Verse in three parts begins: "Here is a penny-worth of wit"., Printed in five columns with the title and imprint above the first two; the columns are not separated by rules., Full stop at end of title and no punctutation at end of the first line of verse., Dated from the address; see David Stoker, "John Marshall, John Evans, and the Cheap Repository tracts, 1793-1800", PBSA 107:1 (2013), 81-118., Mounted on leaf 13. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold by J. Evans and Co. 41 Long-lane West-Smithfield
Subject (Topic):
Prostitution, Husband and wife, Adultery, Merchants, and Wealth
Verse in three parts begins: "Here is a pennyworth of wit,"., In five columns with the title above the first two and imprint below the last two; the columns are not separated by rules., Full stop at end of title., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 12. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold in Bow-Church Yard, London
Subject (Topic):
Prostitution, Husband and wife, Adultery, Merchants, and Wealth
Manuscript on paper of a collection of pseudo-Lullian alchemical writings, translated from the French and Catalan originals, with a little additional matter. The codex underwent a transformation in the early 16th century when considerable new matter was added by another English hand on different, thinner paper; leaves have been inserted throughout the original codex
Description:
In Latin., Watermarks: Original paper: 1) an extremely primitive-looking unicorn with very short horn and long tail somewhat like Briquet 9962 and 10176; 2) a less primitive unicorn rather similar to Briquet 9985; 3) bullshead with defined eyes and nostrils and with cross above, rather like Briquet 15054. Inserted leaves: a very elegant unicorn mark, more developed than Briquet 10104; and some leaves with a gothic "P" with cinquefoil above, rather like Briquet 8809., Script: The original portion written by a single English gothic cursive hand with heavy standard abbreviation. The inserted leaves (first 4 ff. now extant, ff. 88-96, 163-169, 268-274, and 307-319 [of which f. 167 is a blank and f. 315 is a parchment leaf]) written in another gothic cursive habitually employing writing of different sizes., Original text: Headings in red, rubricated. Some pages with diagrams or drawings. The illustrations include Lullian alphabets and tables in the form of wheels, an Arbor philosophorum, a group of flasks, and a good, large drawing of a furnace. Inserted leaves: Red headings, and capitals with slight decoration., and Binding: Eighteenth century, English. Dark calf, sides paneled in blind with a roll tool of vine pattern, leafy sprays at the corners, back with six plain compartments and five raised bands, probably original parchment label on second compartment from top bordered with ink rule and lettered in ink: "RAYM. LULLII | OPERA | MANUSCRIPTA". The binding considerably repaired and some leather renewed. Original plain edges, the top blackened.
Manuscript on paper containing 1) Propugnaculum alchymiae, the Defence of alchymy. 2) The first (second, third, fourth) booke of universall wisedome. 3) Hercules piochymicus. 4) Myrothecium spagyricum, or A chymicall dispensatory
Description:
In English., Script: Written in a clear cursive hand with some secretary elements., Watermarks: Paper with rather faint large watermark of a fleur-de-lys within a cartouche, surmounted by staff with cross and letter "M," not certainly identified., Very moderate abbreviation, headlines and marginalia throughout by the scribe., Anonymously translated into English., Accompanied by: By the King's letters patent. A machine on a new principle. Shelved as Mellon MSS 76a., and Binding: Early eighteenth-century English binding of parchment over pasteboards, somewhat unglued and with defects, the backstrip divided into eight compartments by raised bands, the compartments gold-tooled with floral motifs; binder's endpapers watermarked with a fleur-de-lys mark, countermarked "VI," closely related to Heawood 1544, 1552, and 1554.
Manuscript on paper of the writings of Christopher of Paris (pseudonym for a Venetian exile), including his major work, Lucidario, with its supplementary alphabet, plus three letters
Description:
In Italian and Latin., Script: Written by a single good italic hand, sometimes hasty toward the end of the codex., Rubricated, headings often in red., and Binding: Original plain parchment wrapper without ties, back with three raised bands, soiled and worn. Plain edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Christopher, of Paris.
