Genre: Etchings England London 1792 / Subject (Name): Thurlow, Edward Thurlow, Baron, 1731-1806

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1. A ward of chancery [graphic]

Creator:: Cruikshank, Isaac, 1764-1811, printmaker
Published / Created:: [8 February 1792]
Call Number:: 792.02.08.02+ Impression 1
Image Count:: 1
Resource Type:: still image
Description:: Title from item., Sheet trimmed to plate mark on top., Publisher's advertisement following imprint: where may be seen the greatest collection of caracatures [sic] in Europe, admittance 1shilling., Temporary local subject terms: Elopments -- Stags -- Judges -- Great Seal -- Maces -- Signs: milestones -- Allusion to Nando's coffee-house., Watermark: countermark W., and Mounted to 32 x 45 cm.
Publisher:: Pub. Feb. 8, 1792, by S.W. Fores, 3 Piccadilly
Subject (Name):: Thurlow, Edward Thurlow, Baron, 1731-1806
Found in:: Lewis Walpole Library > A ward of chancery [graphic]

2. Gradual abolition, or, Water gruel and patience a cheap and wholesome succedaneum for nerve weakening tea and slave-wrought sugar recommended to the British fair by Scotch oeconomy. [graphic]

Published / Created:: April 23d, 1792.
Call Number:: 792.04.23.01+
Image Count:: 1
Resource Type:: still image
Alternative Title:: Water gruel and patience
Description:: Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to the abolition of the slave trade -- Loss of trade -- Boycotts: sugar -- Food substitutes: salt for sugar -- Food: water-gruel -- Dishes -- Utensils: salt shovels -- Dialects: Scottish dialect -- Female fashion: court feathers as headdress -- Antisaccharites -- Eating -- Swearing., and Watermark.
Publisher:: Pub. by W. Dent
Subject (Name):: Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Dundas, Henry, 1742-1811, and Thurlow, Edward Thurlow, Baron, 1731-1806
Subject (Topic):: Eating & drinking
Found in:: Lewis Walpole Library > Gradual abolition, or, Water gruel and patience a cheap and wholesome succedaneum for nerve weakening tea and slave-wrought sugar recommended to the British fair by Scotch oeconomy. [graphic]

3. No Swallow without an opening [graphic].

Creator:: Newton, Richard, 1777-1798, printmaker
Published / Created:: [31 January 1792]
Call Number:: 792.01.31.01++
Image Count:: 1
Resource Type:: still image
Description:: Title from caption below image., Questionable attribution to Newton from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Allusion to Buckinghamshire, Albinia (Bertie) Hobart, countess of, 1738-1816 -- Wars -- Allusion to Mysore War -- Swallow Packet -- Allusion to East India Company -- Bellows -- Allusion to Isle of Skye -- Bristol Channel., and Watermark: G.R.
Publisher:: Pubd. Jany. 31, 1792, by W. Holland, No. 50 Oxford Street
Subject (Name):: Thurlow, Edward Thurlow, Baron, 1731-1806, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, George III, King of Great Britain, 1738-1820, and Dundas, Henry, 1742-1811
Found in:: Lewis Walpole Library > No Swallow without an opening [graphic].

4. Resignation the greatest of all virtues [graphic].

Creator:: Cruikshank, Isaac, 1764-1811, printmaker
Published / Created:: [26 May 1792]
Call Number:: 792.05.26.01+
Image Count:: 1
Resource Type:: still image
Description:: Title engraved below image., Printmaker from British Museum online catalogue., Temporary local subject terms: Emotions: rage -- Pictures amplifying subject: portrait of Cardinal Wolsey -- Great Seal -- Maces: Chancellor's mace -- Fireplaces -- Writing materials -- Government officials: chancellor -- Dismissals: Thurlow's dismissal from Chancery, 1792., and Watermark: Strassbourg lily on crowned armorial shield.
Publisher:: Pub. May 26, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Name):: Thurlow, Edward Thurlow, Baron, 1731-1806
Found in:: Lewis Walpole Library > Resignation the greatest of all virtues [graphic].

