Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
according to act of Parliament, 1750.
Call Number:
Portraits C642 no. 3
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the actress Kitty Clive in the character of Mrs Riot (the 'Fine Lady') in Garrick's 'Lethe'; three-quarters to left, looking to front, carrying a lapdog in her right arm, which she rests on the panniers of her skirts, her left hand catching the fabric of her dress; in wooded landscape by the riverside, boating party behind at left."--British Museum online catalogue
Description:
Title etched below image., Artist from the British Museum online catalogue, registration no.: K,58.185., Two lines of text below title: Shew me to the pump room then, fellow; where's the company, I die in solitude &c., "Price 6 d."--Following imprint statement., Sheet trimmed within plate mark., and Window mounted to 36.7 x 25.2 cm.
Publisher:
publisher not identified
Subject (Name):
Clive, Kitty, 1711-1785, and Garrick, David, 1717-1779.
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
according to act of Parliament, 1750.
Call Number:
Folio 33 30 Copy 11
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the actress Kitty Clive in the character of Mrs Riot (the 'Fine Lady') in Garrick's 'Lethe'; three-quarters to left, looking to front, carrying a lapdog in her right arm, which she rests on the panniers of her skirts, her left hand catching the fabric of her dress; in wooded landscape by the riverside, boating party behind at left."--British Museum online catalogue
Description:
Title etched below image., Artist from the British Museum online catalogue, registration no.: K,58.185., Two lines of text below title: Shew me to the pump room then, fellow; where's the company, I die in solitude &c., "Price 6 d."--Following imprint statement., Sheet trimmed within plate mark., Mounted on page 76 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching with stipple on laid paper ; sheet 32.9 x 22 cm., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature, imprint statement, and price from bottom edge., Contemporary annotation in pencil in lower left corner: Worlidge delin., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Clive, Kitty, 1711-1785, and Garrick, David, 1717-1779.
MacLaine in leg-irons stands in the middle of his prison cell, surrounded by several women, a cleric, and a man who appears to be saying an emotional good-bye to the prisoner prior to his execution. One of the women dabs her eyes with a large handkerchief. On the far left stands the goaler, with a bunch of keys in his hand
Alternative Title:
Ladys last farewell to MacLean and Ladies last farewell to MacLaine
Description:
Title engraved above image., Date from contemporary ms. annotation., Sheet trimmed within plate mark., Eight lines of verse in two columns below image: Farewell my friends let not your hearts be fill'd, my time is near & I'll with calmness yeild [sic] ..., Watermark: countermark IV., and Mounted to 26 x 31 cm.
Two ladies and two gentlemen play at cards in a richly furnished room while another lady and a gentleman look on. In the background on the left a serving maid prepares tea with the help of a black boy in livery
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Furniture: card table -- Furnishing: carpet -- Domestic service: serving maid -- Black child -- Card playing: quadrille -- Reference to Vauxhall Gardens.
Publisher:
Robert Sayer
Subject (Topic):
Interiors, Card games, Tea tables (Tables), Floor coverings, Tea services, Servants, and Women domestics
Title etched below image and two lines of verse., Publication date inferred from Overton's death date., Eight lines of verse in two columns below image and above title: Two men there are the inward & the out, whom Satan to insnare [sic] still hovereth about ..., Two lines of verse below title: Sing Whitfield and Webber, for ever and ever., Subject identified in a note in 18th-century hand at bottom of sheet as Rev. George Whitefield., Not in the Catalogue of engraved British portraits ... in the British Museum., and Temporary local subject terms: Wall-eyed.
Copy in reverse after Hogarth's portrait, with the addition of a clergyman behind Malcolm holding up a wedding ring, and, to left, a view of her execution in Fleet Street. Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head. The unidentified printmaker has added a piece of paper and pen and ink stand on the table
Alternative Title:
Sarah Malcom and Sarah Malcolm
Description:
Title from caption below image., Date from British Museum online catalogue: March 1732/3., On page 53 in volume 1. Plate mark 170 x 121 mm., and Above image: a note in Steevens's hand: See Mr. Nichols Biographical anecdotes &c., edit. 3d, p. 172.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Malcolm, Sarah, approximately 1710-1733,
Subject (Topic):
Murderers, Clergy, Criminals, and Hangings (Executions)
Copy in reverse after Hogarth's portrait, with the addition of a clergyman behind Malcolm holding up a wedding ring, and, to left, a view of her execution in Fleet Street. Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head. The unidentified printmaker has added a piece of paper and pen and ink stand on the table
Alternative Title:
Sarah Malcom and Sarah Malcolm
Description:
Title from caption below image., Date from British Museum online catalogue: March 1732/3., and Mounted to sheet 226 x 236 mm; with leaf from the Newgate calendar (p. 255-6) about her crime.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Malcolm, Sarah, approximately 1710-1733,
Subject (Topic):
Murderers, Clergy, Criminals, and Hangings (Executions)
Title from the first line of verse below image., Publication date from publisher's address., Sheet trimmed within plate mark, resulting in loss of part of image and possibly title at top of plate., Eight lines of verse in two columns below image: See here presented to your view / A scene both frolicksome and true ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Pictures amplifying subject.
Publisher:
Printed & sold by Henry Bryer, engraver & printseller, Fleet Street
Subject (Geographic):
Great Britain.
Subject (Topic):
Bedrooms, Cross dressing, Dressing tables, Fireplaces, Interiors, Mirrors, and Prostitutes
On the right, J. Figg stands with his right hand on a back-sword and his left hand on his hip; he watches Slack (left) and Broughton (center) as they box
Description:
Title from names etched on lower margin below each figure., Date based on the fight between the two boxers 11 April 1750 in which Slack defeated Broughton. See Paulson, R. Hogarth's graphic works (3rd ed.), p. 150., Not Hogarth., and Mounted on laid paper with penciled framed: sheet 287 x 194 mm.