Subject (Topic):
Alchemy, Alphabet books, Italian letters, and Manuscripts, Medieval
Manuscript on paper of a collection of texts by Nicolas de Locques, in which practical laboratory procedures are mingled with speculative and mystical alchemy
Description:
In French., Script: Written in a practiced scribal hand in a flowing cursive sloping to the right with infrequent standard abbreviation; a second similar, but finer hand on p. 358 only., Watermarks: Paper with unidentified watermark of a griffin rampant (?), the hind paws on a staff incorporating letters and numbers "Y49" (?), countermarked with 2 lines of capitals, the first word perhaps "JUVIMAL" (sic)., and Binding: Original French binding of mottled calf, the sides plain, the edges of the covers gilt-stamped a la grotesque, back (repaired and restored at foot) with seven bands, the compartments gilt-stamped to a rectangular pattern, a lozenge of leafy sprays in the center of each, with triangular elements of the same at the corners, original title label in the second compartment from the top, marbled endpapers, edges speckled red.
Volume of etchings, engravings, and four drawings by amateur artists, collected and heavily annotated by Horace Walpole and assembled and bound by him around 1774. Artists included are: C.W. Bampfylde, Lady Beaumont, Miss C.S. Blake, the Earl of Buchan, the Countess of Burlington, Hon. Richard Byron, Emma Crewe, Lady Cunynghame, the Countess of Drogheda, Lord Grantham, Eliza Gulston, E. Haistwell, Sir William Hamilton, Mary Hartley, Georgina Keate, Ellis Cornelia Knight, Lady Elizabeth Montagu, the Duchess of Newcastle, Viscountess of Polwarth, Sir Thomas Reeve, Catherine St. Aubyn, the Earl of Sunderland, J. Tobin, Caroline Yorke (engravings from drawings by her mother Mrs. Agneta Yorke), and others; some of the engravings are after the work of Lavinia Countess Spencer and Lady Diana Beauclerk
Description:
Title from item., Bound in red morocco, gilt, with Horace Walpole's coat of arms on sides. Bookplate of John Waldie, Hendersyde., and With three additional title pages, formerly thought to have been printed at Strawberry Hill Press: Etchings by Isabella Byron, daughter of William Lord Byron, and second wife of Henry Harcourt, fourth Earl of Carlisle; Etchings by Lady Louisa Augusta Greville, eldest daughter of Francis Earl of Brooke and Warwick; Etchings by George Simon Harcourt Viscount Nuneham, eldest son of Simon Earl of Harcourt.
Volume of etchings, engravings, and four drawings by amateur artists, collected and heavily annotated by Horace Walpole and assembled and bound by him around 1774. Artists included are: C.W. Bampfylde, Lady Beaumont, Miss C.S. Blake, the Earl of Buchan, the Countess of Burlington, Hon. Richard Byron, Emma Crewe, Lady Cunynghame, the Countess of Drogheda, Lord Grantham, Eliza Gulston, E. Haistwell, Sir William Hamilton, Mary Hartley, Georgina Keate, Ellis Cornelia Knight, Lady Elizabeth Montagu, the Duchess of Newcastle, Viscountess of Polwarth, Sir Thomas Reeve, Catherine St. Aubyn, the Earl of Sunderland, J. Tobin, Caroline Yorke (engravings from drawings by her mother Mrs. Agneta Yorke), and others; some of the engravings are after the work of Lavinia Countess Spencer and Lady Diana Beauclerk
Description:
Title from item., Bound in red morocco, gilt, with Horace Walpole's coat of arms on sides. Bookplate of John Waldie, Hendersyde., and With three additional title pages, formerly thought to have been printed at Strawberry Hill Press: Etchings by Isabella Byron, daughter of William Lord Byron, and second wife of Henry Harcourt, fourth Earl of Carlisle; Etchings by Lady Louisa Augusta Greville, eldest daughter of Francis Earl of Brooke and Warwick; Etchings by George Simon Harcourt Viscount Nuneham, eldest son of Simon Earl of Harcourt.
Date of publication from ESTC., First line of text: "The Right. Hon. the Speaker -"., In two columns with the title centered above both; the columns are not separated by a rule., Refers to Mr. Wilkes's 'History of England', vol. 1 of which was published in 1768, and to "Sermons for young women, in 2 vol. 12mo.", which may be a reference to James Fordyce's collection, which went into a large number of editions in 1766 and 1767., A selection of statements on contemporary events, made ridiculous by their association with other events., Mounted on leaf 35. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
