Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., Mounted on page 162 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching on wove paper ; sheet 14.6 x 22 cm., Sheet trimmed within plate mark., and Annotated by Horace Walpole in pencil in lower right corner: Some of the figures in the boxes are different from those in Mr. Walpole's picture.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., and Key plate to the painting by Hogarth and the engraving after it by William Blake.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., and On page 235 in volume 3. Sheet trimmed to: plate mark 14.5 x 21.9 cm, on sheet 15.4 x 22.7 cm.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
A crowd, gathered in the courtyard under the sign of The George Inn on the route to Brighton, examine a horse seemingly under auction; a man in the doorway holds up a hammer. People look out at the scene from the windows of the inn. Two men converse with a woman to the left as her dog looks at the scene; a traveler with a pack and walking stick sits on a stoop to adjust his shoe
Description:
Title etched below image., Third of eight plates to: Wigstead, H. An excursion to Brighthelmstone, made in the year 1789. London : Printed ... for G.G.J. and J. Robinson, 1790., Sheet trimmed within plate mark., and Mounted on leaf 16 of volume 4 of 14 volumes.
Publisher:
Publish'd June 1, 1790, by Messrs. Robinsons, Paternoster Row
Subject (Topic):
Animal auctions, Audiences, Travelers, and Taverns (Inns)
A crowd, gathered in the courtyard under the sign of The George Inn on the route to Brighton, examine a horse seemingly under auction; a man in the doorway holds up a hammer. People look out at the scene from the windows of the inn. Two men converse with a woman to the left as her dog looks at the scene; a traveler with a pack and walking stick sits on a stoop to adjust his shoe
Description:
Title etched below image., Third of eight plates to: Wigstead, H. An excursion to Brighthelmstone, made in the year 1789. London : Printed ... for G.G.J. and J. Robinson, 1790., Sheet trimmed within plate mark., 1 print : etching and aquatint in sepia on laid paper ; sheet 26.7 x 33.7 cm., Sheet trimmed within plate mark with loss of imprint., and Watermark.
Publisher:
Publish'd June 1, 1790, by Messrs. Robinsons, Paternoster Row
Subject (Topic):
Animal auctions, Audiences, Travelers, and Taverns (Inns)
Byron, Frederick George, 1764-1792, attributed name
Published / Created:
May 12, 1790.
Call Number:
790.05.12.01+
Image Count:
1
Resource Type:
still image
Abstract:
"The King of Spain sits on a circular dais under a canopy, turning his head away from the English ambassador (left), a stout John Bull wearing top-boots behind whom stand four pugilists. Three Spaniards with pikes stand on the extreme right behind the throne, and three courtiers stand in the background. The King wears a short tunic and ruff with a feathered hat; all the Spaniards have long upturned moustaches, all look dismayed. Three of the pugilists are inscribed: 'Big Ben' [Benjamin Brain], 'Humphries', and 'Mendoza'; the fourth is Ward. Beneath the design is etched: 'Great Sir, I am arrived from Albion's Court, Who have taken in Dudgeon what you may think Sport; So it may for the present; but we'll soon make it appear, You'll have reason to laugh the wrong side of your ear! Our Traders in Nootka, by some of your Curs, Were all sent to Quod and robb'd of their Furs, Your right so to do which you claim from the Pope, We Britons dont value the end of a rope! It's a farce you may make your weak Subjects believe, But our right's equal to yours from Adam and Eve. Therefore if you don't make us immediate amends, No longer can we look upon you as Friends, Should you wish for a War we have got a new race, Of such brave fighting fellows, not the Devil dare face! A sample I've brought, only four of our men, Mendoza, Dick Humphries, Joe Ward, and Big Ben: So great is their power each Lad with one blow, Would knock down an Ox, or twelve Spaniards lay low, At home we can raise twelve hundred like these, That would crush all your Troops as easy as fleas. For Centuries past England's rul'd o'er the main, And if it please Heavn'n hope to do so again. Thus with Sailors and Bruisers we your power defy, Being determin'd to conquer or fight till we die!'"--British Museum online catalogue
Description:
Title etched above image., Printmaker identified by Andrew Edmunds as Frederick George Byron., Text etched below image: 'Great Sir, I am arrived from Albion's Court, Who have taken in Dudgeon what you may think Sport; So it may for the present; but we'll soon make it appear, You'll have reason to laugh the wrong side of your ear! Our Traders in Nootka, by some of your Curs, Were all sent to Quod and robb'd of their Furs, Your right so to do which you claim from the Pope, We Britons dont value the end of a rope! It's a farce you may make your weak Subjects believe, But our right's equal to yours from Adam and Eve. Therefore if you don't make us immediate amends, No longer can we look upon you as Friends, Should you wish for a War we have got a new race, Of such brave fighting fellows, not the Devil dare face! A sample I've brought, only four of our men, Mendoza, Dick Humphries, Joe Ward, and Big Ben: So great is their power each Lad with one blow, Would knock down an Ox, or twelve Spaniards lay low, At home we can raise twelve hundred like these, That would crush all your Troops as easy as fleas. For Centuries past England's rul'd o'er the main, And if it please Heavn'n hope to do so again. Thus with Sailors and Bruisers we your power defy, Being determin'd to conquer or fight till we die!', Publisher's advertisement in lower left corner of image: In Hollands Exhibition Rooms may be seen the largest collection in Europe of humorous prints., Sheet trimmed to plate mark., and Formerly mounted on blue paper, with residue on verso.
Publisher:
Pubd. by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Spain.
Subject (Name):
Charles IV, King of Spain, 1748-1819, Humphries, Richard, -1827., Bryan, Benjamin, 1753-1794., and Ward, Joseph, active 1790.
Subject (Topic):
John Bull (Symbolic character), Ambassadors, British, Audiences, Boxers (Sports), Ethnic stereotypes, Kings, and Reception rooms
