"Portrait of James Woodhouse; a cobbler seated in his shop, on a table, one leg in a brace, the other on a stone, supporting a piece of parchment on which he writes with a quill; shoes on back wall, tools on table to the left; a window on the right; illustration to 'The Universal Museum and Complete Magazine' 1765."--British Museum online catalogue
Description:
Title from item. and Plate from: The universal museum and complete magazine of knowledge and pleasure. [London, England] : Printed for J. Payne, vol. for 1765.
"Satire on the resignation of Lord Bute. George III is enthroned, Peace and Fame flying above and a large dog and a lion crouching at his feet; he welcomes the Duke of Newcastle and William Pitt who kneel before him (it was assumed that these two men would return to government, although in the event George Grenville replaced Bute). Britannia is seated in the centre of the print, facing a hydra-headed monster of faction; she is saying "See this and Tremble all you that wish evil to Israel" (Israel standing for England); behind her a Spaniard and a Frenchman despair at their loss. At top left, the Lord Mayor of London (probably intended for William Beckford) and a group of aldermen approach the king with a petition. At top right, a witch flies off on a broomstick over the "Flus Jordanus" to the "Alpes Herbronites" (the River Tweed and Scotland) carrying Henry Fox, two other ministers and the devil. One of the ministers wishes that "the Devil had the Author of Gisbal" (see BM Satires 3848) alluding to the role of the satirists in driving Bute to resign. Charles Churchill and John Wilkes fire at the broomstick, Wilkes wanting "One Pounce more and we will bring that Irish Owl to the Ground". In the foreground, on the right, Princess Augusta runs off carrying a diminutive Bute in a large boot on her back; she is chased by the Duke of Cumberland brandishing a sword and crying "Damn the Scotch Loon he flies faster than his Bretheren did in 45. If I come up with him I'll spoil his Running"; the young Duke of York runs with him. On the left, a group of sailors harrass a Scotsman declaring,"We will stand by our Noble Captain till not a Sawney be feft in the Land", "O O Jack see what this Dog has got to wet his Whistle with" and "Lend me your Sneaker [a rod] Tom I'll Probe him who knows but the Rascal has got his Belly full"; coins fall from the bagpipes clutched beneath the Scotsman's arm."--British Museum catalogue
Alternative Title:
Boot put to the flight
Description:
Title from item., Reduced and reversed copy of a print with the same title published on April 8, 1763. Cf. Stephens., Publication date from British Museum catalogue., Plate numbered '35' in upper right corner., Plate from: The second volume of The British antidote to Caledonian poison: ... for the years 1762 and 63, ... London : E. Sumpter's, [1764]., Temporary local subject terms: Mythology: Hydra -- Literature: Gisbal -- Resignations: Lord Bute's resignation, 1763 -- Personifications: Fame -- Personifications: Victory., and Mounted to 32 x 45 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Churchill, Charles, 1731-1764, Holland, Henry Fox, Baron, 1705-1774, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Dashwood, Francis, Sir, 1708-1781, Murphy, Arthur, 1727-1805, and Beckford, William, 1709-1770
Subject (Topic):
Britannia (Symbolic character), Devil, and Thrones
In the upper image, a dwarf hunchback in a costume resembling Spanish military uniform of the 16th century walks to the right, holding in his right hand a banner on which is engraved the title of the series. He is looking back over his shoulder at another figure in a similar period costume, who follows him while beating a large drum. In the lower image, two similarly dressed dwarf hunchbacks face each other in a posture suggesting readiness for a fight. The figure in the foreground holds his pike at the ready, while his companion in the background rests his on left shoulder
Alternative Title:
Collection of droll figures
Description:
Title from item., Two images etched on one plate. Title from top image., Title page and 1st plate from a series of plates showing a variety of social interactions between two or more hunchbacks, most of whom are also dwarfs. Other plates in the series are numbered but not titled., Sheet trimmed within plate mark at top., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robt. Sayer, map & printseller, No 53 in Fleet Street
In the upper image, a dwarf hunchback in a costume resembling Spanish military uniform of the 16th century walks to the right, holding in his right hand a banner on which is engraved the title of the series. He is looking back over his shoulder at another figure in a similar period costume, who follows him while beating a large drum. In the lower image, two similarly dressed dwarf hunchbacks face each other in a posture suggesting readiness for a fight. The figure in the foreground holds his pike at the ready, while his companion in the background rests his on left shoulder
Alternative Title:
Collection of droll figures
Description:
Title from item., Two images etched on one plate. Title from top image., Title page and 1st plate from a series of plates showing a variety of social interactions between two or more hunchbacks, most of whom are also dwarfs. Other plates in the series are numbered but not titled., Sheet trimmed within plate mark at top., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robt. Sayer, map & printseller, No 53 in Fleet Street
