"Dumouriez, followed by a tall and ragged sansculotte, marches aggressively towards a low barricade (left), behind which are frog-soldiers presenting their bayonets at the invaders. Dumouriez, foppishly dressed in regimentals, but with bare legs, his shirt confined by a sash, holds against his shoulder an enormous seal. He says, holding out his right hand, "Monsr Orange, I will seal up your Papers, & take care of your Cash". From his pocket hangs a scroll: 'New Laws for Holland Prepar'd by the Convention'. His 'aid du Camp' holds against his shoulder a gigantic piece of sealing-wax inscribed 'Fyn Se gelak wel brand en vart. houd', in his right hand is a large lighted candle or taper. He says, "Aha. Monr Grenouille I wou'd rather eat you than fight." He is perhaps Miranda, Dumouriez' second in command."--British Museum online catalogue
Alternative Title:
Dumourer and his aid du camp on full march and Dumourer and his aide du camp on full march
Description:
Title from item., Printmaker from British Museum catalogue., and Publisher's advertisement following imprint: ... where may be seen a complete model of the quillotine admitance [sic] one shilling.
Publisher:
Pub. March 13, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Netherlands
Subject (Name):
William V, Prince of Orange, 1748-1806., Dumouriez, Charles François Du Périer, 1739-1823, Miranda, Francisco de, 1750-1816, and France. Convention nationale.
Subject (Topic):
Neerwinden, Battle of, Neerwinden, Belgium, 1793, History, Campaigns, Foreign public opinion, British, Foreign relations, Sansculottes, Candles, Dandies, French, Frogs, Military uniforms, and Seals (Insignia)
"Dumouriez (right) sits in a gothic chair (reminiscent of the Coronation chair), at the royal dinner-table. Three cooks advance towards him, wearing bonnets-rouges with tricolour cockades, aprons, and over-sleeves. They are Fox, the foremost, proffering the steaming head of Pitt; at his belt, in place of a cook's knife, hangs a dagger. Sheridan, on Fox's left, proffers a dish on which steams a broken royal crown. On the extreme left Priestley enters in profile to the right, holding up a dish containing a mitre. The dishes have a garnish of frogs. All look with eager courtesy towards Dumouriez, who sits with famished expectancy, a dagger in one hand, a fork in the other. He is much caricatured, thin, and unshaven, with straggling hair and long pigtail. He wears a large feather-trimmed cocked hat, lace ruffles, a gold-laced and ragged military tunic, a tattered shirt over bare legs. His plate bears the royal arms; other gold plate is in the form of inverted coronets and of a Communion cup with the letters 'SIH' (reversed). Two spoons are decorated with the red hand of a baronet. These objects indicate that Dumouriez has come to overthrow the monarchy, the Church and hereditary rank. On the back of his gothic chair is a red cap of 'Libertas'. ..."--British Museum online catalogue
Description:
Title from text in image., Text following title: Vide his own declaration, as printed by the Anti-levelling Societies., Dedication etched below image: To the worthy members of the Society at the Crown & Anchor ..., Sheet trimmed within plate mark., and Temporary local subject terms: Battles: Allusion to French defeat at Neerwinden, 18 March 1793 -- Cutlery: baronet's red hands on spoons -- Societies: Crown & Anchor -- Coronets: inverted coronets on sauce boats -- Furniture: Gothic chairs -- Male costume: bonnet rouge -- Male costume: cooks' clothing -- Emblems: tricolored cockades -- Mitres -- Crowns: broken crown -- Table settings -- Food: frogs -- Mats -- Emblems -- Cap of Liberty -- Dishes: royal gold -- Swords -- Sansculottes.
Publisher:
Pubd. March 30th, 1793 by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Dumouriez, Charles François Du Périer, 1739-1823, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
"Scene outside an inn with the sign of the 'Half-way House', at the base of which two horses with saddles and blinkers are feeding, their riders standing at left by an out-building; horse and trap outside the inn at right, a man with a whip seated in the trap, the horse approaching a trough; in the upstairs windows of the inn, a man smoking a long pipe, and a man embracing a woman with a large hat."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum online catalogue, registration no.: 1937,0719.3., Plate originally published in 1784 according to the British Museum online catalogue., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms Half-way house.
Publisher:
Pub. Oct. 25, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Carts & wagons, Horses, Signs (Notices), and Taverns (Inns)
Fraternizing & equalizing principles discarded and Fraternizing and equalizing principles discarded
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on sides., Publisher's statement following the imprint and continued below image: ... where may be had compleat sets of caricatures on the French Revolution & an every popular subjects, an exhibition, adm. 1 s. In the exhibition is a complete model of the guillotine., Temporary local subject terms: Allusion to French Revolution -- Emblems: tricolored cockades -- Allusion to the parabole of prodigal son -- Sansculottes -- Treasury -- Literature: quotation from Shakespeare's Henry IV, Part II, v. v., and Mounted to 31 x 44 cm.
