"The Prince of Wales stands outside the gate of Carlton House, turning away and covering his eyes to avoid seeing the scaffolding which is being pulled down by Pitt, Richmond, and Dundas, who strain at ropes. A long cloak hangs from his shoulders and he holds a coronet decorated with three feathers. Thurlow with a broom and Dundas with a whip chase away a terrified crowd of artisans (left) who have been employed at Carlton House. Beside the Prince stand his friends, who look towards a rising sun appearing over the roof of Carlton House; m the disk stands Liberty, beckoning to them. Fox holds out a roll inscribed 'Magna Chart[a]'; Burke stands with his hand on North's shoulder; Sheridan holds the 'Bill of Rights'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince in clover., Sheet trimmed within plate mark., Temporary local subject terms: Pitt's attitude toward Prince's debts -- Artisans expelled -- Figure of Liberty -- Carlton House -- Magna Carta -- Bill of Rights., and Printed on bottom half of same sheet is companion print "The prince in clover", assigned the second call number: 787.06.02.02 Impression 1.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., 1 print : etching on laid paper, hand-colored ; sheet 12.7 x 18.9 cm., and Window mounted to 14 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., and Printed on top half of same sheet is companion print "The prince at grass", assigned the second call number: 787.06.02.01 Impression 1.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
Title from item., Sheet trimmed within plate mark., Attributed to Kingsbury in British Museum catalogue., and Temporary local subject terms: Swine -- Prince of Wales's debts -- Bible: Prodigal son, Luke 11:32
Publisher:
Pub'd Jany. 18, 1787, by S.W. Fores, No. 3 Piccadilly
A clergyman baptizes a child who is submerged in a punch bowl, as his parents and another couple look on. Also on the table are two full glasses of punch
Description:
Title engraved on banner in the image., Twelve verses engraved in two columns below image, beginning: Come listen awhile, I will make you to smile, With a story that's certainly true ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Numbered in ms. top left: 16.
Publisher:
Publish'd Octr. 16, 1787 by C. Sheppard, No. 19 Lambeth Hill, Doctors Commons
Title etched below image., Printmaker from description in the British Museum catalogue of a later state., Early state with variant title, with the central figure bearing the Duke of Brunswick's head instead of that of William of Orange, and with the sabre lacking an inscription. Cf. No. 7181 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark and mutilated in lower left corner, with partial loss of imprint; remainder of imprint mostly erased from sheet. Imprint from the impression at the Beinecke Library.
Publisher:
Pubd. Novr. 1st, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Frederick II, King of Prussia, 1712-1786, Abdülhamid I, Sultan of the Turks, 1725-1789, Catherine II, Empress of Russia, 1729-1796, and Joseph II, Holy Roman Emperor, 1741-1790
Two elegant young ladies sit side-by-side on a sofa, the one with sheet music in her lap as her companion plays the lute
Alternative Title:
Sirens
Description:
Title from caption below image., Sheet trimmed within plate lines., Below image, four lines of verse in two columns: Here all is pleasure, nothing wanting ..., and An intaglio print using multiple processes including, soft-ground etching, stipple engraving, aquatint and etching, printed in color à la poupée.
Publisher:
Pub'd April 10th 1787 by E. Jackson, No. 1 Marylebone Street, Golden Square
"John Palmer (left), striding across a miniature circular tower surrounded by a moat, falls back under the attacks of two men on the other side of the moat. He wears pseudo-Elizabethan dress, with a cloak; his feathered hat falls off. On his arm, in place of a shield, is a document inscribed 'Licence . . . Wild-moat'; he drops from his right hand a paper inscribed 'Tower Privilege'. Cornwallis, saying, "I am down again". Miniature cannon are firing from the tower. Facing him, one foot on an upturned tub inscribed 'For the Use of Cov: Gar. Wardrobe', is a man wearing nightcap, dressing-gown, and slippers, with an apron, who is about to hurl a bar inscribed 'Castile Soap', saying, "I am a Gentleman, you Vagabond"; on his left arm, in place of a shield, is a paper inscribed 'An Act for regulating the Stage'. He is probably George Colman. Beside him, his left arm in a sling, a young man (? Colman the younger) discharges at Palmer a blast from a pistol inscribed 'Breach of Articles'. Three spectators stand close together on the right, saying, "Mr Palmer, we must oppose: we told you so at Christmas!" They are Sheridan and probably his partners, Linley and Dr. Ford. In the background (right) is a building inscribed 'Circus', in front of which a man stands on one toe on the back of a galloping horse, while a monkey stands on its head on the back of a pig; the pig's saddle is inscribed 'Jacko'; from its mouth issues 'ABC', representing Astley's, General Jacko, and the Learned Pig (see BMSat 6715, &c); a scroll issuing in a curve from Astley and Jacko is inscribed 'We shall all Play'. In the moat are frogs and the bodies of two tiny women, Tragedy and Comedy, one holding a cup and dagger, the other a mask."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7171 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark on one side., and Temporary local subject terms: Male costume: Pseudo-Elizabethan -- Male costume: night clothes -- Unlicensed theatres: Royalty Theatre -- Allusion to Covent Garden -- Learned pigs -- Castile soap -- Lighting: rushlights -- Slings -- Body of Tragedy -- Body of Comedy -- Moats -- Guns: Pistols -- Miniature cannons -- Stage properties: tub -- Horace Walpole refers to print -- Towers -- Circuses: Astley's Circus -- Performing monkies: General Jacko.
