"A huge bull, snorting fire, rushes with lowered head towards a French fort (left) from which cannon-balls descend upon him. Beneath the fort sansculottes on one knee fire at the bull while standing French soldiers, correctly dressed, also fire. On the fortress stand Frenchmen, firing and waving their hats; they shout: "Vive la republic, Blood & plunder, no Quarter to John Bull!" A huge tricolour flag has a staff surmounted by a skull. To the bull's back is strapped a bundle inscribed 'Debt Debt'. One horn has been shot off and lies on the ground. To his left hind leg is chained a heavy weight inscribed 'Subsidies'. Nevertheless, he cries: "Now my brave Allies let us all stand firm together & make a bold push, & I'll be Answerable for the Event." But behind him (right) his allies have all turned their backs and are departing in directions indicated by signposts. A fat Dutchman smoking a pipe goes 'To Amsterdam', saying, "I care not who beats, I'll join the Strongest Party". Frederick William II (father-in-law of the Duke of York) walks off 'To Berlin', saying, "I've fingerd the Cash from both Sides, & will now employ it to Secure the Partition of Poland"; "Negociate with Robertspierre privately & then - Damn Relationship!!!" Next, a Spanish don, Charles IV, goes 'To Madrid', saying, "Whats the Bourbon Family to me when they Impede my Interest. Hush!! I am now treating for a Separate peace with that Blackguard Roberspere to Secure my own Crown - I must enlarge the Powers of the Inquisition". On the extreme right Francis II and Mack in a two-wheeled gig, on which is the Habsburg eagle, are driving off 'To Vienna'. The Emperor says: "Well Mack we have made a Glorious Campaign of it; of what use are the Low Countries without they continue to fill my Coffers? As for John Bull, let him settle the business as he can he loves to be meddling"."--British Museum online catalogue
Alternative Title:
John Bulls last effort to oblige his false friends
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Sheet trimmed to plate mark., and Matted to 39 x 52 cm.
Publisher:
Pub. July 17, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Mack von Leiberich, Karl, 1752-1828, Frederick William II, King of Prussia, 1744-1797, Robespierre, Maximilien, 1758-1794., Charles IV, King of Spain, 1748-1819, Francis I, Emperor of Austria, 1768-1835, Frederick William II, King of Prussia, 1744-1797., and Mack von Leiberich, Karl, 1752-1828.
Subject (Topic):
Great Britain, Foreign relations, John Bull (Symbolic character), Bulls, Ethnic stereotypes, Caricatures and cartoons, English wit and humor, Pictorial, and Satire, English
Title from item., No. 121 in Laurie & Whittle series of Drolls. See British Museum catalogue., and Temporary local subject terms: Male costume: smocks -- Dishes: tankards -- Beverages: ale -- Furniture: chairs.
Publisher:
Published 21st. July 1794 by Laurie & Whittle, No. 53 Fleet Street, London
"A pretty young woman leans back in an arm-chair while a hairdresser applies paint to her face from a small box. She wears a morning-gown which leaves her breast much exposed. A woman (left) stands full-face behind her chair pouring out a glass of 'Hollands'. On the right is a dressing-table. L. & W., No. 127 (where the title continues, 'of an Impure's Face')."--British Museum online catalogue
Description:
Title from item., Printmaker from the British Museum catalogue; original drawing is in the Huntington Library., No. 127 in Laurie & Whittle Drolls series., Temporary local subject terms: Trades: hairdressers -- Female costume: morning dress -- Furniture -- Domestic service: woman-servant -- Beverages., and Watermark (partial): Strasburg bend, top of sheet.
