"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and On page 294 in volume 3. Sheet trimmed to: 34.8 x 22.3 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and Mounted on sheet: 36.2 x 23.2 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
Title from item., Title etched below image., Publication date from that of the book in which this plate was published., Plate from: The Butiad, or, Political register. London : Printed for E. Sumpter, 1763., Reduced copy of No. 4030 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Buildings: Wilkes's house -- Personifications: Fame -- Busts: bust of Lord Bute -- Reference to excise -- Reference to William Hogarth's The times, Plate I -- British Lion -- Newspapers: Auditor ; North Briton -- Reference to Magna Charta -- King's Messengers., and On page 296 in volume 3. Sheet trimmed to: 11.3 x 15.4 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Bute, John Stuart, Earl of, 1713-1792, Murphy, Arthur, 1727-1805, Hogarth, William, 1697-1764, Johnson, Samuel, 1709-1784, and Tower of London (London, England)
Title from item., Title etched below image., Publication date from that of the book in which this plate was published., Plate from: The Butiad, or, Political register. London : Printed for E. Sumpter, 1763., Reduced copy of No. 4030 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Buildings: Wilkes's house -- Personifications: Fame -- Busts: bust of Lord Bute -- Reference to excise -- Reference to William Hogarth's The times, Plate I -- British Lion -- Newspapers: Auditor ; North Briton -- Reference to Magna Charta -- King's Messengers., and Mounted to 31 x 44 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Bute, John Stuart, Earl of, 1713-1792, Murphy, Arthur, 1727-1805, Hogarth, William, 1697-1764, Johnson, Samuel, 1709-1784, and Tower of London (London, England)
"Satire on alleged political corruption during the premiership of Lord Bute: copy in reverse of one compartment of "Places (being a Sequel to the Posts) a Political Pasquinade (see British Museum registration number 1868,0808.4321): Lord Sandwich, holding his cricket bat, presides over the Admiralty board whose members are asleep in their chairs; two sailors are turned away at the Pay Office while Henry Fox converses with venal politicians; a gentleman in a long wig presides over the Treasury board consisting of five Scots seated at a table covered with empty money bags, an empty chest lying on the floor; seven recipients of government pensions present themselves, among them 'M.', Arthur Murphy (?), 'Orator S', Tobias Smollett, 'H', William Hogarth at his easel wearing a fool's cap, his dog at his feet, 'P.W.', Paul Whitehead, deputy wardrobe keeper to the king, standing beside a coat on a stand"--British Museum onlne catalogue
Description:
Title engraved above image., Lettered with captions above title: Satire's a harmless quiet thing - 'Tis application makes the sting., Lettered at lower edge of image: 'A friend at Court is better than a penny in a purse'., and With extensive annotations in Bowditch's hand on mount, identifying the figures depicted; mounted on a sheet 33.5 x 45.4 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Whitehead, Paul, 1710-1774, Hogarth, William, 1697-1764, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Smollett, T. 1721-1771 (Tobias),, and Murphy, Arthur, 1727-1805
"Satire on alleged political corruption during the premiership of Lord Bute: copy in reverse of one compartment of "Places (being a Sequel to the Posts) a Political Pasquinade (see British Museum registration number 1868,0808.4321): Lord Sandwich, holding his cricket bat, presides over the Admiralty board whose members are asleep in their chairs; two sailors are turned away at the Pay Office while Henry Fox converses with venal politicians; a gentleman in a long wig presides over the Treasury board consisting of five Scots seated at a table covered with empty money bags, an empty chest lying on the floor; seven recipients of government pensions present themselves, among them 'M.', Arthur Murphy (?), 'Orator S', Tobias Smollett, 'H', William Hogarth at his easel wearing a fool's cap, his dog at his feet, 'P.W.', Paul Whitehead, deputy wardrobe keeper to the king, standing beside a coat on a stand"--British Museum onlne catalogue
Description:
Title engraved above image., Lettered with captions above title: Satire's a harmless quiet thing - 'Tis application makes the sting., Lettered at lower edge of image: 'A friend at Court is better than a penny in a purse'., and On page 296 in volume 3. Sheet trimmed to: 12.5 x 15 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Whitehead, Paul, 1710-1774, Hogarth, William, 1697-1764, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Smollett, T. 1721-1771 (Tobias),, and Murphy, Arthur, 1727-1805
