Manuscript fragment on parchment (upper half of a leaf) of Gregory the Great, Moralia in Iob, XVIII.41-42.
Description:
In Latin., Script: Copied by one hand in a splendid large uncial with very few abbreviations. On f. 1v the two final letters of the last word on the top line ("habere") have been supplied in Anglo-Saxon minuscule; on line 6 the two final letters of the last word ("praemisimus") are supplied in smaller uncial script., The parchment is thin with greasy transparent patches and a hole (before writing) close to its lower edge., and Later the fragment was used as a flyleaf; an early owner wrote alongside the right-hand edge of f. 1v the ownership inscription "Liber iste est fratris Reyneri de Capella. Orate pro eo".
Manuscript fragment on parchment of Gregorius Magnus (Gregory the Great, pope 590-604), Moralia in Iob
Description:
In Latin., Script: written in bold Praegothica marked by strong bifurcation at the top of the ascenders, frequent use of lengthened i, unusual ct-ligature and the Southern form of tironian et., The text opens with a 6-line decorated initial P, half inset, with long tail in the margin in red and blue., and The inner margin is trimmed, damaging part of the initial on the recto. Both pages are stained and the recto (hair side) is worn.
Manuscript on paper of Gregory I, Pope, Moralia in Iob. Books 1-4 translated into Italian by Zanobi de Strata
Description:
In Italian., Several watermarks, most indeterminate, but one resembling Piccard, vol. 10, II 307 (Pavia, 1397-99)., Copied in Italian humanist cursive., and Binding: Plain vellum over boards. Endleaves from a 14th-century breviary.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604.
Subject (Topic):
Christian literature, Italian, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of books I-IX of Gregory the Great, Moralia in Job, also containing two Masses: (1) feast of Charlemagne (Jan 28) and (2) feast of St Catherine (Nov 25); various prayers; scriptural excerpts; and a list of donations to the abbey of Mersburg
Description:
In Latin., Script: The main section is copied by various similar hands, in Carolingian script: hand (A) copied ff. 3v and 5r-65v; hand (B) ff. 66r-254v and 256r-259v; hand (C) f. 255r-v. The 15th century replacements for missing parts are copied in Gothica Hybrida Libraria, and the additional texts are copied by various 13th-14th century hands, writing in Gothica Textualis Libraria in various sizes, except art. 2, which is in Gothica Cursiva Antiquior., Decoration: Limited and uneven, ceasing after f. 122r. A few simple initials. A small pen drawing of a young man sitting on a bench, with undecipherable accompanying text, and a dry-point sketch of a standing male figure., and Binding: 20th century brown morocco de luxe over cardboard, by Marguerite Duprez-Lahey (1880-1958); both covers blind-tooled with frames and disk motif, also apparent on the blind-tooled turn-ins; and the spine has four raised bands and gold-tooled inscriptions.
Holograph of a collection of notes and personal memoranda. The volume begins with a description of a dream, dated August 1840, in which she imagines she is with child, from which she awakes in tears, recalling that she has never possessed either husband or child, and has long survived that "Friend" who had been such a comfort to her. Following this recollection and dated 9 May 1842, she reminisces about her past vigor of body and mind, including extraordinary sense of sight and hearing, and notes how these senses are diminishing with age; she also mentions her quickness of mind which was nurtured by those to whom she was devoted. The volume concludes with a brief essay titled The apocalypse, which analyzes the Book of Revelation
Description:
Mary Berry (1763-1852), author, was born at Stanwick, Yorkshire. She and her sister Agnes began a close friendship with Horace Walpole in 1788, who spoke of them as his "twin wives." He established the sisters at Teddington, in 1789, and two years later offered them the use of his own secondary residence, Little Strawberry Hill. Berry became engaged to General Charles O'Hara (c.1740-1802) about October 1795, though the couple separated in 1796. In 1824 the sisters took up residence in Curzon Street, where they established a salon frequented by many prominent figures in society; Berry's acquaintances included William Thackeray, Maria Edgeworth, and Madame de Staël. Her literary productions include the comedy Fashionable Friends; A comparative view of the social life of England and France from the Restoration of Charles the Second to the French Revolution (1828) and its sequel Social Life in England and France from the French Revolution in 1789 to that of July 1830 (1831); and an edition of the Works of Horace Walpole (1798)., In English., Binding: cardboard covers. Written on cover: MB. 1839., and For further information, consult library staff.
