Manuscript on paper of the writings of Christopher of Paris (pseudonym for a Venetian exile), including his major work, Lucidario, with its supplementary alphabet, plus three letters
Description:
In Italian and Latin., Script: Written by a single good italic hand, sometimes hasty toward the end of the codex., Rubricated, headings often in red., and Binding: Original plain parchment wrapper without ties, back with three raised bands, soiled and worn. Plain edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Christopher, of Paris.
Subject (Topic):
Alchemy, Alphabet books, Italian letters, and Manuscripts, Medieval
Manuscript on paper of a private compilation. The two well known works entered into the codex deal with magical properties ascribed to certain gems and the supernatural significance of the carving of stones. Together with these formal texts are found other extremely varied materials: procedures for restoring wine which has suffered various accidents, for making glass of different colors, for the early ripening of grapes, for making an ass bray loudly, for frightening dogs, and so forth
Description:
In Latin and Italian., Watermark: unidentified flower-petal., Script: Probably written by a single hand, employing a Gothico antiqua on ff. 1-11r, with a less formal treatment of the same elsewhere, and more cursive writing for the passages in Italian; the writing relatively careful at the beginning, progressively less so until the end., Red ink for most headings, red capitals and paragraph marks, except on f. 11v-12r and 16v-17r, which are without color., Lower margins affected by damp throughout and partly repaired with blank paper., and Binding: Nineteenth century. Paper boards, more recent gilt-stamped label on backstrip.
Manuscript on paper of a group of shorter works by Christopher of Paris (pseudonym), probably a Venetian alchemist. With John of Rupescissa, De consideratione quinte essentie. Also includes recipes for making blue pigments and a procedure for etching a design on an iron surface
Description:
In Italian and Latin., Watermarks: 1) anchor with ring atop the shank, all within a circle; 2) plain and ill-drawn anchor with thick flukes, the top of the shank forming a small, neat cross with the short stock. Both probably Italian papers, not directly comparable to the varieties illustrated by Briquet., Script: Written by a single scribe in a late humanistic cursive hand sloping slightly to the right., No headlines, headings and some capitals in pale red., and Binding: Sixteenth century. Brown calf, the covers blind-ruled to a rectangular pattern, the large center rectangle diagonally ruled to a lozenge pattern, a single quatrefoil impressed in blind in each of the rectangles and lozenges so formed, edges partly renewed and rebacked in the style of the period of the binding with compartments formed by three double raised bands, a gold stamped title label in the second compartment from top reading: "CHRISTOPHE | DE PARIS | - | RUPESCISSA | MANUSCRIPTS | ITALY | 15TH C". The endpapers are modern insertions, though of old paper, and the binding, while of the period of the manuscript, probably had no original connection with this codex.
Manuscript on paper (thick) of methods and examples of addition, subtraction, multiplication, division and the rule of three
Description:
In Italian., Watermark: shield with kneeling man holding cross?. Similar to Briquet 7629?., Script: Copied by one hand in Humanistica Cursiva Libraria/Formata., A few geometrical figures., Pages slightly damaged by the acidity of the ink., and Binding: Original limp parchment, a large circle traced with a sharp pencil on the front cover, a group of small circles in the form of a cross on the rear cover. At the top left corner of the front cover a paper label with the 16th-17th century inscription in Humanistica Cursiva: "Mathematicorum. Anonymi arithmetica manu scripta linguae Italicae". On the spine is written in the same type of script "Aritmetica" and, at the top, the letter "A".
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Arithmetic, Manuscripts, Medieval, and Mathematics, Medieval
Manuscript on paper of Astrological tables for solar and lunar locations, probably for use in compiling calendars; tables of latitudes of cities; chronological tables for 1508-18. Most tables are accompanied by prose descriptions
Description:
In Italian., Watermarks: trimmed, in upper margins; unidentified eagle enclosed by a circle similar in design to Briquet Aigle 204., Script: Written in Italian notarial script by a single scribe., Yellow added to initials and to astrological signs, and some numbers., Stained throughout; final folio repaired., and Binding: Eighteenth century. Blind-tooled brown sheepskin.
Manuscript on paper made by an unknown Venetian mathematician, astronomer and cartographer. This manuscript is highly interesting for the excellent drawings of contemporary Mediterranean sailing-ships
Description:
In Italian., Script: Written by one hand in Gothico-Humanistic Cursive, which in the maps alternates with Capitalis. Headings in Capitalis inscribed on scrolls or tablets., Maps, borders and decorations in colours. Clumsily drawn human and animal figures., and Binding: Original limp vellum. On the spine is written "G***ctrica MSS". On the rear cover are a pen-drawing, upside-down, of the same decorative device as on f. 2r, and a sketch of city gates.
Subject (Geographic):
Connecticut, New Haven., and Islands of the Mediterranean.
