"Four figures of ladies caricaturing the dress of the period. The upper pair face each other in profile, one with feathers in her much puffed-out hair, the other with a wide hat tied under her chin (a Werter hat, cf. British Museum Satires No. 7054). Below, one (left) stands full-face, the other stands in profile to the left with her head in back view, showing the arrangement of her hair. The fashions satirized are the puffed-out breasts, see BMSat 7099, &c, the false 'derrières', see BMSat 6874, &c., hairdressing and large muffs, see BMSat 7244, &c. The hair is much extended on each side of the head and divided at the back by a queue reaching below the waist."--British Museum online catalogue, description of a later state
Alternative Title:
Telles choses sont
Description:
Title etched below image., Attributed to Mercer: According to Henry Angelo, a series of plates, four figures on each, was designed by Mercer, a military officer, with the title applied from Mrs. Inchbald's comedy. Cf. Angelo, H. Reminiscences of Henry Angelo, 1904, v. 1, page 328., Variant (probably earlier) state, lacking the verse beneath title that appears in the later state. See no. 7252 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Mounted to 40 x 33 cm., and Watermark: W.
Publisher:
Pub'd 2d Aprill 1787 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
Inchbald, Mrs., 1753-1821.
Subject (Topic):
Clothing & dress, Dandies, British, French, and Women
"A sitting of the Board of Control (established by Pitt's India Act 1784): Dundas, Pitt, and Sydney are seated behind a narrow cloth-covered table, but Dundas (left) monopolizes the business, while Pitt, his back to Dundas, plays push-pin with Sydney who is on the extreme right. Pitt complacently defeats Sydney who starts back in dismay at the position of the pins. Dundas turns his head in profile towards four ragamuffins in Highland dress who enter from the left. These, but not the members of the Board, are caricatured. The foremost, with shaggy hair, torn garments, and bare feet, scratches himself (cf. BMSat 5940) as he presents a petition with an eager grimace. ... A second petitioner carries a spade, a third scratches his head with an anxious expression. Dundas receives them with favour, holding out his hand for the petition. ... The only actual director named is the Hon. William Elphinstone, formerly commander of an Indiaman, member of a family which (later) had many honourable associations with India. ... The papers in front of Pitt and Sydney, with their pens and ink-stands, have been thrown to the floor to make room for their game, and are in shadow. Three are inscribed: 'Sir Elijah Impey', 'Major Scot &c &c &c', and 'War[ren] Hastings Esq.' On the wall, on each side of a candelabra, are two pictures: one (left) is 'Robbing'; Fox puts a pistol to the head of a stout Englishman who holds a document inscribed 'India Patronage'. The other (right) is 'Stealing'; Pitt picks the pocket of a sleeping oriental, taking from it a roll: 'India Patronage'. ..."--British Museum online catalogue
Alternative Title:
Board of Control and Blessings of a Scotch dictator
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., Temporary local subject terms: East India Company, Board of Control -- East India Company, Proprietors of stock -- Pictures amplyfing subject -- Livery companies -- Games: push pin -- Scotland -- Scotchmen -- Allusion to Sir Elijah Impey, 1732-1809 -- Allusion to John Scott-Waring -- Allusion to William Fullerton Elphistone, 1744-1835., and Mounted to 33 x 44 cm.
Publisher:
Pubd. March 20th, 1787, by R. Phillips, Southwarke
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sydney, Thomas Townshend, Viscount, 1733-1800, and Hastings, Warren, 1732-1818
"A number of men with asses' heads sit round a table signing a petition. They are upon a platform in a ramshackle room; a ladder rests against its left corner; on the ladder appear the head and shoulders of Fox in back view; he holds strings attached to the noses of the asses. The ass seated at the head of the table (left) hands down to him a 'Petition to the House of Commons for Delay [signed] Ign[or]amus'. An ass holds a long document, the 'Commercial Treaty with France', which falls across the table on to the ground; on his right shoulder an ass rests his head; another on the left sleeps with his head resting on a pile of books on the table. A spectacled ass writes busily; next him, at the end of the table (right), an ass leans back asleep. The nose of a braying ass appears through a door on the extreme right. Behind the table an ass places a notice on the wall: 'Chamber of Commerce at a Meeting held the 10th of February Resolved'. This partly covers another bill: 'Chamber [of] Commerce at a Meeting 9th Decr 1786 Resolv[ed]'. On a shelf (left) a figure of Mercury with a wooden leg dances, flourishing a caduceus; the right hand is broken off; behind it part of a vase is visible inscribed 'Wedgwood'. Figure and vase are on a pedestal inscribed 'Ex Quovis Ligno non fit Mercurius'. A casement window with broken panes and a raftered ceiling indicate the squalor of the room."--British Museum online catalogue
Alternative Title:
Assemblée des not-ables anglois and Assemblée des notables anglois
Description:
Title etched in bottom center of image., Signed with the monogram of James Sayers., Lewis Walpole Library: Horace Walpole refers to subject., 1 print : etching on wove paper ; plate mark 22.8 x 28.3 cm, on sheet 24.5 x 29.5 cm., and Mounted on leaf 36 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. the 14th Febry. 1787 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain and France.
