"Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"); in the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man; to left a barber is seen at work through a window, a chamber pot is being emptied from a window above and below a man and woman sleep beneath a wooden shelter and a link boy crouches beside them; to right the Salisbury Flying Coach has crashed while trying to avoid a bonfire in the middle of the street; shop and tavern signs include the barber's (advertising "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"), the Rummer Tavern, the Earl of Cardigan, the Bagnio and the New Bagnio."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
"Scene near Charing Cross with le Sueur's equestrian statue of Charles I in the background and celebrations of the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"); in the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man; to left a barber is seen at work through a window, a chamber pot is being emptied from a window above and below a man and woman sleep beneath a wooden shelter and a link boy crouches beside them; to right the Salisbury Flying Coach has crashed while trying to avoid a bonfire in the middle of the street; shop and tavern signs include the barber's (advertising "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"), the Rummer Tavern, the Earl of Cardigan, the Bagnio and the New Bagnio."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., Sheet trimmed to plate mark., and On page 94 in volume 1. Sheet 480 x 385 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and 1 print : engraving on laid paper, hand-colored ; plate mark 490 x 40.4 mm, on sheet 523 x 424 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image. and State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.4 cm, on sheet 59 x 46 cm., and Plate 23 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.7 cm, on sheet 56 x 45 cm., and Leaf 23 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and On page 91 in volume 1. Sheet 485 x 396 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
"Portrait of Robert Devereux, Earl of Essex, bust directed to right but looking at the viewer, with square beard, wearing a ruff and lace collar, a column beyond; in an architectural oval with pedestal and urn below; a putto holding a torch and weeping over the sitter's decapitated head which lies next to an axe."--British Museum online catalogue
Description:
Title from text in image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Sr. Robert Worsley Bart."--Below image., Engraved after the minature later acquired by Horace Walpole and kept in the rosewood cabinet in the Tribune at Strawberry Hill., Mounted on page 133 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving and etching on laid paper ; sheet 36.7 x 23 cm., and Sheet trimmed to plate mark.
Publisher:
Impensis I. & P. Knapton Londini
Subject (Geographic):
Great Britain.
Subject (Name):
Essex, Robert Devereux, Earl of, 1565-1601, and Strawberry Hill (Twickenham, London, England)
