"View of an open loggia, and above the royal arms and other figures."--British Museum online catalogue
Alternative Title:
Perspective view of David Loudon's Bun House at Chelsea
Description:
Title etched below image., "Hogarth's name appears on some impressions of this print and the style is similar to his work, but the print does not appear in any of Hogarth's own catalogues. It is likely that the name was added to the plate at a later date to enhance sales."--Curator's comments, British Museum online catalogue, registration no.: 1880,1113.2420., Date of publication from description of presumed earlier state lacking Hogarth's name; see British Museum online catalogue., With a scale of measurement at bottom of plate and the text "52 by 21 feet" following title., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Topic):
Stores & shops, Buildings, Loggias, Coats of arms, and Soldiers
Façade of the bungalow in Chelsea, with colonnade at front; above at centre the royal arms, with soldiers and men holding scientific instruments on either side
Description:
Title engraved below image., Publication date from British Museum online catalogue., and Formerly dated 1730.
Publisher:
publisher not identified
Subject (Geographic):
Chelsea (London, England), England, and London.
Subject (Topic):
Buildings, structures, etc, Bungalows, Facades, Scientific equipment, British, and Soldiers
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., and A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia".
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., Ms. note in pencil in Steevens's hand below print: First impression., A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia"., and On page 151 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., 1 print : etching and engraving on laid paper ; plate mark 43 x 55.4 cm, on sheet 45 x 56 cm., and Leaf 37 in: Album of William Hogarth prints.
"View in the park looking towards the Horse Guards, with the Admiralty Office on the left and the Treasury on the right; a carriage following a line of soldiers approaching the arched gateway of the Horse Guards."--British Museum online catalogue
Alternative Title:
Vü̈e de la parade dans le Parc de St. Jacques
Description:
Titles etched below image, in English and French., Date range for publication from the British Museum online catalogue, registration no.: 1880,1113.2309., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Imperfect; plate number mostly erased from upper right corner of sheet. Missing number supplied from impression in the British Museum., Plate numbered "11" in upper right corner., Mounted to 23 x 38 cm., and Leaf 15 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
Saint James's Park (London, England),, England, and London.
Subject (Name):
Horse Guards (London, England : Building),, Great Britain. Treasury, and Great Britain. Admiralty
Subject (Topic):
Buildings, Parks, Government facilities, Parades & processions, Soldiers, and Carriages & coaches
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed with plate mark., Ms. note in pencil in Steevens's hand below print: Aqua fortis proof. See Mr. Nichols's book, 3d. edit. p. 299., and On page 149 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed within plate mark., and On page 150 in volume 2.