Publisher:
Pubd. June 30, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Palmer, John, 1742?-1798, Astley, Philip, 1742-1814., Cornwallis, Charles Cornwallis, Marquis, 1738-1805., Colman, George, 1732-1794, Colman, George, 1762-1836, Sheridan, Richard Brinsley, 1751-1816, Linley, Thomas, 1733-1795, and Ford, Edward, 1746-1809
Volume 2, page 53. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior scene in a tavern, at left a woman rasies a large tankard to her lips, the man sitting near her with his hand around her waist, another customer sitting beside them encourages her to take a drink, a cigar(?) in his hand, behind a woman bends down to tend to the fire, across the room at right a patron sits reading from a newspaper, a smartly dressed man with a lantern(?) in hand standing beside him, another in labourers clothes leans on the back of his chair at right; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Eight lines of verse below image, four on either side of title: verse: No more the farmer's news, the barbers tale, no more, the woodman's ballad shall prevail, no more the smith his duskey brow shall clear, relax his pond'rous strength, and lean to hear; the host himself, no longer shall be found, carefull to see the mantling bliss go round; nor the coy maid, half willing to be press'd, shall kiss the cup, and pass it to the rest. Goldsmith., Illustration to Oliver Goldsmith's poem 'The deserted village'., and Mounted on page 53 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published April 7th, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Name):
Goldsmith, Oliver, 1730?-1774.
Subject (Topic):
Interiors, Taverns (Inns), Drinking vessels, and Newspapers
"A scene from Act V of Murphy's play as performed at the private theatre of the Duke of Richmond at Richmond House, on 20 April 1787 and subsequently. Lovemore (Lord Derby) stands between Mrs. Lovemore (Mrs. Damer), who holds his right arm, and the Widow Belmour (the fat Mrs. Hobart). Beside the Widow, and on the extreme right, stands a very thin man dressed with exaggerated foppishness, his hat under his arm; he says, "As the man says in the Play your Lordship is right welcome back to Denmark". He is Sir Brilliant Fashion, played by the Hon. Richard Edgcumbe. Mrs. Damer says, "This is Lord Etheridge Madam", and Mrs. Hobart answers, "No Madam this is Lord Lovemore"; the speeches have been transposed by an engraver's error. In a stage box on the extreme left sit the Duke of Richmond and a lady (the Duchess?) holding an enormous muff, her high coiffure much exaggerated. The box is decorated with a group, two crossed cannon, lying on a plan of a fort, with a kettle-drum, surmounted by a laurel wreath, an allusion to Richmond's unpopular scheme for fortifying Portsmouth and Plymouth, see BMSat 6921, &c. The ladies have tiny faces, framed in elaborately dressed hair, which contrast with Lord Derby's large head. A draped curtain frames the stage; in the centre is the customary 'Veluti in Speculum'."--British Museum online catalogue
Alternative Title:
Veluti in speculum
Description:
Title from item., Attributed to Captain Mercer by the curator based on style., At top of print: Veluti in speculum., Temporary local subject terms: Horace Walpole refers to subject -- Richmond House Theatre -- Arms -- Richmond fortifications., and Watermark: E & P.
Publisher:
Pub'd Aprl. 23, 1787 by H. Humphries, Bond Strt
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Richmond, Mary, Duchess of, 1740-1796, Damer, Anne Seymour, 1748 or 1749-1828, Valletort, Viscount 1764-1839 (Richard Edgcumbe),, Smith-Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