"Satire on Hogarth's attack on Charles Churchill, "The Bruiser" (Paulson 215). Hogarth, his upper body an ass and the lower part a lion, sits on a three-legged stool on a dais with a painting of "The Bruiser" attached to a ladder as if to an easel; his dog sits at the foot of the ladder. Hogarth has a large boot (alluding to his allegiance to Bute) on his right leg, a bottle of aqua fortis hanging from one ear, a palette lettered "Line of Booty" slung around his neck, an apron into which is tucked a palette knife, a burin tied to his right front leg and a paint brush tucked into its cloven hoof; a "Smush pot" is falling down the steps of the dais spilling its contents on to a sheet labelled "Patirotism". A satyr standing on the ladder holds a notice reading, "Ha! Ha! Ha! said Old Will Now You shall see ye boasted Work of all the Antient & Modern painters, Your Raphael, Rubens, Carrach Outdone! I'll shew you a Picture done by Myself! A Picture Indeed! Ho! Ho! Ho! Ho!/What the Devil had he to do with the more Sublime Branch of Painting or vile Politicks, whose Talent consisted in low Humour? Ne Sutor ultra Crepidam." Hogarth turns back snarling at Wilkes and Churchill who stand behind him, the former holding a pair of horns, labelled "Horn Fair". Churchill, in clerical dress, writes with a large quill in a book, "The Life and Opinions of Willm. Hogass the Pannell Painter and his last dying Speech and Conf" and sheet hangs below the book which reads, "Since Willie has shown us the Dog & the Bear./Who scruples to own but They're much on a par?/The Bear has been baited & terribly bangd,/ And the Dog when his day comes deserves to be H-gd." Behind these two hangs a curtain on which is lettered in reference to Hogarth's Sigismonda, "This Curtain Hangs Here to preserve from Vulgar Eyes the Beauty of the inestimable Picture representing a Harlot blubbering over a Bullock's Heart; Painted by Willm. Hog-Ass, at the Golden Blockhead in Lie[...]er Fields."--British Museum online catalogue
Description:
Title from text above image., Publisher and date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Below title: The principal charecters [sic] by Mr. Hog-ass, Mr. Wi-k-s, Mr. Church-ll, &c. -- Walk in, ge'men & ladies, walk in!, After Jefferyes Hamett O'Neale? See British Museum online catalogue., Manuscript notes in Bowditch's hand on second mount., and Mounted twice.
Publisher:
Now showing away at Sumpters political theatrical booth facing St. Brides Church, Fleet Street. No more than sixpence a pass, my masters
Subject (Name):
Hogarth, William, 1697-1764, Wilkes, John, 1725-1797, and Churchill, Charles, 1731-1764
"Satire on Hogarth's attack on Charles Churchill, "The Bruiser" (Paulson 215). Hogarth, his upper body an ass and the lower part a lion, sits on a three-legged stool on a dais with a painting of "The Bruiser" attached to a ladder as if to an easel; his dog sits at the foot of the ladder. Hogarth has a large boot (alluding to his allegiance to Bute) on his right leg, a bottle of aqua fortis hanging from one ear, a palette lettered "Line of Booty" slung around his neck, an apron into which is tucked a palette knife, a burin tied to his right front leg and a paint brush tucked into its cloven hoof; a "Smush pot" is falling down the steps of the dais spilling its contents on to a sheet labelled "Patirotism". A satyr standing on the ladder holds a notice reading, "Ha! Ha! Ha! said Old Will Now You shall see ye boasted Work of all the Antient & Modern painters, Your Raphael, Rubens, Carrach Outdone! I'll shew you a Picture done by Myself! A Picture Indeed! Ho! Ho! Ho! Ho!/What the Devil had he to do with the more Sublime Branch of Painting or vile Politicks, whose Talent consisted in low Humour? Ne Sutor ultra Crepidam." Hogarth turns back snarling at Wilkes and Churchill who stand behind him, the former holding a pair of horns, labelled "Horn Fair". Churchill, in clerical dress, writes with a large quill in a book, "The Life and Opinions of Willm. Hogass the Pannell Painter and his last dying Speech and Conf" and sheet hangs below the book which reads, "Since Willie has shown us the Dog & the Bear./Who scruples to own but They're much on a par?/The Bear has been baited & terribly bangd,/ And the Dog when his day comes deserves to be H-gd." Behind these two hangs a curtain on which is lettered in reference to Hogarth's Sigismonda, "This Curtain Hangs Here to preserve from Vulgar Eyes the Beauty of the inestimable Picture representing a Harlot blubbering over a Bullock's Heart; Painted by Willm. Hog-Ass, at the Golden Blockhead in Lie[...]er Fields."--British Museum online catalogue
Description:
Title from text above image., Publisher and date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Below title: The principal charecters [sic] by Mr. Hog-ass, Mr. Wi-k-s, Mr. Church-ll, &c. -- Walk in, ge'men & ladies, walk in!, and After Jefferyes Hamett O'Neale? See British Museum online catalogue.
