James D. Hutton collection of drawings and photographs.
Container / Volume:
Box 1 | Folder 24
Image Count:
4
Abstract:
Four salted paper prints made during the Raynolds expedition of 1859-1860 depicting Laramie Hills with tipis in the foreground; a fort, possibly Fort Union; two sets of group portraits of Arapahos, one of them of Arapaho chiefs Eagle Head, Split-nose, Little Owl, and Friday. There are 17 drawings by Hutton, 11 of them of western views, most probably made during the Raynolds expedition, depicting Fort Sarpy on the Yellowstone; Eagle Creek on the upper Missouri River; the valley of Wind River; Red Canon Creek, Big Horn Mountains; and Lodge Pole Peak and Crow Peak in the Black Hills. There are nine other drawings present, six by three other identified artists: R. W. Ingle, W. Taylor, Jr., and William Rich Hutton, James' brother. The drawing by William Rich Hutton is a view of San Francisco. Accompanied by a document made out to Miss Ellen S. Hutton in thanks for her work as church organist.
Description:
Accompanied by a container list., All versos blank., James D. Hutton headed the photographic unit of the 1856-1860 expedition led by Captain William Franklin Raynolds to the Yellowstone and the Wind River Mountains., and See also Hutton photographs in the William Franklin Raynolds Papers, WA MSS 393.
Collection also includes two photographs of Alain LeRoy Locke (1946 and undated); related notes, clippings, and ephemera (1907-1971); a typescript carbon of "The Wise" by Countee Cullen, inscribed to Locke by Cullen; and a checklist for an exhibition of paintings by Henry Ossawa Tanner., Four pastel and charcoal drawings given to Russell by Locke in 1952 include three unsigned portraits attributed to Lenwood Harvey Morris, circa 1915-1918, of Jessie Redmon Fauset, Zora Neale Hurston, and Georgia Douglas Johnson, as well as a portrait of a woman signed and dated by an unidentified artist, "S. H.," 1916., and The collection consists chiefly of letters (most autograph letters, signed) between Alain LeRoy Locke and Maurice V. Russell, 1942-1953. The correspondence discusses Russell's education, career plans, and psychoanalysis, and indicates that Locke supported Russell financially during the years he was in school. The two also exchange news of mutual acquaintances, including "Glenn" and Edward Atkinson. Later correspondence,1954-1980, concerns the death of Alain LeRoy Locke, and commemoration of his life.
Description:
Alain LeRoy Locke (1885-1954), African American author, philosopher, and central figure in the Harlem Renaissance. Educated at Harvard University (BA, 1907, PhD, 1918), Locke taught at Howard University from 1912-1916, 1918-1925, and 1928-1953; in retirement he moved to New York City where he died on June 9, 1954., Formerly owned by Maurice V. Russell and purchased from Jack L. Lindsey on the James Weldon Johnson Memorial Collection of Negro Arts & Letters Fund and the Carl Van Vechten Fund, 2012., formerly owned by Maurice V. Russell and purchased from William Reese Co. (Swann sale, 2015 March 26, lot 185) on the Carl Van Vechten Fund, 2015., In Box 1: Correspondence, 1942-1948. In Box 2: Correspondence, 1949-1980; Other papers, 1907-1971. In Box 3: Drawings, 1915-1918., Includes correspondence, ephemera, and drawings,, Lenwood Harvey Morris (1889-1920) was an African American artist. He trained at the Philadelphia Academy of Fine Arts during the early twentieth century. His best-known painting is a portrait of Alain Leroy Locke, 1915-1918, in the collection of the Howard University Art Gallery. He died of tuberculosis in 1920., and Maurice V. Russell (1923-1998), director of the Social Service Department of New York University Medical Center (1973-1988), trustee of Columbia University (1987-1995), and director of the Kenworthy-Swift Foundation (1973-1998). Russell received his bachelor's degree from Temple University in 1948, and his master's of social work degree from Columbia University School of Social Work in 1950. He received his PhD from Columbia University Teacher's College in social psychology in 1964.
African American educators, African American philosophers, African American social workers, Educators--New York (State)--New York., Philosophers--New York (State)--New York., and Social workers--New York (State)--New York.
James D. Hutton collection of drawings and photographs.