5. Sin, Death and the Devil vide Milton. [graphic]

Creator:: Gillray, James, 1756-1815, printmaker
Published / Created:: [9 June 1792]
Call Number:: 792.06.09.01+ Impression 1
Image Count:: 1
Resource Type:: still image
Abstract:: "A satire on the struggle between Pitt and Thurlow travestied as a scene from 'Paradise Lost'. Pitt (left) is Death, wearing the king's crown and using a long sceptre as a weapon. Thurlow (right) is Satan; he raises the (breaking) mace to smite, and holds out an oval shield decorated with the bag of the Great Seal and a tiny woolsack. The Queen, as Sin, naked, with snaky locks (Medusa-like), and two writhing serpents for legs, interposes with outstretched arms, looking with terrified face at Thurlow in her desire to protect Pitt. She is a hideous hag with pendent breasts; from her snaky hair hangs a large key inscribed 'The Instrument of all our Woe', and evidently symbolizing Secret Influence ... Pitt's naked body is emaciated and corpse-like; from his shoulders hangs a long ermine-trimmed cloak; his sceptre radiates darts of lightning. His face expresses alarm and determination. Behind him, and guarding the gate of Hell which is indicated by a stone arch, is Cerberus, with the profile heads of Dundas, Grenville, and Richmond, looking up at Thurlow; their body terminates in a large serpent with a barbed tail. Thurlow has wings, and is naked except for a quasi-Roman kilt. He wears his Chancellor's wig, his profile and eyebrow are of a terrifying fierceness; serpents twine round his shield, and spit fire at Pitt and the Queen; a serpent entwined in Pitt's crown, and others in the Queen's snaky locks, retaliate. On the right are the flames of Hell in which demons are flying; smoke fills the background. Beneath the design is etched: 'NB: The above performance containing Portraits of the Devil & his Relatives, drawn from the Life, is recommended to Messrs Boydell, Fuselli & the rest of the Proprietors of the Three Hundred & Sixty Five Editions of Milton now publishing, as necessary to be adopted, in their classick Embellishments.'"-- British Museum online catalogue
Description:: Title etched below image., Printmaker from British Museum catalogue., Six columns of verse from Milton's Paradise Lost, four above the image and two below: "... black it stood as night, Fierce as ten Furies, terrible as hell, And shook a dreadfull dart: what seemd his head, The likeness of a Kingly crown had on;' ... "Had not the Snaky-Sorceress that sat, "Fast by hell-gate, and kept the fatal Key, "Ris'n, and with hideous outcry rushd between.'", One line of text in bottom of design: NB: The above performance containing portraits of the Devil & his relatives ..., and Mounted to 36 x 49 cm.
Publisher:: Pubd. June 9th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):: Shakspeare Gallery., Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):: Cerberus (Greek mythology), Medusa (Greek mythology), and Serpents
Found in:: Lewis Walpole Library > Sin, Death and the Devil vide Milton. [graphic]

6. Sin, Death and the Devil vide Milton. [graphic]

Creator:: Gillray, James, 1756-1815, printmaker
Published / Created:: [9 June 1792]
Call Number:: Auchincloss Gillray v. 3
Image Count:: 1
Resource Type:: still image
Abstract:: "A satire on the struggle between Pitt and Thurlow travestied as a scene from 'Paradise Lost'. Pitt (left) is Death, wearing the king's crown and using a long sceptre as a weapon. Thurlow (right) is Satan; he raises the (breaking) mace to smite, and holds out an oval shield decorated with the bag of the Great Seal and a tiny woolsack. The Queen, as Sin, naked, with snaky locks (Medusa-like), and two writhing serpents for legs, interposes with outstretched arms, looking with terrified face at Thurlow in her desire to protect Pitt. She is a hideous hag with pendent breasts; from her snaky hair hangs a large key inscribed 'The Instrument of all our Woe', and evidently symbolizing Secret Influence ... Pitt's naked body is emaciated and corpse-like; from his shoulders hangs a long ermine-trimmed cloak; his sceptre radiates darts of lightning. His face expresses alarm and determination. Behind him, and guarding the gate of Hell which is indicated by a stone arch, is Cerberus, with the profile heads of Dundas, Grenville, and Richmond, looking up at Thurlow; their body terminates in a large serpent with a barbed tail. Thurlow has wings, and is naked except for a quasi-Roman kilt. He wears his Chancellor's wig, his profile and eyebrow are of a terrifying fierceness; serpents twine round his shield, and spit fire at Pitt and the Queen; a serpent entwined in Pitt's crown, and others in the Queen's snaky locks, retaliate. On the right are the flames of Hell in which demons are flying; smoke fills the background. Beneath the design is etched: 'NB: The above performance containing Portraits of the Devil & his Relatives, drawn from the Life, is recommended to Messrs Boydell, Fuselli & the rest of the Proprietors of the Three Hundred & Sixty Five Editions of Milton now publishing, as necessary to be adopted, in their classick Embellishments.'"-- British Museum online catalogue
Description:: Title etched below image., Printmaker from British Museum catalogue., Six columns of verse from Milton's Paradise Lost, four above the image and two below: "... black it stood as night, Fierce as ten Furies, terrible as hell, And shook a dreadfull dart: what seemd his head, The likeness of a Kingly crown had on;' ... "Had not the Snaky-Sorceress that sat, "Fast by hell-gate, and kept the fatal Key, "Ris'n, and with hideous outcry rushd between.'", One line of text in bottom of design: NB: The above performance containing portraits of the Devil & his relatives ..., 1 print : etching on wove paper, hand-colored ; plate mark 32.2 x 40.5 cm, on sheet 36.0 x 44.6 cm., and Mounted on leaf 15 of volume 3 of 12.
Publisher:: Pubd. June 9th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):: Shakspeare Gallery., Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):: Cerberus (Greek mythology), Medusa (Greek mythology), and Serpents
Found in:: Beinecke Rare Book and Manuscript Library > Sin, Death and the Devil vide Milton. [graphic]

