Plate 14. Queen Charlotte's collection of Hogarth works. Leaf 14. Album of William Hogarth prints.
Image Count:
1
Abstract:
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
State 4 with added crosshatching: the wings on top of the bedstead, Sarah's dress, the ribbon on the cap of the woman slapping Sarah's hand, Rakewell's right shoe and sleeve, his old wife's shoulder, the lower part of the warder's coat, the bundle in the lower right corner, and the whole of the floor ... See Paulson for fuller description., Title, state, and imprint from Paulson., Added title from first lines of verses below image., "Plate 7"--Bottom left., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 35.2 x 40.6 cm, on sheet 45 x 56 cm., and Leaf 14 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, 1 print : etching on laid paper ; plate mark 35.5 x 40.8 cm, on sheet 45 x 56 cm., and Leaf 8 in: Album of William Hogarth prints.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, 1 print : etching on laid paper ; plate mark 35.6 x 40.8 cm, on sheet 46 x 59 cm., and Plate 8 in the album: Queen Charlotte's collection of Hogarth works.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, 1 print : etching on laid paper ; plate mark 35.6 x 40.8 cm, on sheet 46 x 59 cm., and Plate 8 in the album: Queen Charlotte's collection of Hogarth works.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, Ms. note in Steevens's hand in pencil on page above the print: 2d impression., and On page 66 in volume 1.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, and Imperfect, sheet trimmed to image with loss of caption and imprint: 325 x 400 mm.
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey
Alternative Title:
Prosperity, (with Harlot's smiles, most pleasing, when she most beguiles,) ...
Description:
Title, state and imprint from Paulson., Added title from first lines of caption below image., and Sheet trimmed to image with caption from 4th state pasted on.
Publisher:
Wm. Hogarth
Subject (Name):
Bridgeman, Charles, -1738., Farinelli, 1705-1782., and Figg, James, -1734.
Subject (Topic):
Harpsichords, Horse racing, Gardeners, Boxers, Musicians, and Clothing & dress
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Added title from first line of text., and Caption below image in four columns begins: "Prosperity, (with Horlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ..."
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
Plate 9. Queen Charlotte's collection of Hogarth works. Leaf 9. Album of William Hogarth prints.
Image Count:
1
Abstract:
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Fourth state with 'Horlot' corrected to 'Harlot'; scrolls over the harpsichodist's shoulder are hatched, but the floor and the dancing master's coat are not yet hatched., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", 1 print : etching and engraving on laid paper ; plate mark 35.5 x 40.7 cm, on sheet 46 x 59 cm., and Plate 9 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
Plate 9. Queen Charlotte's collection of Hogarth works. Leaf 9. Album of William Hogarth prints.
Image Count:
1
Abstract:
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Fourth state with 'Horlot' corrected to 'Harlot'; scrolls over the harpsichodist's shoulder are hatched, but the floor and the dancing master's coat are not yet hatched., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", Ms. note in Steevens's hand in pencil at bottom margin of print: Given me by Mr. Henderson., Ms. note in ink (another hand?) below image at right: Scotin fe: aqua fortis., and On page 68 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults