"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805
"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., and Mounted on page 18 with one other print.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805
On the left a thin man stands stiffly in profile to the right his head thrown back, chapeau-bras, and holding a muff. A very stout man on the rights stands full-face, his hands behind his back, looking up quizzically
Description:
Title from manuscript note., Variant state with title provide only in manuscript in a contemporary hand; no engraved title., Plate for: Rules for drawing caricaturas / by F. Grose. London : Printed by A. Grant, 1788., and Variant state. Cf. No. 7467 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Alternative Title:
Some of the principal inhabitants of the moon
Description:
Title and imprint from Paulson., Text continues : as they were perfectly discover'd by a telescope brouhgt to [the] greatest perfection since [the] last eclipse exactly engraved from the objects, whereby [the] curious may guess at their religion, manners, &c., Copy after Hogarth. See British Museum catalogue no. 1739., Sheet trimmed within plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 56, Ms. note in pencil in Steevens's hand at top of print: The same copy, the size of the plate somewhat diminished that is might suit S.I.'s book afterwards published., and On page 301 in volume 3.
Publisher:
Molton & Co.
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
Satire on royalty, episcopacy and the law, after a print by Hogarth; a group of nine composite figures, the most prominent of which are a king, whose head is represented by a coin, a bishop whose head is a jew's harp, and a judge whose head is a gavel
Description:
Title, publisher, and state from Paulson., Copy after Hogarth. See British Museum catalogue no. 1739., Sheet trimmed within plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), p. 89, Ms. note in Steeven's hand above image: Copy. Ms. note note below image: Proof of S.I.'s copy., and On page 7 in volume 1. Sheet 261 x 200 mm.
Publisher:
Molton & Co.
Subject (Topic):
Bishops, Law & legal affairs, Rulers, and Allegorical prints
"Erskine stands in profile to the left; he bends forward, resting both hands on the table of the House of Commons, part of which is visible on the left. His half-closed eyes give him an almost imbecile expression ..."--British Museum catalogue
Description:
Title from British Museum catalogue. and Signed with the monogram of James Sayers.
"Erskine stands in profile to the left; he bends forward, resting both hands on the table of the House of Commons, part of which is visible on the left. His half-closed eyes give him an almost imbecile expression ..."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted on page 11 with three other prints.
"Erskine stands in profile to the left; he bends forward, resting both hands on the table of the House of Commons, part of which is visible on the left. His half-closed eyes give him an almost imbecile expression ..."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17.5 x 11.2 cm, on sheet 19.5 x 13 cm., Mounted with three other prints on leaf 7 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Sir James Erskine.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 2, page 59. Etchings by Henry William Bunbury, Esq. and after his designs. Page 133. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Figures grouped around the body of the Count on a bed, his face obscured by the canopy, his lover kneeling over him and holding his hand, a man seen from the back kneeling in prayer before the bed and a small boy carrying a bowl and towel at the end, in the foreground at left a guard stands sentry; after Bunbury."--British Museum online catalogue
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2993., Sheet trimmed within plate mark., Mounted on page 133 of: Bunbury album., and 1 print : etching on laid paper, hand-colored; sheet 45.1 x 55.8 cm
Publisher:
James Bretherton
Subject (Topic):
Deathbeds, Canopy beds, Wounds & injuries, Prayer, and Guards
