African American women--Pictorial works., African American women--Portraits., Conjoined twins--Pictorial works., and Conjoined twins--Portraits.
A carte-de-visite photograph created by Louis Bertin, circa 1874-1886. Bertin was a photographer in Brighton, England, 1874-1886.
Description:
Acquired from various sources. For more information refer to the material in the collection. and Millie-Christine (1851-1912), also known as Millie McKoy and Christine McKoy were African American conjoined twins and entertainers. Millie-Christine were born on July 11, 1851, to Monemia and Jacob, slaves owned by Jabez McKay on a plantation in Welches Creek, North Carolina. Around eighteen months after their birth, McKay sold the girls to Joseph Pearson Smith (1815-1862) of Wadesboro, North Carolina. Smith and his wife, Mary Aleff Cooper Smith (1822-1893) educated the twins; they could speak five languages, dance, play music, and sing. During their lifetime, Millie-Christine enjoyed a successful career as "The Two-Headed Nightingale." On October 8, 1912, Millie died of tuberculosis, while doctors euthanized Christine.
Subject (Name):
Bertin, Louis, b. ca. 1827., Millie-Christine, 1851-1912, and Millie-Christine,--1851-1912--Portraits.
Subject (Topic):
African American entertainers--Pictorial works, African American women--Pictorial works., African American women--Portraits., Conjoined twins--Pictorial works., and Conjoined twins--Portraits.
A carte-de-visite photograph created by Washington Lafayette Germon, circa 1865-1872. Germon was a photographer active in Philadelphia, Pennsylvania, 1846-1877.
Description:
Acquired from various sources. For more information refer to the material in the collection. and Millie-Christine (1851-1912), also known as Millie McKoy and Christine McKoy were African American conjoined twins and entertainers. Millie-Christine were born on July 11, 1851, to Monemia and Jacob, slaves owned by Jabez McKay on a plantation in Welches Creek, North Carolina. Around eighteen months after their birth, McKay sold the girls to Joseph Pearson Smith (1815-1862) of Wadesboro, North Carolina. Smith and his wife, Mary Aleff Cooper Smith (1822-1893) educated the twins; they could speak five languages, dance, play music, and sing. During their lifetime, Millie-Christine enjoyed a successful career as "The Two-Headed Nightingale." On October 8, 1912, Millie died of tuberculosis, while doctors euthanized Christine.
Subject (Name):
Germon, W. L. (Washington Lafayette), Millie-Christine, 1851-1912, and Millie-Christine,--1851-1912--Portraits.
Subject (Topic):
African American entertainers--Pictorial works, African American women--Pictorial works., African American women--Portraits., Conjoined twins--Pictorial works., and Conjoined twins--Portraits.
