Title in letterpress above image., Publication place and date from date of letter., Letter from John Wilkes below image in letterpress: To the gentlemen, clergy, and freeholders of the County of Middlesex. Signed John Wilkes, King's-Bench Prison, Saturday, June 18, 1768., Letter signed and dated: John Wilkes, King's-Bench Prison, Saturday, June 18, 1768., Temporary local subject terms: Emblems: lion -- Emblems: cap of liberty -- Emblems: rod of Maintenance -- Emblems: thistle -- Emblems: snake., and Mounted to 37 x 35 cm.
Publisher:
publisher not identified
Subject (Name):
Wilkes, John, 1725-1797, Mansfield, William Murray, Earl of, 1705-1793, Bute, John Stuart, Earl of, 1713-1792, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Glynn, John, 1722-1779
Copy (not reversed) of the first state of Plate 2 of Hogarth's 'The Rake's Progress' (Paulson 133): a fashionable interior with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master (said to be named Dubois), a prizefighter with quarter-staffs (said to be James Figg), a dancing master (John Essex?), a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey.--British Museum online catalogue
Alternative Title:
Rake's progress. Plate 2 and To recompense the Sire's continu'd fast, ...
Description:
Title from text engraved above image., "Plate 2"--Lower right, below image., A reissue, with a new publication line and with ornamental borders added, of the second of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., and Ornamental borders partially obscure image and plate number.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '11' in upper left corner., Eighteen lines of verse in three columns, below image: That beastly rabble, that came down From all the garrets in the town, ... Made up of rags to personate Respective officers of state., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, volume 1, number 514., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), number 92., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
Title etched below image., Publication place and date inferred from those of the periodical for which this plate was engraved., Two lines of text below image: The road has done me justice, but the gaming table has been my ruin. Beggars Opera., Plate from: The Political register and London museum. London : J. Almon, v. 2 (1768), p.129., Temporary local subject terms: Interiors: Treasury -- Theatrical costumes -- East India Company: directors -- Fire buckets -- Weapons: pistols -- George Dudley, ?1702-1777, Chairman of East India Company -- Robert James, fl. 1768, secretary of East India Company -- Thomas Rouse, d. 1771, Chairman of East India Company -- Literature: quotation from The beggars opera by John Gay., and Mounted to 37 x 28 cm.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and East India Company.
Title from item., Publication place inferred from that of the magazine for which this plate was engraved., Publication date from an unverified card catalog record., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 2 (1768)?, Temporary local subject terms: Furniture: tables., and Mounted to 37 x 27 cm.
Publisher:
publisher not identified
Subject (Name):
Christian VII, King of Denmark and Norway, 1749-1808,
Copy (reversed) of the first state of Plate 7 of Hogarth's 'The Rake's Progress' (Paulson 138): A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Rake's progress. Plate 7 and His hours of joy are fled with rapid speed
Description:
Title from text engraved above image., "Plate 7"--Lower right below design., Verses below image in three columns, four lines each: His hours of joy are fled with rapid speed, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the seventh of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image and text on right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Name):
Fleet Prison (London, England),
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
Title from item., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 1 (1768), p. 188., Temporary local subject terms: Interiors: lawyer's chamber -- Furniture: chair -- Lawyers -- Money -- Bribes -- Pictures amplifying subject: George, 1st Baron Jeffries, 1648-1689., and Mounted to 39 x 38 cm.
Publisher:
publisher not identified
Subject (Name):
Norton, Fletcher, 1716-1789, Ryder, Dudley, Sir, 1691-1756, and Mansfield, William Murray, Earl of, 1705-1793
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Three lines of text below image: Mortimer / Is a great lord of late, and a new thing: a prince, an earl, and cousin to the King. Ben Johnson [sic]., Plate from: The Political register and London museum. London : J. Almon, v. 2 (1768), p. 274., Temporary local subject terms: Literature: allusion to The fall of Mortimer, by Ben Jonson, 1573?-1637., 1 print : ethcing ; plate mark 19.1 x 11.2 cm, on sheet 22 x 14 cm mounted to 31 x 37 cm., and With Bowditch's annotations on mount.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Bute, John Stuart, Earl of, 1713-1792, Edward III, King of England, 1312-1377, Isabella, Queen, consort of Edward II, King of England, 1292-1358, and Mortimer, Roger de, Earl of March, 1287?-1330
Title engraved below image., Below title: Engraved after an original picture of Mr. John Collett, in the possession of Mr. Smith., Attribution to Rennoldson based on companion print: Grown ladies &c. taught to dance., and Temporary local subject terms: Dancing lessons -- Musicians: violinist -- Ear-trumpets -- Pictures amplifying subject: opera dancer -- Opera dancers: Madame Elastique -- Theatrical costume: opera dancer's costume -- Musical instruments: violin with case -- Music books -- Curl papers -- Placards: dancing lessons advertisement -- Literature: allusion to Works of Isaac Newton, 1642-1727 -- Allusion to Essay concerning human understanding by John Locke, 1632-1704 -- Furnishings: pulley stiles.
Publisher:
Printed for Jno. Smith, No. 35 in Cheapside, & Robt. Sayer, No. 53 in Fleet Street, London
