Two women stand on a balcony, mouths open in song and eyes cast downward at their music sheet. They wear corsetted dresses and feathered head wear. A satire of the duet performed by Harriet Abrams (1758-1821), the English soprano and composer, and her sister Theodosia (ca. 1770-1849), a contralto, on 9 May 1788 at Hanover Square Rooms. The piece performed was 'Gia che mia sposa sei' by Antonio Sacchini, and the occasion was the annual benefit concert for the tenor Samuel Harrison
Alternative Title:
Duet at the Hanover Square concert
Description:
Title etched below image., After a drawing by John Nixon, now in the Gerald Coke Handel Collection, Foundling Museum, London. The artist's "JN" monogram and "1788" date are etched within center left portion of image., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the Gerald Coke Handel Collection, Foundling Museum, London., Not in the Catalogue of prints and drawings in the British Museum., and Laid down onto album paper, with a cropped portrait of an unidentified man on the verso: I. Hiresman pinx. ; M. Vdr. Guchta sculp.
Volume 2, page 70. Etchings by Henry William Bunbury, Esq. and after his designs. Page 17. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A man, accompanied by two dogs, carries a cage of live rats in his right hand and in his left hand, a sharp, wooden stick on which dead rats are impaled
Description:
Title engraved below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey., Sheet trimmed to plate mark., Mounted on page 17 of: Bunbury album., and 1 print : stipple engraving, etching, and engraving on wove paper ; sheet 38.0 x 29.0 cm.
Publisher:
Publish'd Janry. 26th, 1789, by W. Dickinson, New Bond Street
Twelve carciatures of a clergyman delivering sermons from a pulpit with his clerk sitting below, satirizing the words etched above the clergyman
Description:
Title etched below image., Imprint repeated on the sheet without the title, with slight change in date: Published by William Holland, No. 50 Oxford Street, October 23, 1789., Two lines of verse below title: For modes of faith let graceless zealots fight ..., Publisher's advertisement below image on sheet without title: Lately pubd. The prince's bow, Old maids at a cat's funeral, English slavery, Meeting an old friend with a new face, The city assembly, all prints on the Irish embassy, &c. &c., Publisher's announcement on the sheet with title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints and drawings. Admittance one shilling., Cf. No. 7643 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Both sheets joined and then cut into three strips.
Elegant and affluent customers enjoy ices in a grand room in London's fashionable St. James's. The female server behind the counter is elegantly dressed and looks with ease out of the window. A finely dressed gentleman leans against the counter at right, spooning ice cream into his mouth from a glass he holds in his left hand; his hat, gloves, and stick are carefully arranged on a chair next him. Two women are seated at the left side of the counter, one holding an ice cream glass and spoon. A classical fireplace on the right has additional glasses arranged upon it. A great craze in 18th-century Britain, amongst the wealthy, was ice cream. Establishments such as The Pineapple on Berkeley Square (close by St James’s), owned by Domenico Negri, offered "All Sorts of Ice, Fruits & Creams" (see the elaborate trade card in the British Museum). This print was intended as a companion piece to "Refreshment at St. Giles's" which, in contrast, shows two women and a man being served gin by a female proprietor from a makeshift and run-down bar
Alternative Title:
Refreshment at Saint James's
Description:
Title etched below image., Probably a later state, with remnants of a burnished imprint statement visible beneath title. Publication information inferred from imprint "London, Publish'd June 1st, 1789, by G.T. Stubbs, No. 2 Compton Street, Soho" present on companion print; see British Museum online catalogue, registration no.: 1948,0315.6.36., Companion print to: Refreshment at St. Giles's., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
G.T. Stubbs
Subject (Topic):
Interiors, Ice cream & ices, Eating & drinking, and Fireplaces
Dent, William, active 1783-1793, printmaker, publisher
Published / Created:
Feb. 9th, 1789.
Call Number:
789.02.09.01+
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a kitchen, the "Treasury" or the "Privy Purse" represented by a crown, in which a large bull on a spit labeled "Fourth Estate" is being roasted before a fire, dripping coins; on the left is the Prince of Wales (George IV), he asks "Dear Mother, pray let me have a sop in the pan." A woman with a large spoon raised over her head moves to drive him from the kitchen
Alternative Title:
Who rules the roast!
Description:
Title etched below image., Attributed to William Dent., Not in the Catalogue of prints and drawings in the British Museum., and Watermark: J. Whatman.
Publisher:
Pubd. by W. Dent and Sold by W. Moore, Oxford Street
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830 and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Bulls, Cookery, Treasuries, Kitchens, Crowns, Coins, and Spoons
Satirical portrait of William Pickett, Lord Mayor of London for 1789; three-quarter length, seated; wearing the ceremonial gown and with a City of London sword hanging in the background; within a border composed of plates, cups, saucers, mugs, kettles, and a chamber pot, with two bears in the corners; a fire extinguisher and a string of "India crackers" hang below the border
Description:
Title etched below image., Text below title: Price only one shilling with a suitable frame included., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publishd. according to act of Parliament, June 1st, 1789, by E. Harding
Subject (Geographic):
Great Britain.
Subject (Name):
Pickett, William
Subject (Topic):
Politicians, Robes, Swords, Containers, Firecrackers, and Fire extinguishers
"A vulture with the head of Pitt (in profile to the left) grasps in the left claw the Crown and sceptre, in the other (outstretched) the coronet of the Prince of Wales; the latter he crushes under the weight of his powerful talons, while he bites at the Prince's feathers, one of which he has already plucked out. The gorged bird's bulging breast is inscribed 'Treasury'; under the crown lies 'Magna Charta', torn. The spread of the creature's wings and the stretch of its long heck towards the feathers give an impression of savage rapacity."--British Museum catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue. Cf. No. 7478 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Numbered '41' in upper right corner.
Publisher:
Pubd. Jany 3d 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Pitt, William, 1759-1806
Title devised by cataloger., Printed on one sheet with: A mis-fire at the Constitution., Originally printed on a separate sheet and included with a set of eight satirical portraits published in May 1794 in which the members of the Opposition are travestied as French republicans. The sheet was cut along the lower edge of the cap in order to place it on the head of each of the portrayed politicians. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., nos. 8450-7., Variant state of No. 8449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Sans culottes -- French Revolution., and Mounted to 49 x 34 cm.
