"Four gentlemen beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain."--British Museum catalogue
Alternative Title:
Discovery
Description:
Title etched below image., Added title from Paulson: The discovery., and Cf. No. 2600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
"Four gentlemen beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain"--British Museum catalogue
Alternative Title:
Discovery
Description:
Title etched below image., Added title from Paulson: The discovery., Cf. No. 2600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Ms. note in Steevens's hand above: Samuel Ireland's copy., and On page 7 in volume 1. Sheet trimmed to: 160 x 197 mm.
"Four gentlemen beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain"--British Museum catalogue
Alternative Title:
Discovery
Description:
Title etched below image., Added title from Paulson: The discovery., and Cf. No. 2600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Guilty conscience needs no accuser and Resurrection men disturbed
Description:
Title from item., Sheet trimmed to plate mark., Publisher's announcement following imprint: who has just fitted up his exhibition in an entire novel stile [sic]. Admittance one shilling. NB. folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Graveyards -- Corpses -- Churches -- Resurrection men., Publisher's stamp in lower right corner of plate: S.W.F., and Matted to 47 x 63 cm.
Trade card for Richard Lee, tobacconist at the Golden Tobacco Roll in Panton Street near Leicester Fields, London; design based on Hogarth's 'A Midnight Modern Conversation' (Paulson 128) framed by a lettered oval in a rectangle, decorated with tobacco leaves; a drinking and smoking scene with ten men around a table, one rising to vomit, another collapsed on the floor, paintings and hats hung on the wall behind, fireplace to right. Etching with engraved lettering
Alternative Title:
Richard Lee at the Golden Tobacco Roll in Panton Street near Leicester Fields and Richard Lee at ye Golden Tobacco Roll in Panton Street near Leicester Fields
Description:
Title etched in image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, v. i, p. 12., and See Paulson, R. Hogarth's graphic works, no. 128
Trade card for Richard Lee, tobacconist at the Golden Tobacco Roll in Panton Street near Leicester Fields, London; design based on Hogarth's 'A Midnight Modern Conversation' (Paulson 128) framed by a lettered oval in a rectangle, decorated with tobacco leaves; a drinking and smoking scene with ten men around a table, one rising to vomit, another collapsed on the floor, paintings and hats hung on the wall behind, fireplace to right. Etching with engraved lettering
Alternative Title:
Richard Lee at the Golden Tobacco Roll in Panton Street near Leicester Fields and Richard Lee at ye Golden Tobacco Roll in Panton Street near Leicester Fields
Description:
Title etched in image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, v. i, p. 12., See Paulson, R. Hogarth's graphic works, no. 128, Ms. note in pencil above: Doubtful. Ms. note in pencil below: Perhaps an imitation of Hogarth's Midnight Modern Conversation., and On page 5 in volume 1. Sheet trimmed to: 103 x 115 mm.
"Social satire: two contrasting men; one sits at a desk, wearing glasses, writing in an account book, above the title "Riches and Honor"; the other stands at a gaming table throwing dice from a shaker in his right hand, above the title "Infamy and Disgrace"."--British Museum online catalogue
Alternative Title:
Infamy and disgrace
Description:
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume, 1795 -- Industry -- Ledger books -- Gambling: dice-box.
Publisher:
Published 2nd Feby. 1795 by Laurie & Whittle, 53 Fleet Street, London
Title from caption below image., Text below title: From the original drawing in the collection of Her Royal Highness the Duchess of York., Lines of dialogue on either side of title: Romeo. Ah Juliet, if the measure of thy joy be heap'd like mine, & that skill be more to blazon it ..., "Vide Romeo & Juliet, Act 2, Sc. 6.", and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd Jany. 1st, 1794, by Thos. Macklin, Poets Gallery, Fleet Street
Title from item., No. 113 in Laurie & Whittle Drolls series., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: St. Vitus's dance -- Female costume: mob cap.
Publisher:
Published 12th May, 1794, by Laurie & Whittle, No. 53 Fleet Street, London