"Satire on Hogarth's attack on Charles Churchill, "The Bruiser" (Paulson 215). Hogarth, his upper body an ass and the lower part a lion, sits on a three-legged stool on a dais with a painting of "The Bruiser" attached to a ladder as if to an easel; his dog sits at the foot of the ladder. Hogarth has a large boot (alluding to his allegiance to Bute) on his right leg, a bottle of aqua fortis hanging from one ear, a palette lettered "Line of Booty" slung around his neck, an apron into which is tucked a palette knife, a burin tied to his right front leg and a paint brush tucked into its cloven hoof; a "Smush pot" is falling down the steps of the dais spilling its contents on to a sheet labelled "Patirotism". A satyr standing on the ladder holds a notice reading, "Ha! Ha! Ha! said Old Will Now You shall see ye boasted Work of all the Antient & Modern painters, Your Raphael, Rubens, Carrach Outdone! I'll shew you a Picture done by Myself! A Picture Indeed! Ho! Ho! Ho! Ho!/What the Devil had he to do with the more Sublime Branch of Painting or vile Politicks, whose Talent consisted in low Humour? Ne Sutor ultra Crepidam." Hogarth turns back snarling at Wilkes and Churchill who stand behind him, the former holding a pair of horns, labelled "Horn Fair". Churchill, in clerical dress, writes with a large quill in a book, "The Life and Opinions of Willm. Hogass the Pannell Painter and his last dying Speech and Conf" and sheet hangs below the book which reads, "Since Willie has shown us the Dog & the Bear./Who scruples to own but They're much on a par?/The Bear has been baited & terribly bangd,/ And the Dog when his day comes deserves to be H-gd." Behind these two hangs a curtain on which is lettered in reference to Hogarth's Sigismonda, "This Curtain Hangs Here to preserve from Vulgar Eyes the Beauty of the inestimable Picture representing a Harlot blubbering over a Bullock's Heart; Painted by Willm. Hog-Ass, at the Golden Blockhead in Lie[...]er Fields."--British Museum online catalogue
Description:
Title from item., Publisher and date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark on sides., Below title: The principal charecters [sic] by Mr. Hog-ass, Mr. Wi-k-s, Mr. Church-ll, &c. -- Walk in, ge'men & ladies, walk in!, Possibly a restrike, line with price below imprint burnished out., Below design: "Now shewing away at Sumpters Political Theatrical Booth facing St. Brides Church, Fleet Street.", After Jefferyes Hamett O'Neale? See British Museum online catalogue., See earlier state published by Edward Sumpter. Cf. No. 4085 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764, Wilkes, John, 1725-1797, and Churchill, Charles, 1731-1764
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Trades: pewterers -- Kitchen utensils.
A picnic on the grounds of an elegant house are disrupted by dogs who steal the meat and a fist-fight that erupts between one of the attendants and the landowner(?).
Description:
Title from item., Publication date based on costume. Cf. Brooke and Laver., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A courier on horseback blows his horn as he approaches a small building with a sign board dangling from its post "Popularity, The Blown Bladder by W P". A bandaged foot (gouty) resting on a stool is sticking out the door; crutches resting against the side of the hovel. Behind the rider is a cushion with a royal crown, decorates with thistles labeled B-e (for Lord Bute) and M-d (for the Earl of Mansfield). Three young trees on the lower right represent the three British kingdoms. A quotation from Book II of Virgil's Aeneid in lower right corner of image
Description:
Title etched at top of image., Publication date from British Museum catalogue., Second state, as described in the British Museum catalogue, with the large cushion substituted for the public house behind the duke; It intended to express that Lords Bute and Mansfield though not in the cabinet, overshadowed the King., A satire intended to express that Lords Bute and Mansfield though not in the cabinet, overshadowed the King., Sheet trimmed to plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 23., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Mansfield, David Murray, Earl of, 1727-1796, and Pitt, William, Earl of Chatham, 1708-1778
Title etched below image., Publication date from the British Museum online catalogue, registration no.: 1868,0808.4371., A reduced copy of no. 4128 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate engraved for: The British Antidote or Scot's Scourge. See British Museum catalogue., Temporary local subject terms: Personifications: Economy -- Law: taxation without representation -- Ships: ships for sale (with brooms at masthead) -- Prisons -- Personifications: America as a native man -- Newfoundland: reference to the Newfoundland fisheries -- Frenchmen -- Spaniards -- Reference to Havana -- Reference to Guadeloupe -- Reference to Philippines -- Money: colonial dollars -- General Warrants -- Lighting: save-all -- Excisemen: Stamp men -- Reference to the dismissal of Henry Seymour Conway, 1721-1795., Mounted to 34 x 44 cm., and Watermark: Vryheyt.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Grenville, George, 1712-1770
Title from item., Sixth edition, with four additional stanzas of the song, of No. 4115 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed within plate mark at top and with minor losses of text in the song below it., Published together on one sheet with The pillory triumphant, or, No. 45 for ever (Tune, There was a jovial beggar,) &c. Sixth editio[n]. [Sol]d by E. Sumpter, at Bible and Crown, facing Salisbury Court, Fleet Street, and all the printsellers and pamphlet shops in London and Westminster. Price 6d plain or 1s. coloure[d], Publisher's advertisement following the song's imprint: Where may also be had The choice spirit museum, being a collection of songs by H. Howard, elegantly printed in quarto., Temporary local subject terms: Pillories -- Newspapers: reference to No. 45 of North Briton -- Buildings: Westminster -- Westminster: Palace Yard -- Emblems: jack boot as Lord Bute -- Vehicles: coach -- Emblems: greyhound for the King's messenger -- Ladders -- Boxing -- Crowds -- Angels -- Reference to Joh Wilkes -- Michael Curry, 1732-1788, printer and informer against Wilkes., and Watermark: Pro patria.
Publisher:
Published according to act of Parliament, March 1st 1765 for E. Sumpter
Subject (Name):
Williams, John, fl. 1767-1772 and Bradshaw, John, 1602-1659