Publisher:
Published 13th Octr. 1794 by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Cosmetics, Dressing tables, Women domestics, and Wine
"A very fat man sits (left) at a dinner-table holding a knife and fork and about to take a mouthful. He gazes apprehensively at his wife (right), who has risen from the table, overthrowing her chair and a bottle of 'Gin' whose contents stream to the ground. She leans forward, clenching her outstretched right fist, a glass in her left hand, shouting, "You Think indeed!! You Brute, I wonder at your Impudence, never was so Mild so Meek a Temprd Woman so Ill used as I am, & all because I'm the most Tender Affectionate Wife living, but I wont be treated so I wont no, I'll tear your Eyes out first, I know what you want, to set me in a Passion you do, but I wont be in a Passion to please you, you Cross Ill Temperd Quarrelsome, Passionate Wretch.' On the table are a joint of beef (opposite the man), pudding, a bottle of 'Brandy' (next the woman). On the ground at her feet are a broken glass and a knife. They face each other in profile, as do the couple in a picture behind her head (pictures amplifies subject): a virago (right) threatens a thin and trembling man with a broom."--British Museum online catalogue
Description:
Title etched below image. and Watermark: center of sheet.
Publisher:
Pubd. Septr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Couples, Dining tables, Quarreling, and Eating & drinking
Elegant airs, attitudes & lady traps and Elegant airs, attitudes and lady traps
Description:
Title from caption below image., Number "4" in "1794" in imprint is etched backwards., Five columns of verse below title: Lo, these are the yeoman & these are the bowmen, and if thou wilt be one of the train ..., Design consists of ten figures in two rows, each with a caption etched below., Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: Scottish -- Archers.
Publisher:
Pubd. Jany. 1, 1794, by S.W. Fores, No. 3 Piccadilly & 51 St. Pauls Church Yard
"A young woman holds a little girl on her lap; an ugly elderly man (three-quarter length) leans towards the child, holding a piece of sugar between his lips. The child looks up delightedly. On a table beside them (right) is a tray of tea-things."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue by S.W. Fores of a print originally published in 1792; original imprint of T. Rowlandson scored through and mostly burnished from plate., and Temporary local subject terms: Grandfathers -- Children -- Tea service.
Page 244. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Plate from: The new wonderful magazine, and marvellous chronicle. London : Published by Alex. Hogg, v. 3 (1794)., "Wonderful magazine"--Above image., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Irish wakes -- Drunkenness., 1 print : etching and engraving on laid paper ; sheet 10.8 x 15.3 cm., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge and periodical name from top edge., Mounted to 32 x 26 cm; a small newspaper clipping (3.9 x 6.2 cm) is mounted below print, dated "1773" in ink., and Mounted on page 252 (misnumbered '244') in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. by C. Johnson
Subject (Geographic):
St. Giles in the Fields (London, England),
Subject (Topic):
Interiors, Churches, Wake services, Dead persons, Ethnic stereotypes, Alcoholic beverages, Intoxication, Drinking vessels, Vomiting, Clergy, and Fans (Accessories)
Two dandies (or bucks)-- one thin and one stout--shake hands as they greet each other in a field. They wear high-crowned hats of the period and tight breeches; they both have clubs stuffed in their pockets. The man on the left holds a monocle (quizzing glass) to his eye to inspect the othe rman
Description:
Title etched above image., Artist identified from signed drawing in the Huntington Library., See earlier state in the British Museum online catalogue: "Publish'd 21 Novr. 1791. by Robt. Sayer & Co. Fleet Street London.", Other plates in this series, numbers 78, 85, and 85, also published 12 May 1794. Laurie and Whittle purchased the plates from Robert Sayer in the spring of 1794., From the Laurie & Whittle Drolls series. Numbered '72' in lower left of plate., Caption below image: Ha! Jack is it you, how are you dam-me., Lewis Walpole Library: Year from date of imprint erased and replace with a manuscript '1' in black ink., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the original drawing on which this print is based see: Isaac Cruikshank's drawings for Drolls. San Marino, Calif., The Huntington Library, 1968, no. 23., and Watermark.
Publisher:
Published 12th May 179[4?] by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Hairstyles, Monocles, and Nightsticks
In the foreground a car filled with passengers is pulled through the waves on the Thames by a pair of horses; other sailboats and rowboats sail in the same direction. In the distance is a cityscape of London and a bridge
Alternative Title:
Marine car and sea horses exhibited on the Thames and at Vauxhall in 1794
Description:
Title from text below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted.
Publisher:
publisher not identified
Subject (Geographic):
Vauxhall Gardens (London, England) and Thames River (England)
