"The coronation of James II; interior of Westminster Abbey, the crowning of the king at bottom centre."--British Museum online catalogue and "One of a series of four prints, all based on the large plates in Sandford's 'History of the Coronation', first published by Bowles as a composite plate in the series 'London Described' (see Adams 29.8). The plate used in Sandford's book had a shorter title, no text in lower margin, and was inscribed 'W Sherwin sculp'."--Curator's comments, British Museum online catalogue
Description:
Title engraved above image., Reissue of a plate first published ca. 1723 by John Bowles., Date of publication based on date of the partnership of John Bowles & Son: a partnership that lasted from 1752 to 1764. See British Museum online catalogue., Sheet trimmed within plate mark., Key to the illustration engraved below image., Plate numbered "1" in upper right corner., and Mounted on board to 29.2 x 26.0 cm/
Publisher:
Printed for T. Bowles in St. Pauls Church Yard, & John Bowles & Son at the Black Horse in Cornhil
Subject (Geographic):
England, London., and England.
Subject (Name):
James II, King of England, 1633-1701 and Westminster Abbey,
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., and Dedication etched below image: To His Majesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", 1 print : etching and engraving on laid paper ; sheet 43.2 x 55.2 cm., Sheet trimmed within plate mark; mounted on leaf 46 x 59 cm., and Plate 37 in the album: Queen Charlotte's collection of Hogarth works.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", Ms. note in pencil in Steevens's hand below print: Modern impression., Sheet trimmed within plate mark to: 43.1 x 55.2 cm., and Formerly on page 152 in volume 2. Removed in 2012 by LWL conservator.
publishd. according to act of Parliament, Feby. 25, 1761.
Call Number:
761.02.25.01++
Image Count:
1
Resource Type:
still image
Abstract:
"Old Westminster Bridge; a stone bridge with round arches in the middle ground, houses lining the river bank on the right and several ships, including one in the foreground with sails and a man plying an oar, laden with barrels, a man in a small boat on the right waving at a woman who stands in a doorway in the embankment."--British Museum online catalogue
Description:
Title engraved below image.
Publisher:
publisher not identified
Subject (Geographic):
England, London., and Westminster Bridge (London, England),
"View of a waterfall in a canyon with forest surrounding, two small figures standing on the edge of rocks, sun rays piercing through the clouds."--British Museum online catalogue, description of a later state
Alternative Title:
Vue de l'Cataracte du Passaick, ou Seconde Riviere, dans la province de Nouveau Jersey and View of the falls on the Passaic, or Second River, in the province of New Jersey
Description:
Titles engraved below image, in English and French., State with blank space preceding year "1761" in imprint statement. For another state with day and month "20 May" engraved within that space, see British Library online catalogue, shelfmark: Maps K.Top.122.31.b., Sheet trimmed within plate mark., One of 28 plates in the series: Scenographia Americana., and For a later issue of the plate, with new imprint listing John Bowles, Robert Sayer, and three others as publishers, see British Museum online catalogue, registration no.: 1878,0511.946.
Publisher:
Publish'd according to act of Parliament, 1761, by Thos. Jefferys, the corner of St. Martins Lane
Title etched at top of image., A letter in form of a rebus., The following words in the title are represented by images: Lord Bute by a boot, 'be' in 'between' by a bee, Jockey by a figure of a jockey, 'Cloud' in 'McCloud' by clouds, Britannia by a figure of Britannia., Sheet trimmed to plate mark., and Mounted to 35 x 26 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Pitt, William, Earl of Chatham, 1708-1778
Title from text below image., Publication date from book for which this plate was engraved., Plate from: A new, universal and impartial history of England / George Frederick Raymond. London, 1787., and Temporary local subject terms: Ports: docking platform at Harwich -- Barges: royal barge, 1761 -- Yachts: 'Royal Charlotte' -- Weapons: emblazoned on ornamental frame -- Musical instruments: emblazoned on ornamental frame -- Naval uniforms: admiral of the fleet -- Flags: British flag -- Crowns: royal crown on the barge -- Female dress: Queen Charlotte's dress, 1761 -- Female dress: ladies'-in-waiting dress, 1761.
Publisher:
publisher not identified
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818. and Anson, George Anson, Baron, 1697-1762.