Container / Volume:
Box 1 | Folder 5
Image Count:
2
Abstract:
Four salted paper prints made during the Raynolds expedition of 1859-1860 depicting Laramie Hills with tipis in the foreground; a fort, possibly Fort Union; two sets of group portraits of Arapahos, one of them of Arapaho chiefs Eagle Head, Split-nose, Little Owl, and Friday. There are 17 drawings by Hutton, 11 of them of western views, most probably made during the Raynolds expedition, depicting Fort Sarpy on the Yellowstone; Eagle Creek on the upper Missouri River; the valley of Wind River; Red Canon Creek, Big Horn Mountains; and Lodge Pole Peak and Crow Peak in the Black Hills. There are nine other drawings present, six by three other identified artists: R. W. Ingle, W. Taylor, Jr., and William Rich Hutton, James' brother. The drawing by William Rich Hutton is a view of San Francisco. Accompanied by a document made out to Miss Ellen S. Hutton in thanks for her work as church organist.
Alternative Title:
Below mouth of Eagle Creek Upper Missouri River
Description:
Accompanied by a container list., James D. Hutton headed the photographic unit of the 1856-1860 expedition led by Captain William Franklin Raynolds to the Yellowstone and the Wind River Mountains., and See also Hutton photographs in the William Franklin Raynolds Papers, WA MSS 393.
Subject (Geographic):
Fort Union (N.D.)--Pictorial works, San Francisco (Calif.)--Pictorial works, Wind River Range (Wyo.)--Pictorial works, and Wyoming--Pictorial works
Subject (Name):
Hutton, Wm. R.--(William Rich),--1826-1901, Ingle, R. W.,--artist, and Raynolds, W. F.--(William Franklin),--1820-1894
Subject (Topic):
Arapaho Indians--Portraits and Indians of North America--Portraits
Political cartoon depicting Jonathan forcing a mug of 'Perry' down the throat of John Bull, a uniformed man. Jonathan is depicted saying "Take it, Johnny - take it I say - why can't you take it? - It will mend your morals & your manners too, friend Johnny - Plague on you, you shall swallow it." John Bull is depicted saying "O! don't force me to take it, Brother Jonathan - Give me Holland Gin, French Brandy - anything but this D----d Yankee Perry - it has already fuddled me." Five ships are shown in the background
Description:
Amos Doolittle, known for his engravings of the Battle of Lexington, designer and engraver of a number of political cartoons. and Manuscript caption at bottom.
Subject (Geographic):
United States
Subject (Name):
Perry, Oliver Hazard.
Subject (Topic):
History, Humor, caricatures, etc, and Lake Erie, Battle of, 1813
Collection of approximately 76 drawings and sketches made by Brown in watercolor, oil, pastel, wash, pencil and ink. Thirty-one drawings depict army forts and western scenery, including Ringgold Barracks, Los Morus, Port Isabel, and San Jose, Texas; Forts Dalles and Nachess and Mt. Hood, Oregon Territory; Forts Stillicum and Taylor, Washington Territory. and The two volume diary is a corrected typescript containing extracts from a diary Brown kept from 1849 to 1859, and includes 24 ink and wash drawings. Brown describes towns, forts, and missions in Texas and the Pacific Northwest; travels by land in Texas; conflicts with Indians in Texas, Oregon, and Washington; cholera and typhoid epidemics; travelling with his family; marching to Arkansas; spending time with Robert E. Lee; and travelling to the Pacific Coast via steamer. The 24 ink and wash drawings depict the front of the Alamo and the mission of La Conception, San Antonio; Mexican women making tortillas; breakfast on the march; the head of Las Morus River; officer's quarters at Ringgold Barracks, Fort Vancouver, and Fort Dalles; "Chenoweth, chief of Dog-River Indians, hung at Cascades"; and "Cut-Mouth John, friendly Cayuse Scout".
Description:
Accompanied by a container list (in box 1)., Brown, an army surgeon and self-taught artist, served at several military posts in Texas and the Pacific Northwest in the 1850s. During the Civil War he served with the Army of the Potomac and in the Assistant Surgeon General's office in Louisville., and Purchased from Charles Apfelbaum on the Winlock William Miller, Jr. Memorial Fund, 1997, and from William Reese Company on the Winlock William Miller Jr. Memorial Fund, 1998.