Subject (Name):
Wedgwood, Josiah, 1730-1795. and France.
Subject (Topic):
Politics and government, Foreign economic relations, Mercury (Roman deity), and Donkeys
"A number of men with asses' heads sit round a table signing a petition. They are upon a platform in a ramshackle room; a ladder rests against its left corner; on the ladder appear the head and shoulders of Fox in back view; he holds strings attached to the noses of the asses. The ass seated at the head of the table (left) hands down to him a 'Petition to the House of Commons for Delay [signed] Ign[or]amus'. An ass holds a long document, the 'Commercial Treaty with France', which falls across the table on to the ground; on his right shoulder an ass rests his head; another on the left sleeps with his head resting on a pile of books on the table. A spectacled ass writes busily; next him, at the end of the table (right), an ass leans back asleep. The nose of a braying ass appears through a door on the extreme right. Behind the table an ass places a notice on the wall: 'Chamber of Commerce at a Meeting held the 10th of February Resolved'. This partly covers another bill: 'Chamber [of] Commerce at a Meeting 9th Decr 1786 Resolv[ed]'. On a shelf (left) a figure of Mercury with a wooden leg dances, flourishing a caduceus; the right hand is broken off; behind it part of a vase is visible inscribed 'Wedgwood'. Figure and vase are on a pedestal inscribed 'Ex Quovis Ligno non fit Mercurius'. A casement window with broken panes and a raftered ceiling indicate the squalor of the room."--British Museum online catalogue
Alternative Title:
Assemblée des not-ables anglois and Assemblée des notables anglois
Description:
Title etched in bottom center of image., Signed with the monogram of James Sayers., Lewis Walpole Library: Horace Walpole refers to subject., and Mounted on page 52 with one other print.
Publisher:
Publd. the 14th Febry. 1787 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain and France.
Subject (Name):
Wedgwood, Josiah, 1730-1795. and France.
Subject (Topic):
Politics and government, Foreign economic relations, Mercury (Roman deity), and Donkeys
"A number of men with asses' heads sit round a table signing a petition. They are upon a platform in a ramshackle room; a ladder rests against its left corner; on the ladder appear the head and shoulders of Fox in back view; he holds strings attached to the noses of the asses. The ass seated at the head of the table (left) hands down to him a 'Petition to the House of Commons for Delay [signed] Ign[or]amus'. An ass holds a long document, the 'Commercial Treaty with France', which falls across the table on to the ground; on his right shoulder an ass rests his head; another on the left sleeps with his head resting on a pile of books on the table. A spectacled ass writes busily; next him, at the end of the table (right), an ass leans back asleep. The nose of a braying ass appears through a door on the extreme right. Behind the table an ass places a notice on the wall: 'Chamber of Commerce at a Meeting held the 10th of February Resolved'. This partly covers another bill: 'Chamber [of] Commerce at a Meeting 9th Decr 1786 Resolv[ed]'. On a shelf (left) a figure of Mercury with a wooden leg dances, flourishing a caduceus; the right hand is broken off; behind it part of a vase is visible inscribed 'Wedgwood'. Figure and vase are on a pedestal inscribed 'Ex Quovis Ligno non fit Mercurius'. A casement window with broken panes and a raftered ceiling indicate the squalor of the room."--British Museum online catalogue
Alternative Title:
Assemblée des not-ables anglois and Assemblée des notables anglois
Description:
Title etched in bottom center of image., Signed with the monogram of James Sayers., and Lewis Walpole Library: Horace Walpole refers to subject.
Publisher:
Publd. the 14th Febry. 1787 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain and France.
Subject (Name):
Wedgwood, Josiah, 1730-1795. and France.
Subject (Topic):
Politics and government, Foreign economic relations, Mercury (Roman deity), and Donkeys
"Four monarchs divide between them a map of the territories of the Dutch Republic, all saying, "Let us support the poor Dutch!" In the background (left) the 'Stadt House' falls in ruins, and on a small rock in the sea inscribed 'Texel' a fat Dutchman in back view, looking out to sea, says, "Now, I am an Absolute Monarch"; the words ascend in the smoke of his pipe. He holds a sword and is surrounded by cackling geese. All four sovereigns hold the map, and all shed tears: George III (right) tugs at it with both hands, tearing off a piece inscribed 'Good Hope', 'Java', 'Saba', 'Eustatia', 'Curac', 'Bonaire' (?), 'Coruba', 'St Martins', 'Surinam'. Frederick William of Prussia (left), seated on the ground, wearing a fool's cap decorated with the skull and cross-bones of the Death's Head Hussars, uses a dagger to cut off a piece containing 'Friesland', 'Groningen', 'Overyisel', and 'Ceylon'. The Emperor Joseph, standing opposite Frederick William, slices the map with a large sword, securing 'Utrecht', 'Zalper' (?), 'Holland', 'Molucca Islands'. Between Joseph and George III Louis XVI, dressed as a French fop, uses a pair of shears to cut off 'Guelderland', 'Zeeland', 'Rotterda[m]', and 'Hague'."--British Museum online catalogue
Description:
Title etched below image, Printmaker from British Museum catalogue., Series title etched in upper right corner of plate. For another print in the series, see No. 7214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Dutch Republic.
Publisher:
Pubd. June 23d, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, and Frederick William II, King of Prussia, 1744-1797
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fox muffs -- Key to the back stairs -- Female costume -- False bosoms and derrières., and Watermark in center of sheet.
A Prince of Wales holds his hat and a tasselled cane in his left hand while his rightt hand is in the pocket of the breeches pocket. His coat, breeches, waistcoat, and stockings are all striped, alluding to the picture of a braying zebra on the wall behind him and above a settee. A zebra belonging to his mother, Queen Charlotte, was referred to as "the Queen's ass", and her affection for the Prince was well-known
Alternative Title:
Queen's ass
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pub'd April 17, 1787 by S.W. Fores at the Caracature Warehouse, No. 3 Piccadilly
"An escutcheon with four quarterings, the flower and leaves of a thistle serving as crest and supporters. The dexter chief and and sinister base quarters are covered with a lattice of rectangular bars suggesting a tartan. In the dexter chief quarter is ajar inscribed 'Brimstone'; in the dexter base, a French fleur-de-lis flag across a broken broadsword; in the sinister chief is a decapitated and bleeding head wearing a Scots bonnet across a headsman's axe; in the sinister base a set of bagpipes. The jewel of the order of the Thistle hangs from a ribbon draped round the escutcheon, with the motto 'Nemo. me. impune. lacessit.', but in place of the St. Andrew's cross is a pair of gloved hands, the right hand adjusting the glove of the left hand."--British Museum online catalogue
Description:
Title from item., In lower left of image: Gentlemens designs executed gratis., Temporary local subject terms: Influence of Scotland -- Jacobites -- Coat of arms -- Allusion to Henry Dundas, 1st Viscount Melville, 1742-1811,, and The '6' in the imprint statement has been written over with a '7'.
Publisher:
Pub'd Jany. 9, 1786 [i.e. 7], by S.W. Fores at the Caricature Warehouse, Piccadilly
A 1787 fencing match between a man and a woman in the elegant rooms of Carlton House, London. In the audience stands the Prince of Wales who had arranged this fencing demonstration between Mademoiselle d'Eon (right), and Monsieur de Saint George (left). Charles Geneviève Louis Auguste André Timothée d'Éon de Beaumont (1728-1810), known as the Chevalier d'Eon, who lived the first half of his life as a man and the second half as a woman. The fencer on the left is Joseph de Bologne de Saint-Georges or the Chevalier de Saint-Georges (1745-1799), who was the son of a wealthy plantation owner in the French West Indies colony of Guadeloupe and one of his African slaves named Anne
Alternative Title:
Assault and Fencing match
Description:
Title engraved below image., After the painting by Victor Marie Picot., Questionable attribution to Rowlandson in the Lewis Walpole Library card catalog., Another version of this print attributes the design to Gillray: GIllray inv., and Sheet trimmed within plate mark; design cropped.
Publisher:
Published by Corbeau at Paris and by Robinde at London
Subject (Name):
George IV, King of Great Britain, 1762-1830., Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée d', 1728-1810., and Saint-Georges, Joseph Bologne, chevalier de, 1745-1799.