In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title, state, and date from Paulson., State before black Latin cross added. See Paulson., Sheet trimmed within plate mark., "Plate 3"--Lower left corner., and On page 60 in volume 1. Plate trimmed to: 31.6 x 38.5 cm.
Hogarth shows Harpagon, the miser, at left, taking time out from the play's climactic scenc to snuff a candle (one is sufficient). Valère (putting on his hat) and Anselm (leaning on the table) are about to discover that they are son and father
Description:
Title, state, publisher, and date from Paulson., Second state with "Act 5. Scene 5" etched below image., Used as a frontispiece to: Select comedies of Mr. de Molière (London : John Watts, 1732)., Sheet trimmed to plate mark., and With ms. note in ink in Horace Walpole's hand(?) below image.
Hogarth shows Harpagon, the miser, at left, taking time out from the play's climactic scenc to snuff a candle (one is sufficient). Valère (putting on his hat) and Anselm (leaning on the table) are about to discover that they are son and father
Description:
Title, state, publisher, and date from Paulson., Third state: Act and scene references have been removed but traces remain., Used as a frontispiece to: Select comedies of Mr. de Molière (London : John Watts, 1732)., Sheet trimmed to plate mark., Ms. note in Steevens's hand above: L'Avare 171., and On page 52 in volume 1.
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title, state, and date from Paulson., Third state: Scene number has been removed but traces remain., Sheet trimmed to plate mark with loss of last two character's in printmaker's name., Ms. note in Steevens's hand above: Cocu Imaginaire / 171., and On page 52 in volume 1.
Plate 5. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her on Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Moll Hackabout and her fellow inmates at work in Bridewell prison
Description:
Title, date, and state from Paulson. and State with black Latin cross added (in 2nd state) in the middle, below design and many changes to the design. See Paulson.
Plate 5. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her on Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Moll Hackabout and her fellow inmates at work in Bridewell prison
Description:
Title, date, and state from Paulson., State with black Latin cross added (in 2nd state) in the middle, below design and many changes to the design. See Paulson., 1 print : etching with engraving on laid paper ; plate mark 31.2 x 38.8 cm, on sheet 46 x 59 cm., and Plate 5 in the album: Queen Charlotte's collection of Hogarth works.
Plate 5. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her on Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Moll Hackabout and her fellow inmates at work in Bridewell prison
Description:
Title, date, and state from Paulson., State with black Latin cross added (in 2nd state) in the middle, below design and many changes to the design. See Paulson., and On page 61 in volume 1. Plate trimmed to: 31.2 x 38.5 cm.
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 45 x 56 cm., and Leaf 3 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., and On page 59 in volume 1. With pencilled ms. note in Steevens hand above print: 1st Impression. Plate trimmed to: 31.1 x 37.7 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea