Title etched at bottom of image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ministers deserting East India reform, December 9, 1766 -- Maps: map of East India -- Coalitions: Bute and Chatham -- Personifications: Popularity -- Reform of the East India Company as a windmill -- Mythology: Atlas -- Hercules -- Personifications: Folly as an East Indian -- Gout: gouty shoes -- East Indians -- Crutches -- Emblems: Dutch East India Company as a windmill., and Identification below title in contemporary hand: Ld. Chatham.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and East India Company.
"Satire on Lord Camden alleging that he had abandonned his liberal principles on becoming Lord Chancellor. Camden, on the left, in his Chancellor's robes is aghast at the appearance of the ghost of his former self when Lord Chief Justice. He holds out a book lettered, "Lex Temporis" and papers lie beside him referring to supposed corrupt practices, "Grants / Reversion / Irish Pensions / Patent of Peerage / Non obstante [licence from the Crown]", and a scroll falls in front of him lettered, "is but 40 days Slavery at outside", a reference to his support of an embargo on corn export for forty days; his mace and purse (lettered "Latent Power") lie on a bench draped with tartan together with a letter reading "... your A--s] & your mace in ye Kennel within a fortnight by G[od] / yours Tom Tilbury [Lord Northington, Camden's predecessor as Lord Chancellor]". Behind the Lord Chancellor is a chair with arms and legs made of boots, upholstered in tartan and with thistles around its back; an oval lportrait showing Lords Bute and Chatham is on the back with the motto "Arcades Ambo"(two of a kind); a boot and Pitt's crutch are tied together and resting ont he back of the chair; burning papers on the cair are lettered "Negabimus / Magna Farta" and "vendemus Justitiam". The ghost holds out a book lettered "Lex Terra"; a scroll falling in front of him reads "The liberty of an English Dw[e]l[ling] cannot be estimated" (a paraphrase of his statement against General Warrants in the John Wilkes case). William Beckford, Camden's former ally, is shown creeping under the bench saying "Hide me ye Sugar Casks", a reference to his wealth from sugar plantations in Jamaica. A row of portraits on the wall show from the left: Lord Northington, Judge Jeffreys, Beckford, Sec[re]t[ary Astley, Chatham, L[or]d S[-]d and William Scrogg[s]; in front of the portraits is a book shelf containing, "Filmer's Patriarcha / Argu[men]t for Ship Money / Judg[ment] ag[ain]s[t] Hamden / Froit Le Roy / Prerogatives Regli / Grotius English Law"."--British Museum online catalogue and Pictures amplifying subject: portraits of various officials
Alternative Title:
Apparition of a late patriot Chief Justice to a modern prerogative Cane
Description:
Title from caption below image., Description based on imperfect impression; sheet trimmed within plate line with loss of last word in title. Title from British Museum catalogue., and Mounted to 31 x 42 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Camden, Charles Pratt, Earl, 1714-1794, Mansfield, William Murray, Earl of, 1705-1793, Beckford, William, 1709-1770, and Northington, Robert Henley, Earl of, 1708?-1772
Title etched below image., Publication place and date inferred from those of the periodical for which this plate was engraved., Four lines of verse below image: Why man he doth bestride this narrow world like a colossus; and we petty ministers ..., Plate from: The Political register and London museum. London : J. Almon, v. 1 (1767)., Temporary local subject terms: Buildings: St. James's Palace -- Scourges -- Colossi: Colossus of Rhodes -- Emblems: goat as lust -- Snake as fraud -- Praying -- Gout -- Literature: paraphrased quotation from Julius Caesar by Shakespeare, i.2., and Mounted to 37 x 26 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Scott, James, 1733-1814, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Sandwich, John Montagu, Earl of, 1718-1792, Bedford, John Russell, Duke of, 1710-1771, Hertford, Francis Seymour Conway, Marquess of, 1719-1794, and Norton, Fletcher, 1716-1789
Title from item., Two lines of quote bertween images: O that they were wise, that they understood this, that they would consider their latter end! Deut. ch.32, ver.29., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 1 (1767)., Temporary local subject terms: Coalitons: Bute-Chatham coalition -- London: Tower Hill -- Executions: beheading -- Serpents -- Mottoes: Scotch Order of the Thistle: Nemo nos impune lacesset -- Bible: quotation from Deuteronomy, ch.32, v.29., and Window mounted to 22 x 17 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Pitt, William, Earl of Chatham, 1708-1778
Plate showing two architectural representations of Houghton Hall, one above the other. The top image shows an elevation of the front of the house; the bottom image shows a floor plan of the building
Alternative Title:
General plan and Elevation general de Houghton dans le Comté de Norfolk maison de Robert Walpole Esqr. &c.
Description:
Titles in English and French for top image are etched below scale bar for that image; title in English for bottom image is etched above scale bar for that image., Title in English for top image continues: ... Chancellor of Exqr. and First Lord Comr. of his Majesty's Treasury, &c. Design'd by Colen Campbell Esqr. 1723., Date of publication from that of the volume in which the plate appeared., Plate from: Campbell, C. Vitruvius Britannicus or the British architect ... [London], [publisher not identified], [1767?]., "P. 29, vol. 3d" etched in upper left corner and "p. 30" etched in upper right corner., Imperfect; top image only is present, with bottom image and statements of responsibility having been trimmed away. Description based on a more perfect impression., Mounted on page 10 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., A second scale bar, trimmed from a different print, has been pasted in lower right corner of sheet., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and Norfolk.
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745 and Houghton Hall (England)
Lame and blind beggar, Lawyer & the oyster, and Lawyer and the oyster
Description:
Title engraved below image., Publication date based on printer's business address. See Maxted, I. London book trades, 1775-1800., In lower left corner of plate: Price 6 pence., Two columns of verse below title: Two vagrants, as they hobbling stray pop on an oyster in their way ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Beggars -- Lawyers -- Law: lawyer's clients -- Male dress: legal robes -- Architectural details: windows -- Tablecloth -- Window curtain -- Food: oysters -- Writing implements: inkwell and quill -- Amputees -- Peg legs -- Blindness -- Medical: crutches., Imprint mostly burnished from plate., and Watermark: J Whatman.
"Satire on the end of Lord Rockingham's administration shown as a dance at court. The verses below describe the protagonists who have been numbered in pen and ink: in the centre, Princess Augusta (1) dances with Lord Bute (2) their joined hands holding a leading string attached to Pitt (3) with a gouty leg who leans on his crutch, adorned with a coronet, as he converses with America, a half naked native American woman holding a bottle of rum. To the left of the Princess, stand Charles Townshend (4), holding a weathercock, beside his partner Britannia standing on her head, her shield and spear fallen on the ground. Further left, Lord Northington (5) robed as Lord President of the Council holds a glass of wine towards his elaborately dressed young woman (6; identified by Stephens as Betty Careless, although she had died in 1752). On the right, Henry Fox (7) dances with the devil; behind him are a Frenchman saying he will not pay the Canada Bills recompensing Britain after the Seven Years' War, and a Spaniard saying he will not pay the Manilla Ransom, a sum of two million dollars offered to Britain by the governor of Manilla when the city was captured. At far left, the king (8) plays the fiddle accompanied by two Scottish bagpipers. Wilkes (9) flies above, a copy of his Essay on Woman in his pocket, bound for Paris on a broomstick with a witch who says she will take him anywhere but to Scotland; he defecates on the head of Lord Bute. In the foreground stand four politicians: Temple (10) saying that he will get Francis Hayman to paint the scene for his garden at Stowe; Newcastle (11) wearing spectacles; Rockingham (12) wearning boots and carrying a riding whip; Winchilsea (13). Verses below in six columns, each with the chorus, "Doodle doodle doo""--British Museum online catalogue
Alternative Title:
New country dance as danced at Court July the 30th 1766
Description:
Title etched at bottom of image., "The devil seems to have been inspired by the work of Jefferyes Hamett O'Neale and other facial types echo those in prints designed by him"--Curator's comments, British Museum online catalogue registration no.: 1868,0808.4386., Publication date based on advertisement in The Public advertiser, Sept. 4, 1766., Description based on an imperfect impression; sheet trimmed within plate mark at bottom resulting in loss of text below image, including distribution information and price from lower right corner. For missing text, see British Museum online catalogue., Figure numbered '6' is most likely a depiction of Fanny Murray., and Mounted to 28 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Charles III, King of Spain, 1716-1788, Louis XV, King of France, 1710-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Holland, Henry Fox, Baron, 1705-1774, Townshend, Charles, 1725-1767, Northington, Robert Henley, Earl of, 1708?-1772, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Temple, Richard Grenville-Temple, Earl, 1711-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Wilkes, John, 1725-1797, Murray, Fanny, 1729-1778, and Hayman, Francis, 1708-1776.