7. The balance of merit [graphic].

Published / Created:: [1792]
Call Number:: Drawer 792.05.00.05
Image Count:: 1
Resource Type:: still image
Description:: Title etched below image., Dated from Thurlow's impending dismissal and the introduction of Fox's Libel Bill., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to John Horne Tooke, 1736-1812 -- Allusion to Honoré-Gabriel-Riquetti, comte de Mirabeau, 1749-1791 -- Allusion to Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, marquis de La Fayette -- Travestied slogans: God save the King -- Horace Walpole refers to subject in print, YW 34. 141-142, n. 5 -- Nicknames: "Sherry" for Richard Brinsley Sheridan -- "Renard" for Charles James Fox -- Allusion to National Assembly -- Literature: Allusion to Reflections on the French Revolution by Edmund Burke -- Allusion to The rights of man by Thomas Paine -- Bible quotation: "Mene, mene, tekel, upharsin," Daniel v. 25 -- Hand of Providence -- Royal money as weight -- Great Seal -- Revolutionary societies -- Thurlow's impending dismissal -- Bills: Libel Bill -- Parliamentary reform -- Allusion to French Revolution -- Travesties: French Revolutionary playbill -- Expressions of speech: George III's "What, what, what" -- French Revolutionary cockades -- Winged head of cherub -- Balance -- Whigs -- Tories -- Double entendres -- Allusion to Regency crisis -- Clergy: Allusion to leveling -- Jacobins -- Symbols: Scale of merit -- Pitt's usurpation of prerogative., Watermark: L.V.G., and Numbered in pencil in upper right corner of sheet: 449.
Publisher:: publisher not identified
Subject (Name):: George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):: Scales
Found in:: Lewis Walpole Library > The balance of merit [graphic].

8. The fall of the Wolsey of the Woolsack [graphic].

Creator:: Gillray, James, 1756-1815, printmaker
Published / Created:: [24 May 1792]
Call Number:: 792.05.24.02+
Image Count:: 1
Resource Type:: still image
Abstract:: "Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue
Description:: Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed within plate mark., Temporary local subject terms: Allusion to Cardinal Thomas Wolsey, 1475-1530 -- Nicknames: 'Old Nobbs' (George III) -- Expressions of speech: George III's 'what, what, what' -- Government officials: chancellor -- Dismissals: Thurlow's dismissal from Chancery, 1792 -- Great Seal -- Tug-of-war -- Containers: woolsack., and Mounted to 30 x 40 cm.
Publisher:: Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):: George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Thurlow, Edward Thurlow, Baron, 1731-1806
Subject (Topic):: Great Britain and Politics and government
Found in:: Lewis Walpole Library > The fall of the Wolsey of the Woolsack [graphic].

9. The fall of the Wolsey of the Woolsack [graphic].

Creator:: Gillray, James, 1756-1815, printmaker
Published / Created:: [24 May 1792]
Call Number:: Auchincloss Gillray v. 3
Image Count:: 1
Resource Type:: still image
Abstract:: "Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue
Description:: Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed within plate mark., Temporary local subject terms: Allusion to Cardinal Thomas Wolsey, 1475-1530 -- Nicknames: 'Old Nobbs' (George III) -- Expressions of speech: George III's 'what, what, what' -- Government officials: chancellor -- Dismissals: Thurlow's dismissal from Chancery, 1792 -- Great Seal -- Tug-of-war -- Containers: woolsack., 1 print : etching on wove paper, hand-colored ; plate mark 24.6 x 34.8 cm, on sheet 28.2 x 39.2 cm., and Mounted on leaf 13 of volume 3 of 12.
Publisher:: Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):: George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Thurlow, Edward Thurlow, Baron, 1731-1806
Subject (Topic):: Great Britain and Politics and government
Found in:: Beinecke Rare Book and Manuscript Library > The fall of the Wolsey of the Woolsack [graphic].