Publisher:
Now showing away at Sumpters political theatrical booth facing St. Brides Church, Fleet Street. No more than sixpence a pass, my masters
Subject (Name):
Hogarth, William, 1697-1764, Wilkes, John, 1725-1797, and Churchill, Charles, 1731-1764
"Satire on Hogarth's attack on Charles Churchill, "The Bruiser" (Paulson 215). Hogarth, his upper body an ass and the lower part a lion, sits on a three-legged stool on a dais with a painting of "The Bruiser" attached to a ladder as if to an easel; his dog sits at the foot of the ladder. Hogarth has a large boot (alluding to his allegiance to Bute) on his right leg, a bottle of aqua fortis hanging from one ear, a palette lettered "Line of Booty" slung around his neck, an apron into which is tucked a palette knife, a burin tied to his right front leg and a paint brush tucked into its cloven hoof; a "Smush pot" is falling down the steps of the dais spilling its contents on to a sheet labelled "Patirotism". A satyr standing on the ladder holds a notice reading, "Ha! Ha! Ha! said Old Will Now You shall see ye boasted Work of all the Antient & Modern painters, Your Raphael, Rubens, Carrach Outdone! I'll shew you a Picture done by Myself! A Picture Indeed! Ho! Ho! Ho! Ho!/What the Devil had he to do with the more Sublime Branch of Painting or vile Politicks, whose Talent consisted in low Humour? Ne Sutor ultra Crepidam." Hogarth turns back snarling at Wilkes and Churchill who stand behind him, the former holding a pair of horns, labelled "Horn Fair". Churchill, in clerical dress, writes with a large quill in a book, "The Life and Opinions of Willm. Hogass the Pannell Painter and his last dying Speech and Conf" and sheet hangs below the book which reads, "Since Willie has shown us the Dog & the Bear./Who scruples to own but They're much on a par?/The Bear has been baited & terribly bangd,/ And the Dog when his day comes deserves to be H-gd." Behind these two hangs a curtain on which is lettered in reference to Hogarth's Sigismonda, "This Curtain Hangs Here to preserve from Vulgar Eyes the Beauty of the inestimable Picture representing a Harlot blubbering over a Bullock's Heart; Painted by Willm. Hog-Ass, at the Golden Blockhead in Lie[...]er Fields."--British Museum online catalogue
Description:
Title from text above image., Publisher and date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Below title: The principal charecters [sic] by Mr. Hog-ass, Mr. Wi-k-s, Mr. Church-ll, &c. -- Walk in, ge'men & ladies, walk in!, After Jefferyes Hamett O'Neale? See British Museum online catalogue., and On page 294 in volume 3. Sheet trimmed to: 32 x 21 cm.
Publisher:
Now showing away at Sumpters political theatrical booth facing St. Brides Church, Fleet Street. No more than sixpence a pass, my masters
Subject (Name):
Hogarth, William, 1697-1764, Wilkes, John, 1725-1797, and Churchill, Charles, 1731-1764
publish'd according to act of Parliament, August 1, 1763.
Call Number:
Hogarth 763.08.01.01.7+ Impression 2 Box 200
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Fallacy (Infamous preceding the word in this state), Lye 3 ... ". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". Leaning on the palette is a framed satirical print showing Hogarth himself (in this state in a black hat) whipping a dancing bear (Churchill) and a monkey (John Wilkes) in front of a projected tomb for William Pitt from which a cannon fires at the dove of peace"--British Museum onlne catalogue
Description:
Title engraved below image., State and publisher from Paulson., Caption below title: But he had a Club this Dragon to Drub, or he had ne'er don't I warrant ye: Dragon of Wantley., "Price 1s. 6d."--Following Hogarth's name., and Mounted to 55.8 x 36.8 cm, with Bowditch's notations on mount.
Publisher:
Wm. Hogarth
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Wilkes, John, 1725-1797.