Publisher:
Pubd. March 7, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Title from caption below image., Dedication etched below title: From an original drawing in the collection of Her Royal Highness the Dutchess of York, to whom this plate is ... humbly dedicated by ... Thos. Macklin., "Vide Merry wives of Windsor, Act 5, Sc. 5.", and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd May 30th, 1793, by Thos. Macklin, Poets Gallery, Fleet Street
Title from caption below image., Dedication etched below title: From an original drawing in the collection of Her Royal Highness the Dutchess of York, to whom this plate is ... humbly dedicated by ... Thos. Macklin., "Vide 1st part Henry 4th, Act 5, Sc. 4th.", and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd April 30th, 1793, by Thos. Macklin, Poets Gallery, Fleet Street
"Britannia (left), a buxom young woman, clasps the trunk of a large oak, while Paine tugs with both hands at her stay-lace, placing a large foot on her posteriors. He wears blue and buff with a tricolour cockade on his bonnet rouge. From his coat pocket protrudes a pair of scissors and a tape inscribed: 'Rights of Man'. His face is blotched with drink and his expression is fiercely intent, but he is neatly dressed. Behind him is a thatched cottage inscribed: 'Thomas Pain, Stay-maker from Thetford. Paris Modes, by express.' Britannia looks over her shoulder at the stay-maker (cf. British Museum Satires No. 9240) with an expression of pained reproach. Her shield leans against the tree; her spear is on the ground; across it lies an olive-branch."--British Museum online catalogue
Alternative Title:
Good constitution sacrificed for a fantastick form
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Female costume: stays -- Emblems: tri-colored cockade -- Male costume: bonnet rouge -- Reference to tailors -- Literature: Thomas Paine's Rights of Man -- Allusion to French Revolution -- Reference to Thetford and Paine's stay-making past -- Britannia's shield -- Symbols: olive branch., and Mounted to 42 x 30 cm.
Publisher:
Pubd. Jany. 2d, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Paine, Thomas, 1737-1809
Subject (Topic):
Britannia (Symbolic character), Corsets, Scissors & shears, Liberty cap, Shields, Spears, and Olive branches
Title from item., Two lines of verse below title: Fasting and prayer, attending the church bell ..., and Temporary local subject terms: Gluttony -- Food: roasted turkey -- Utensils: knives and forks -- Beverages -- Wine glasses -- Glass: wine bottle.
"A staff dinner in a large open tent. At the head of the table the Duke of York carouses; a fat Flemish woman seated on his knee plays with his sword; he raises a full glass, looking down at the woman. He is seated on a drum, his left foot rests on a tattered British flag, beside which lies a bundle of muskets. On the table is a punchbowl ornamented with the royal arms. On one side (next the Duke) sits the Prince of Orange, a fat and stolid Dutch officer smoking a pipe and holding a small tankard. Facing him is a savage-looking (?) Austrian officer wearing a cap; his drawn sabre is on the table, he drinks wine voraciously from a bottle, his left arm round the waist of a stout Flemish woman seated beside him on the cannon which forms a seat; she raises her glass, holding a smoking pipe. Next the Dutchman a British officer and a fat Flemish woman are kissing. Behind the seated officers stand bandsmen wearing cocked hats and blowing wind instruments with great energy; a negro clashes his cymbals behind the Duke. On the extreme right two files of gaunt and emaciated British foot-guards advance behind the Duke carrying wine-bottles, glasses, and a punch-bowl, also with the royal arms. Empty bottles are stacked under the table. Behind (left), a file of conical tents recedes in perspective; the three flags which fly from them are British, Austrian, and Hanoverian. Dutch and Austrian officers are caricatured, but not the Duke, who is handsome and florid. The Flemish women with their wide straw hats are studies of type and costume."--British Museum online catalogue
Description:
Title etched at bottom of image. and Sheet trimmed within plate mark.
Publisher:
Publish'd May 20th, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and William V, Prince of Orange, 1748-1806
Title from item, Sheet trimmed within plate mark., Illustration to: Adventures of Peregrine Pickle., Placement directions in upper right corner of plate: Vol. I, p. 158., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fires -- Fire rescue -- Panic -- Literature: Tobias Smollett's The Adventures of Peregrine Pickle., and Mounted to 20 x 27 cm.
