"A whole length satirical portrait of the Duke of Norfolk, directed to the right; in his left hand is the baton of Earl Marshal; his right hand is in his waistcoat pocket. He wears top-boots, a slouched hat, and his hair is closely cropped. Earlier caricatures show the Duke wearing his own hair without powder, hanging on his neck."--British Museum online catalogue
Alternative Title:
Norfolk dumpling
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Food: allusion to dumplings -- Hair fashion: cropped hair -- Obesity., and Mss. annotations below title.
Publisher:
Pubd. Sepr. 21st, 1791, by H. Humphrey, No. 18 Old Bond Street
"Turkish soldiers, scattered over a wide parade-ground, are being instructed in squads, groups, and as individuals, by French officers. In the foreground a Turkish potentate, the Sultan or perhaps the Grand Vizier, leans against the stump of a tree, turning his head in profile to the left to watch the soldiers. At his feet (left) kneels a Black enslaved person who is filling a long pipe; beside him a fire burns on a tiny tripod. On the right a Frenchman pulls the long moustache of a Turk, striking him with his cane. Next, three awkward Turks are being taught musket drill. On the left a Turk threatens an officer, drawing his sabre. In the middle distance a Frenchman puts his hand on the projecting stomach of an obese Turk, to make his attitude more soldierly. In the background are a marching squad (left) and a firing squad (right) and, beyond, an officer is attacked by three Turks with sabres raised to strike. Behind (left) is a Turkish fort. The officers are not caricatured nor is their dress exaggerated. The Turks wear baggy trousers with either a fez or a turban; all have long moustaches."--British Museum online catague
Description:
Title engraved below image, in two lines., Sheet trimmed within plate mark., Richard Bull (1725-1806) attritbutes the print to Isaac Landmann of Woolwich on his undated copy in an album held in the British Museum. See Museum number: 1931,0413.185., This image was first published in Vienna by Hieronymus Löschenkohl and then engraved once again by Johann Martin Will Augsburg in 1783., Watermark: fleur-de-lis on crowned shield with monogram CP at the bottom and countermark Patoh., and Ms. annotation in contemporary hand, numbered '64'.
Publisher:
Published April 3rd, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Selim III, Sultan of the Turks, 1761-1808
Subject (Topic):
Austro-Turkish War, 1788-1790, Russo-Turkish War, 1787-1792, Black people, Clothing & dress, Turkish, Daggers & swords, Hats, Forts & fortifications, Military inspections, Military officers, French, Military training, Military uniforms, Pipes (Smoking), Tableware, Rifles, Soldiers, and Enslaved people
Title from caption below image., Sheet trimmed within plate mark on sides., Temporary local subject terms: Allusion to Dorothy Jordan, 1762-1816 -- Allusion to Marie Antoinette, queen of France, 1755-1793 -- Allusion to Daniel Mendoza, 1764-1836 -- Marriages: Duke of York's marriage, 1791 -- Levees., and Mounted to 37 x 56 cm.
Publisher:
Pub Novr 24, 1791, by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Barry, Augustus, 1773-1818, Barrymore, Richard Barry, Earl of, 1769-1793, Bedford, Frances Russell, Duke of, 1765-1802, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Weltje, Louis, 1745-1810
Title from item., Printmaker from British Museum online catalogue., Publisher's advertisement following imprint: where may be seen the greatest collectn of caracatures [sic] in the Kingdom, admitce 1 sh, likways [sic] the head & hand of Count Struenzee., Temporary local subject terms: Chelsea, King's Road -- West Bourne Stream -- Factories: Chelsea, Patent Floorcloth -- Plenipotentiaries -- Literature: allusion to Alexander Pope's Eloisa to Abelard -- Turks -- Musicians -- Carriages -- Dogs., and Watermark: fleur-de-lis on crowned shield with monogram W at bottom.
Publisher:
Londn. Pub. April 25, 1791, by S. Fores, N. 3 Piccadilly
Subject (Name):
Duncan, Mary Tufton, Lady, 1723-1806 and Pacchierotti, Gasparo, 1744-1821
Title from item., Attributed to Cruikshank based on George's attribution of a companion print to the same printmaker. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, 6, no. 8028., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Strolling actors -- Poverty.