Subject (Topic):
Atlases, Illumination of books and manuscripts, Medieval, Manuscript maps, Manuscripts, Medieval, and Sailing ships
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1400 and 1500]
Call Number:
Beinecke MS 786
Image Count:
331
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Antoninus, Confessionale. With several other texts, including papal bulls and confessional manuals
Description:
In Italian and Latin., Script: copied by multiple hands in Gothica Hybrida Libraria, Currens, or Humanistica Semitextualis., and Binding: original binding (only back cover preserved) of blind-tooled brown leather over pasteboard, consisting of parchment leaves pasted together.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Bulls, Papal, Confession, and Manuscripts, Medieval
Manuscript on paper of a Paraphrase of the Creed, by Antonio Beccari, known as Credo di Dante, as well as rules for the Confraternita della Morte on how to accompany and comfort the condemned to death; Laudi to comfort those condemned to death, and moral and biblical quotations related to death
Description:
In Italian and Latin., Script: copied by three scribes: A, writing Gothica Semitextualis Libraria, copied ff. 1r-28r, line 5; 30r-79v; B, writing Gothico-Humanistica Semitextualis Libraria/Formata, copied ff. 28r, line 6 -29v and 80r-87r; C, writing Gothico-Humanistica Semitextualis Libraria, copied ff. 88r-91r. Headings in red. Paragraph marks and 2-line plain initials alternately blue and red. In the texts copied by hand B decorated 2-line initials and red stroking of the majuscules. On f. 1r 7-line initial on square gold background with marginal extensions, and in the lower margin three painted wreaths, in the two outer ones the initials A and L, in the larger central one the emblem of the Fraternity of Death: a black skull surmounted by a cross; in the upper right corner a label has been pasted containing a now erased coat of arms. On f. 2r a 4-line gold initial on square blue background., Antonio da Ferrara (Antonio Beccari, 1315- c. 1373), paraphrase in verse of the Creed, dealing also with the sacraments, the Ten Commandments, the mortal sins, the Lord's Prayer and the Hail Mary, known as Credo di Dante, and often attributed to Dante Alighieri. The manuscript also contains rules for the members of the Confraternita della Morte in the Ospedale di Santa Maria della Morte in Bologna, on how to accompany and comfort the condemned to death, as well as Laudi to comfort those condemned to death, moral quotations related to death, and quotations from the Bible and the Church Fathers, in Latin on the verso pages, in Italian translation on the facing rectos., and Binding: 19th century, blind-tooled brown leather over pasteboard. Spine with three raised bands. The parchment flyleaves are palimpsest fragments from a Latin biblical manuscript (Italy, s. XII) written in two columns; a few parts of Daniel 10:16-17 are still legible On the rear pastedown printed label of the "Legatoria L. Muratori, Bologna" (active 1932-1968), probably added at the occasion of a repair.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Beccari, Antonio, 1315-approximately 1371.
Subject (Topic):
Christian literature, Italian, Consolation, and Manuscripts, Medieval
Manuscript on paper of Benedetto Cotrugli (Benedictus de Cotrullis, c. 1410-1469), De navigatione liber (Della navigazione). After the prologue in Latin addressed to the Doge and the Senate of Venice, the author, quoting countless Biblical, ancient, medieval and Renaissance authors and drawing largely on his own experience, discusses the oceans and seas, islands, ports, the history of ship-building and navigation, weather, and astronomy. At the end, he includes portolano maps and describes the coast of the Mediterranean and the Black Sea
Description:
The author, born in Ragusa (Dubrovnik), was a businessman and humanist, from 1451 onwards in favour at the Court of Naples. His Della mercatura e del mercante perfetto, written in 1458, was for a long time considered his only surviving work. Our manuscript, written during his lifetime and no doubt under his supervision or by his hand, is the only existing manuscript of Della navigazione and it is unfinished, missing most of its illustrations and the end of the text., In Italian., Script: Written by one hand in Humanistica Cursiva close to Humanistica Textualis. Headings and opening words of chapters in pale red capitals., Heightening of majuscules and paragraph marks in pale red up to f. 10r. Space for 2- or 3-line initials at the opening of all chapters, the initials not executed. Illustration largely missing; the few that have been executed are crudely drawn., and Binding: Nineteenth century. Yellowish parchment over cardboard. Marbled paste-downs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cotrugli, Benedetto, d. 1468.
Subject (Topic):
Astronomy, Medieval, Illumination of books and manuscripts, Medieval, Italian literature, Manuscript maps, Manuscripts, Medieval, and Navigation
Manuscript on paper of eighty life-size pen-and-ink drawings, tinted with grey, of various styles of horse bridles and bits; apparently intended as a pattern book. Compiled by and/or for Carlo Filippo di Vuelden
Description:
In Italian., Watermarks: similar in design to Briquet Armoiries - Pomme de pin 2118, but with a majuscule M sitting on the top of left and right upper corners, and with four divisions for the tree base., Script: Written in small neat italic., and Binding: 18th-19th centuries. Vellum case; stubs of two green ties.