Subject (Topic):
Influence, Britannia (Symbolic character), Alcoholic beverages, Brooms & brushes, Crutches, Devil, Eyeglasses, Prostitutes, Symbols, Weather vanes, and Witches
Boitard, Louis-Philippe, active 1733-1770, printmaker
Published / Created:
[1767]
Call Number:
767.00.00.03+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashionable life described in a sub-title as "Address'd to the Professors of Driving, Dressing, Ogling, Writing, Playing, Gambling, Racing, Dancing, Duelling, Boxing, Swearing, Humming, Building, &c. &c. &c." with broad space flanked by large buildings leading down to the sea. On the left, "The Academy for the Noble Art of Boxing NB Mufflers provided for delicate Constitutions" through the windows of which a pugilist can be seen addressing a yong nobleman, and two men boxing. Beside this a theatre into which a large crowd enters via a staircase, encouraged by a zany standing on a balcony with three actresses, two actors wearing turbans and another dressed as a soldier; the sign above refers to notorious hoaxes of the earlier part of the century: "Britannia Humm'd Or the Tragedy of the Secret Expedition [presumably the Expedition on Rochefort, 1757], A Mock Tragedy to which is added a Farce call'd The Pregnant Rabit Woman [i.e., Mary Toft], Together with the Adventures of the Bottle Conjurer [see BM Satires 3022, 1868,0808.3875], and Polish Jew [Henry Simons]. As likewise the taking ye Standard at the Battle of Dittingen." The next house is built in a variety of styles; beyond, the sea the sun rises "for the Vigilant". In the foreground fashionable people are shown as described in a key below: 1. "British Nobility disguis'd", three women dressed in French style in an open carriage are bowed to by 2. a foppish young man "Return'd from the Polite Tour"; behind him 3. "Foreign Insolence [is] express'd by the French Valet de Chambre daring to Insult 4. English Bravery in Distress [an old sailor with a wooden leg], reduc'd to ask Alms in his Native Country, after having courageously lost his limbs in Defence of it on board a Privateer & unjustly kept out of his Prize-money"; next is 5. "The Optical Ogle, or polite Curiosity", a young gentleman peering at the women in the carriage through an eye-glass; 6. "An Author", a miserable gentleman with his hands tucked into the breast of his coat who is barked at by two dogs; by contrast, 7. "A Player" reclines comfortably in a sedan chair, a footman walking before him; 8. describes a scene at the door of the house on the right, "The Industrious Tradesman thrust off with Contempt, expecting a just Debt to be paid, to make room for a high Life Gambler [also in a sedan chair], politely usher'd in to receive his Debt of Honour"; behind this group is, 9. "A Feather of the Turf", a man mounted on a high gig drives two horses, and 10. "The Balance of Merit in this happy Climate for useless Exotics, [where] A French Dancing Master obtains 300£ pr. Ann. & a clear Benefit worth near 300£ more, while the Ingenious English Shipwright, tho' Assistant to the Honour Profit & Defence of his Country, by hard Labour barely obtains 40£ pr. Ann."; on the left, 11. a hearse drives into the scene with "The Corps[e] of a Blood, conveying to Interment, who boldly lost his Life in a Duel defending the Reputation of a Prostitute"; 12. is the house beside the sea, "Modern Architecture The Corinthian, Venetian, Gothic & Chinese huddled in one Front,"; 13. an old woman leaning out of an upper window calling to a woman and two men at the door represents "Modern Hospitality in the Character of Old Age, left to take care of Furniture, & answer Duns that the Family is in the Country"; 14. fishing boats at sea are reminders that "One British Buss [fishing boat] of more service to the Community than ten Italian Singers"."--British Museun online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Eight lines of text below image: Explanation. 1 British Nobility disguis'd, 2 Return'd from the Polite Tour, 3 Foreign Insolence express'd by the French valet de chambre daring to insult 4 English Bravery in distress ..., and Mounted to 26 x 35 cm., window mounted to 29 x 41 cm.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill & Carington Bowles in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Name):
Garrick, David, 1717-1779 and Toft, Mary, 1703-1763
Title from item., "Engraved after an original picture of Mr. John Collett in the possession of Mr. Bradford."--Below title., and Companion print to The refusal / J. Collett pinxit ; J. Goldar sculpsit. [London] : T. Bradford, 1st Feby. 1768.
Publisher:
Publish'd by T. Bradford, No. 132 Fleet Street, as the act directs