Publisher:
Pub. Feb. 22, 1791, by S.W. Fores, N. 3 Piccadilly
Title etched above and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Strolling actors., and Watermark (partial): initial W appended at the bottom of a shield.
Publisher:
Pub. Feb. 16, 1791, by S.W. Fores, N. 3 Piccadilly
Sheet trimmed to plate mark., Above title: The Lilliputian world, plate 5., Two lines of verse below title: through Lilliputian realms my banners are unfurl'd ..., Temporary local subject terms: Lilliputs -- Theatrical costume -- Military uniforms -- Trades: editors -- Walking staves., and Watermark: countermark I V.
"Burke stands full face, frowning; his right arm rests along a high pedestal inscribed 'G.R' which supports a bust of George III. In his right hand is a book: 'Burke on the French Revolution'. His left arm hangs by his side, in his left hand are the staff and cap of 'Liberty'. The right half of his dress is whole, the coat gold-laced, the pockets brimming over with coins. The left half is ragged, his empty pocket hangs inside out. The head of the King, in profile to the right, wears an arrogant frown. In the background is a mountain, evidently Parnassus, crowned with a windmill) on one sail of which Fame is precariously poised. Trees and foliage complete the background."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., One line of text below title: "I preserve consistency by varying my means to secure the unity of my end." Burkes Reflections, p. 354., Sheet trimmed within plate mark., and Temporary local subject terms: Monuments -- Busts: bust of George III -- Mountains: Parnassus -- Buildings: windmills -- Symbols: figure of Fame -- Literature: allusion to Edmund Burke's Reflections On The French Revolution -- Poverty -- Money: coins -- Spectacles.
Publisher:
Pubd. Novr. 16th, 1791, by H. Humphrey, No. 18 Old Bond Street
"Between the Prince of Wales and the Duke of York trips the tiny Duchess of York, holding a hand of each, her arms raised in order to do so. Behind the three stands a colossal man in Highland dress wearing a plaid, sporran (with the Prince of Wales feathers as a crest), and feathered cap. The Prince (left), who is in civilian dress, wearing a round high-crowned hat, says, "My Dear little Sister when you are tired Big Sam shall carry you!" The Duke, handsome in regimentals, turns to her, saying, "come my Love you shall see Papa driving the Pigs & Mama Milking the Cows". He points (right) to a distant scene, where the King in hunting dress chases two galloping pigs with a whip, saying, "Pig wont go", and the Queen is milking a cow."--British Museum online catalogue
Description:
Title from item., Neither speech label present on the British Museum copy is printed on the Lewis Walpole copy., Earlier state of No. 7905 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Queen Charlotte as a milkmaid -- George III as a farmer -- Male costume: Highland dress -- Emblems: Prince of Wales's feathers -- Military uniforms: officers' uniforms., and The Prince of Wales's speech label added in contemporary hand (possibly Cruikshank's) in upper left corner.
Publisher:
Pub. Octr. 1, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and McDonald, Samuel, 1762-1802
Subject (Topic):
Costumes, Scottish, Cows, Farms, Giants (Persons), and Swine
"Lady Mount-Edgcumbe as a lean and ragged witch sits in profile to the right on a rocky mound overlooking the sea, her seat being a bundle of brooms. She supports her chin and nose on her right hand, the elbow resting on her knee. Her left arm is outstretched, pointing, her finger-nails are talons. Her hair blows out behind her from a bald forehead, and is on fire, the smoke rising into the sky. A frog at her feet (right) looks up at her. Behind is the sea with ships in full sail, indicating the view from Mount-Edgcumbe, Plymouth."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Witches -- Brooms -- Frogs -- Ships -- Eclipses -- Views: Mount Edgcumbe, Plymouth -- Travesty of Henry Fuseli., and Mounted to 30 x 21 cm.
Publisher:
Pubd. Octr. 17th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fuseli, Henry, 1741-1825 and Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807