Subject (Geographic):
Alamo (San Antonio, Tex.)--Pictorial works, Fort Dalles (Dalles, Or.)--Pictorial works, Fort Naches (Or.)--Pictorial works, Fort Ringgold (Rio Grande City, Tex.), Fort Ringgold (Rio Grande City, Tex.)--Pictorial works, Fort Vancouver (Wash.)--Pictorial works, Hood, Mount (Or.)--Pictorial works, Oregon--Description and travel, Oregon--Pictorial works, Port Isabel (Tex.)--Pictorial works, Texas--Description and travel, Texas--Pictorial works, Washington--Description and travel, and Washington--Pictorial works
Subject (Name):
Brown, Joseph B., 1822-1891, Lee, Robert E. (Robert Edward), 1807-1870, and United States. Army Military life
Subject (Topic):
Indians of North America--Texas, Indians of North America--Wars--1815-1875, Indians of North America--Wars--Oregon, Indians of North America--Wars--Washington (State), Missions, Spanish--Texas--Pictorial works, Pacific Coast Indians, Wars with, 1847-1865, and Voyages to the Pacific coas
A collection of 75 drawings and designs for Strawberry Hill which document the growth of Strawberry Hill whilst Bentley was in favor with the owner Horace Walpole and part of the "Strawberry Committee" (ca. 1753-1761) along with John Chute. Drawings include: the first plans for the main library. Besides the designs for Strawberry Hill, there are plans for other buildings, views of Jersey, sketches for Gray's Poems, etc
Alternative Title:
Drawings and designs by Richard Bentley ...
Description:
Title from special title page printed at Strawberry Hill Press, ca. 1760. See Hazen, A.T. Bibliography of Strawberry Hill press, p. 255., With notes by Horace Walpole and Richard Bentley on mounts and drawings., and For further information, consult library staff.
Subject (Name):
Gray, Thomas, 1716-1771., Walpole, Horace, 1717-1797, and Strawberry Hill (Twickenham, London, England)
Views of natives, landscapes, and ethnographic objects of the Northwest Coast of America, Pacific Islands, China, and South America. Half of the drawings are fully rendered watercolors, others are rough sketches with detailed notes on coloring, dates of anchorages, and occasionally events on board ship or shore. Ten watercolors are of Native Americans of the Northwest Coast, eight of them signed by Bacstrom and fully executed after his return. There are ten views of the Northwest Coast of America, including Nootka Sound and Queen Charlotte's Island, and Native American villages at Norfolk Sound and Fitzhugh Sound. There are two maps of Queen Charlotte's Island, six watercolors of canoes from the Northwest Coast and the Pacific Islands, and four drawings of Native American and Pacific island ethnographic objects and There are eighteen watercolor sketches and drawings of the coast of South America and the islands in the Pacific, including Hawaii and Staaten Island near Cape Horn. Other drawings include ten watercolors of Chinese men and women, a pencil drawing of a Chinese junk, and a watercolor of an American tea plant. The drawings are accompanied by a highly finished watercolor of the Greenland Whale Fishery not made during the voyage, and a manuscript catalog of "some accurate and characteristic original drawings" made on the voyage with prices; not all of the drawings listed correspond to drawings present in the collection
Description:
Bacstrom, a protégé of Sir Joseph Banks, served as surgeon on a private fur-trading ship which sailed around Cape Horn to the South Seas, Nootka Sound, the East Indies, and the Cape. Bacstrom left the ship at Nootka Sound and later served as surgeon on several ships, visiting China, India, the Cape, and the Americas., Accompanied by a container list., Manuscript captions., and View a digital version in the Beinecke Library's Digital Images Online database
Subject (Geographic):
Northwest, Pacific, Hawaii, China, Islands of the Pacific, Queen Charlotte Islands (B.C.), South America, and Greenland
Subject (Topic):
Indians of North America, Social life and customs, Clothing and dress, and Whaling
James D. Hutton collection of drawings and photographs.
Container / Volume:
Box 1 | Folder 17
Image Count:
1
Abstract:
Four salted paper prints made during the Raynolds expedition of 1859-1860 depicting Laramie Hills with tipis in the foreground; a fort, possibly Fort Union; two sets of group portraits of Arapahos, one of them of Arapaho chiefs Eagle Head, Split-nose, Little Owl, and Friday. There are 17 drawings by Hutton, 11 of them of western views, most probably made during the Raynolds expedition, depicting Fort Sarpy on the Yellowstone; Eagle Creek on the upper Missouri River; the valley of Wind River; Red Canon Creek, Big Horn Mountains; and Lodge Pole Peak and Crow Peak in the Black Hills. There are nine other drawings present, six by three other identified artists: R. W. Ingle, W. Taylor, Jr., and William Rich Hutton, James' brother. The drawing by William Rich Hutton is a view of San Francisco. Accompanied by a document made out to Miss Ellen S. Hutton in thanks for her work as church organist.
