Title from item., Printmaker and publisher from the first plate in the series: Hob carrying Mr. Friendley's letter to Mrs. Flora., Publication date inferred from publisher's address., Sheet trimmed within plate mark., Four columns of verse on either side of title: I'll sing you a ditty and warrant it true, give but attention unto me a while ..., Sixth plate in the series: The humours of Hob at the country wake in the opera of Flora. Series title only on Plate 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: unidentified countermark (initials MW(?) in a circle).
Title from text above image., Publication place and publisher inferred from that of the magazine for which this plate was engraved., Frontispiece from: The universal magazine of knowledge and pleasure. London : M. Brown, v. 27 (1760)., Four lines of verse below image: Say, wretched rivals! what provokes your rage ..., and Temporary local subject terms: Personifications: figure of Justice -- Personifications: figure of Fame -- Personifications: figure of Virtue -- Personifications: figure of Heroic Virtue -- Vices -- Mythology -- Thrones: throne of Virtue -- Literature: quotation from Alexander Pope, 1688-1744.
Title etched above image in upper right., Publisher and place of publication inferred from those of the magazine for which this plate was engraved., Sheet partially trimmed within plate mark., Frontispiece from: The London magazine; or, Gentleman's monthly intelligencer. London : Printed for R. Baldwin ... , 1732- , v. 29 (1760), page 393., and Temporary local subject terms: Personifications: figure of Concord -- Figure of Justice -- Figure of Religion -- Figure of Liberty -- Figure of Providence -- Containers: funeral urn -- Monuments: funeral obelisk.
Publisher:
R. Baldwin
Subject (Name):
George II, King of Great Britain, 1683-1760 and George III, King of Great Britain, 1738-1820.
Subject (Topic):
Death and burial, Britannia (Symbolic character), Justice, Liberty, Urns, Obelisks, and Cornucopias
"A vendor of ballads walking from the left singing from a ballad on the courtesan Kitty Fisher, holding a fishing line as a visual pun, with his wife and two children singing further off to right, illuminated by the sunlight falling from left."--British Museum online catalogue
Alternative Title:
First and second part of Miss Kitty Fishers merry thought
Description:
Title etched below image., Printmaker and publication information from first plate in series., Twelfth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., Sheet trimmed within plate mark., Plate numbered "12" beneath lower right corner of image., and Temporary local subject terms: Catherine Maria Fisher, ca. 1738-1767, known as Kitty Fisher -- Theaters: Old Haymarket Theatre.
Publisher:
F. Vivarez and by P. Sandby
Subject (Name):
Fisher, Kitty, 1741?-1767.
Subject (Topic):
Ballads, Sedan chairs, Singers, Street vendors, Singing, and Fishing & hunting gear
"A vendor of ballads walking from the left singing from a ballad on the courtesan Kitty Fisher, holding a fishing line as a visual pun, with his wife and two children singing further off to right, illuminated by the sunlight falling from left."--British Museum online catalogue
Alternative Title:
First and second part of Miss Kitty Fishers merry thought
Description:
Title etched below image., Printmaker and publication information from first plate in series., Twelfth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., Sheet trimmed within plate mark., Plate numbered "12" beneath lower right corner of image., Temporary local subject terms: Catherine Maria Fisher, ca. 1738-1767, known as Kitty Fisher -- Theaters: Old Haymarket Theatre., and Description in an unidentified hand added below image on mounting sheet; window mounted to 38 x 26 cm.
Publisher:
F. Vivarez and by P. Sandby
Subject (Name):
Fisher, Kitty, 1741?-1767.
Subject (Topic):
Ballads, Sedan chairs, Singers, Street vendors, Singing, and Fishing & hunting gear
"A satire on marriage; An old man seated with one leg bandaged and raised on chair in front of him, being attended to by a maid; behind him his young wife is locked in an embrace with her younger lover."--British Museum online catalogue
Description:
Title etched above image., Publication date from a unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Disease -- Cantharides -- Curtains -- Birds -- Furniture: upholstered armchair -- Cuckolds.
Publisher:
publisher not identified
Subject (Topic):
Gout, Adultery, Women domestics, Medical equipment & supplies, Medicines, Crutches, Clocks & watches, Draperies, Birdcages, Parrots, Chairs, and Bells
Title from item., Publication date inferred from publisher's address., Sheet trimmed within plate mark., Two columns of text on either side of the title: [...] she terrible law when it fastens it's [sic] paw, on a poor man, it gripes 'till he's undone ..., First plate in the series: The humours of Hob at the country wake in the opera of Flora. Other plates in this series do not have series title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Strasburg lily with initials GR below., and Lower left corner torn off resulting in loss of artist's name and some of the text below image.
Publisher:
Printed for Robt. Sayer, map & printseller, near Serjeants Inn, Fleet Street
Title from item., Publisher from the first plate in the series: Hob carrying Mr. Friendley's letter to Mrs. Flora., Publication date inferred from publisher's address., Sheet trimmed within plate mark., Seventh plate in the series The humours of Hob at the country wake in the opera of Flora. Series title only on Plate 1., Two columns of verse on either side of title: O. Hob. Zure never was zeen such a rebel, Thou worst of undutiful boys ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: unidentified countermark (initials MW(?) inside a circle).
Title etched below image., Printmaker from the first plate in the series: Hob carrying Mr. Friendley's letter to Mrs. Flora., Publication date inferred from publisher's address., Sheet trimmed within plate mark., Four columns of verse on either side of title: Wife. Oh! My poor boy, O. Hob. His looks are stark wild ..., "Plate IV"--Below title., Fourth plate in the series: The humours of Hob at the country wake in the opera of Flora. Series title only on Plate 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg lily with initials GR below.
Hob surprised by Sir Thomas with Mr. Friendley's letter
Description:
Title from item., Printmaker from the first plate in the series: Hob carrying Mr. Friendley's letter to Mrs. Flora., Publication date inferred from publisher's address., Sheet trimmed within plate mark., Eight lines of verse in four columns on either side of title: (Sr. Tho. sings) To guard my Hesperian tree, requires more care than of old ..., Second plate in the series: The humours of Hob at the country wake in the opera of Flora. Series title only on Plate 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg lily with initials GR below.