Manuscript on parchment of Pauline Epistles (Epistola ad Romanos 2.27 through Epistola ad Hebreos 11.34), with commentary of Gilbert de la Porree. With Argumenta, later additions, all attributed to Hugo de Sancto Caro or Peter Lombard
Description:
In Latin., Script: Written in fine early gothic bookhand in two sizes of script, above top line., Three illuminated initials at beginning of first three Epistles of excellent quality, ff. 34v, 69v, 86v, 8- to 5-line, with descenders extending into margins, red, blue, green and beige against gold ground. Bodies of initials filled with stylized scrolling foliage, bright blue, red, green, orange, silver and yellow with white highlights against gold ground. Descenders serve as a trellis for similar scrolls, some ending in biting animal's heads or fantastic birds. Scrolling foliage, f. 86v, inhabited by beasts of a canine variety, white with red shading. The decoration of manuscript is unfinished; f. 99r pen and ink underdrawing for an initial as above, with only touches of red added; blank spaces left for initals for remaining Epistles. Small initials, 3-line, gold with red penwork, for beginning of commentary for each Epistle. Headings in red or alternating red and blue majuscules. Plain initials touched with red. Running titles, later addition, in red., and Binding: Twentieth century, United States (?). Half bound in dark red goatskin with gold-tooled lettering on the spine ("St. Paul/ Epistulae cum commento/ MS. 12th Cent."), marbled paper sides, and yellow edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gilbert, de La Porrée, approximately 1075-1154., Hugh, of Saint-Cher, Cardinal, approximately 1200-1263., and Peter Lombard, Bishop of Paris, approximately 1100-1160.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of Nicolaus de Lyra, Postilla super psalterium; Postilla super libros prophetorum
Description:
In Latin., Script: copied by two scribes: A copied ff. 1r-95r (with the exception of f. 40) in Gothica Cursiva Antiquior Libraria; and B copied ff. 97r-272r in the same type of script, but closer to Anglicana., Decoration: Illuminated initials in red, purple, blue, and gold leaf. Elaborate marginal vine-and-floral ornamentation at beginnings of chapters in red, blue, green, brown, and gold leaf. Occasional multi-colored pictures and diagrams. Traces of indexing tabs on the first leaf of every book. See catalog description for further detail., and Binding: 19th century parchment over pasteboards. Each cover has a central embossed design of an interlocking lozenge and rectangle in red and black with floral ornamentation in gold and blue. Red leather labels on spine with embossed gold letters.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Nicolaus de Lyra, Postillae on Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Joshua, Judges, Ruth, and I-IV Kings
Description:
In Latin., Script: Written by several scribes in gothic bookhand., 19 pen-and-ink drawings with washes in red, green, blue and pale yellow, some inserted into the text column, others up to half-page size dealing with the Tabernacle in the Desert and the Temple of Solomon: the drawings serve to clarify the written text by depicting differences in interpretations between Jewish and Catholic exegesis; contrasting drawings are usually juxtaposed and labelled with the respective source for each., Many fine flourished initials, red and blue divided, 9- to 3-line, with penwork designs in red, blue and/or purple; somewhat smaller less ambitious initials alternate red and blue with designs in the opposite color. The minor decoration appears inconsistently, with running headlines, rubrics, paragraph marks and underlining of Biblical texts, in various colors or totally absent., and Binding: Modern restoration? Limp vellum case with earlier title (mostly illegible) running lengthwise on spine and later title added at top of spine: "Fr. Nicolai de Lyra ord. min. Commentaria in Libro historico Sacrae Scripturae".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