Description:
Accompanied by a container list., James D. Hutton headed the photographic unit of the 1856-1860 expedition led by Captain William Franklin Raynolds to the Yellowstone and the Wind River Mountains., See also Hutton photographs in the William Franklin Raynolds Papers, WA MSS 393., and Verso is blank.
James D. Hutton collection of drawings and photographs.
Container / Volume:
Box 1 | Folder 6
Image Count:
1
Abstract:
Four salted paper prints made during the Raynolds expedition of 1859-1860 depicting Laramie Hills with tipis in the foreground; a fort, possibly Fort Union; two sets of group portraits of Arapahos, one of them of Arapaho chiefs Eagle Head, Split-nose, Little Owl, and Friday. There are 17 drawings by Hutton, 11 of them of western views, most probably made during the Raynolds expedition, depicting Fort Sarpy on the Yellowstone; Eagle Creek on the upper Missouri River; the valley of Wind River; Red Canon Creek, Big Horn Mountains; and Lodge Pole Peak and Crow Peak in the Black Hills. There are nine other drawings present, six by three other identified artists: R. W. Ingle, W. Taylor, Jr., and William Rich Hutton, James' brother. The drawing by William Rich Hutton is a view of San Francisco. Accompanied by a document made out to Miss Ellen S. Hutton in thanks for her work as church organist.
Alternative Title:
Fort Sarpy on the Yellowstone
Description:
Accompanied by a container list., James D. Hutton headed the photographic unit of the 1856-1860 expedition led by Captain William Franklin Raynolds to the Yellowstone and the Wind River Mountains., See also Hutton photographs in the William Franklin Raynolds Papers, WA MSS 393., and Verso is blank.
Subject (Geographic):
Fort Union (N.D.)--Pictorial works, San Francisco (Calif.)--Pictorial works, Wind River Range (Wyo.)--Pictorial works, and Wyoming--Pictorial works
Subject (Name):
Hutton, Wm. R.--(William Rich),--1826-1901, Ingle, R. W.,--artist, and Raynolds, W. F.--(William Franklin),--1820-1894
Subject (Topic):
Arapaho Indians--Portraits and Indians of North America--Portraits
Manuscript diary in the hand of Henry Ridinger, 1878-1882. Ridinger describes his work as a herder in Colorado, landscapes and topography in Colorado, Navajo settlements, working in the hay trade, a shooting and arrest in Colorado, and his travel through Kansas to Indian Territory (now Oklahoma). Ridinger describes life with a group of Osage, including the construction of buildings, hunting, fishing, agriculture, and Osage funerary and religious ceremonies. Ridinger also records his interactions with other tribes, including Pawnee, Cherokee, Ute, and Waco. He describes relations and treaties between the tribes, as well as the tribes' relations with the United States government, including the disbursement of food and clothing. Other passages describe copies of earlier treaties with France and Spain which the tribes showed Ridinger. A later entry describes the aftermath of the United States Army burning a Jewish settlement in Oklahoma in 1881 and The diary also includes an essay about the history of Native American treaties with the United States government and several pages of accounts listing expenses and sales of hay, wheat, and corn. The diary includes several drawings of people, horses, insects, dogs, and symbols. Accompanied by 3 photographs, one hand-colored portrait of Henry Ridinger, one of an unidentified woman, and one of a man and woman captioned "Uncle Sam [Ridinger] with his sweetheart who died."
Description:
Henry Ridinger (1851-1938) was born in either Iowa or Illinois in 1851. His family moved to Kansas in 1857 and he left home at the age of 11, circa 1862. He worked as a cattle herder and hay farmer in Colorado, Kansas, and Oklahoma for several years in the 1870s and 1880s. He later became a hay farmer in Lincoln County, Nebraska, circa 1885., In English., and Front and back covers are detached.
Subject (Geographic):
Colorado., Oklahoma., Oklahoma, Colorado, Indian Territory, and Kansas
Subject (Name):
Ridinger, Henry, 1851-1938. and Ridinger, Sam
Subject (Topic):
Agriculture, Cherokee Indians, Crime, Hay trade, Herders, Hunting, Indians of North America, Government relations, Jews, Navajo Indians, Osage Indians, Pawnee Indians, Ute Indians, Waco Indians, and Description and travel
