"Britannia and America embrace, while France and Spain try to pull America away, Holland watches their efforts, and Fox points out the struggle to Keppel." A reference to attempts by Russia and Fox to mediate the conflict in 1781-82.
Description:
Title from item., A probable earlier state of no. 5989 without the Humphrey imprint. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Artist and date of publication from British Museum catalogue., and Mounted to 32 x 44 cm.
Publisher:
Pub. by T. Colley No. 5 Acorn Court Rolls Buildings Fetter Lane Old England
Subject (Geographic):
Great Britain, United States, and America.
Subject (Name):
Fox, Charles James, 1749-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, History, Colonies, Liberty cap, and Clothing & dress
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image., A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt., and Uncolored impression. Trimmed to plate mark 250 x 360 mm.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image. and A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
"A stout man, seated (right) with stag's horns growing from his forehead, turns away from a lawyer in wig and gown who approaches him from the left."--British Museum online catalogue
Alternative Title:
Value of a P...y-C........r's matrimonial honor and Value of a Privy-Councillor's matrimonial honor
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Publ. as the act dir. by H. Humphrey New Bond St. No. 18
"Design in an oval. Fox with a very melancholy expression, standing with folded arms facing three quarter to left outside a closed and padlocked gate repeating Wolsey's soliloquy from Henry the Eighth. The gate fills an archway, its top being of iron spikes, the padlock is inscribed Fast. The stone arch over the gate is inscribed Treasury. On the stone wall of the Treasury building (left) are torn placards. One is a broadside, 'Last Dying Speech' headed by a print of a man hanging from a gibbet; another is headed "Gamester". Beneath the title is inscribed: "Farewell, a long Farewell to all my Greatness! this is the state of Man, to Day he puts forth the tender leaves of hopes, tomorrow Blossoms & bears all his blushing Honours thick upon him: the Third Day comes a Frost a killing Froast [sic], & when he thinks good easy Man full surely his Greatness is a Ripening, nips his Root & then befalls as I do!"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 12th, 1782, by H. Humphrey, New Bond Street
Volume 1, page 34. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Young woman holding music score and singing with her young brother on left, two other women playing lute and singing on right, dog asleep in the foreground, landscape seen through arch in the background, within roundel; after Henry Bunbury."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., Four lines of verse etched below title: No Clarions here the strains of battle sing, with notes of love our charming vallies ring; Peace to the brave! o'er us shall beauty reign, and ever-charming pleasures form our train. Vide Seven Fountains., Dedication etched below verses: To Her Grace the Dutchess of Devonshire, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated, by Her Graces most obedient humble servant, W. Dickinson., and Mounted on page 34 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd July 10th, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Volume 1, page 26. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman sitting to left, singing from the book of music she holds in her hand, turned slightly away from the viewer and dressed in volumptuous skirts and a turban; oval design after Bunbury."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Probably engraved by John Raphael Smith; see British Museum online catalogue, registration no.: 1877,0512.533., Sheet trimmed to plate mark., Illustration to Sir William Jones's poem 'The palace of fortune, an Indian tale'., Two lines of verse below title: Through the calm air, the melting numbers float, and wanton echo lengthens every note., Temporary local subject terms: Music., and Mounted on page 26 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd July 20, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
In a rural setting, a tailor with tape-measure hanging from pocket falls back from the recoil of his gun, his hat and wig falling off as well. He is observed by an amused country yokel with a spade
Alternative Title:
Tailor turned sportsman
Description:
Title from item. and Artist from British Museum catalogue.
Publisher:
Published by R. Sayer, No. 53 Fleet Street, as the act directs
Outside a tavern called The Whirligig, Col. Tarleton brandishes his sword while making a boastful speech about his military exploits. Behind him stands the Prince of Wales, headless, but identifiable by the ostrich plumes which replace his features. Above the tavern door the figure of a prostitute serves as the sign of the house
Description:
Title from item., Printmaker from British Museum catalogue., Text following title: Vide: Every man in his humour, alter'd from Ben Johnson., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 20th, 1782, by Eh. D'Achery, St. James's Street
Subject (Geographic):
England
Subject (Name):
Tarleton, Lieutenant-General 1754-1833 (Banastre), and George IV, King of Great Britain, 1762-1830
