"A lamp-lighter (left) stands dejectedly on his ladder which rests against a stone obelisk supporting a lamp whose glass is broken. The light has been extinguished by a blast from the head of a cherub emerging from clouds (right). A man wearing a cocked hat standing by the lamp-post tries in vain to get a spark from a flint. A stout citizen bends over a cup held by an old woman seated on the right, he stirs it and blows upon it, evidently trying to kindle a light. A dog befouls the obelisk. '. . . Ce Committé se donne bien dela peine pour allumer la grande lanterne. Mais - le vent siffie - les verres sont cassé - comment les raccomoder ? - ' Text, 'Job', xviii. 5."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "9" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: committee of public instruction -- Lamp-lighters -- Lighting: lamps -- Dutchmen., and Letterpress explanation lacking.
"An old woman of repulsive and disreputable appearance sits full-face surrounded by quack doctors. Her cap is inscribed 'Rep: Bat' (Batavian Republic), her petticoat is decorated with the seven [The artist has arranged the arrows in groups of five, not seven] arrows of the United Provinces. Her feet are in a tub of water. One doctor (left) holds her arm, the blood from which gushes into a bowl on her lap. Another (right) applies a cupping-glass to her left shoulder. A man (right) stands primly in profile to the left holding his cane; from his pocket protrudes a book: 'Traité sur la Reconaissance'. (He is 'Citoyen L' who owes everything to the ex-Stadholder.) Two military officers also watch the treatment, one (left) has a clyster-pipe under his arm. Standing behind, and on a higher level, is the zany (cf. BMSat 6398, &c), holding up a club wreathed with a serpent in his right hand, a bottle inscribed 'Tinct. Univer.' in the left. On the ground is a prescription inscribed 'R. P M: Mere' [i.e. Merc]. Text, 'Jeremiah', li. 9."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "15" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: health committee -- Quacks -- Quacks' zanies -- Military uniforms: French uniforms -- Medical instruments: clyster pipes -- Medical procedures: bleeding -- Emblems: Caduceus -- Medicine: mercury -- Water tubs -- Allusion to the Batavian Republic., and Letterpress explanation lacking.
"Two French commissaries stand (left), each with a book under his arm, holding out their demands for assignments on the exchequer; one has a paper inscribed 'Payer'. Their president, as in BMSat 8849, shrugging his shoulders, answers 'Impossible!' Another man seated on a bale (right) counts on his fingers; before him are figures giving a total of 'o'. A third holds up a paper: '2 /2 /3/', looking at it through an eye-glass. On the wall is a 'Tafel van Multiplicatie' and beside it shelves in which are books and bundles of papers, one inscribed 'Pretentions des Trouppes Suisses'. A shelf is inscribed 'Insolvable'. Text, 'Ecclesiasticus, Jesus Sirach', xli. 24."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "5" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Frenchmen -- Dutchmen -- Committees: finance committee -- Holland: civil discord., and Letterpress explanation lacking.
"Bond Street, the pavement receding diagonally from left to right, is thronged with fashionable pedestrians. In the foreground five fashionably dressed men advance, forming a phalanx which pushes on to the cobbled roadway a lady, dressed rather for the ball-room than the street, to whose arm clings a little girl; both are in back view. The men smile or leer. The lady's neck diminishes to a point, tresses of hair hang from her turban (cf. BMSat 8755), which is trimmed by a gigantic erect feather. Her over-dress hangs from her shoulders and swells into folds which sweep the ground. She holds a fan. (Small copy in Grego.) Behind (right) three ladies walk arm-in-arm in the roadway: a fat woman in a riding-habit, looking through an opera-glass, and two younger women, one with her face covered by a transparent veil reaching nearly to the (knees, the other looking demurely down. Among the crowd in the background a man arm-in-arm with a military officer in back view (? Lord Moira) resembles Fox."--British Museum online catalogue
Alternative Title:
Politesse du grande monde
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 27th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Clothing & dress, Crowds, Etiquette, Show windows, and Window displays
"The Prince of Wales, on horseback, figures as a life-like equestrian statue (of the future George IV) mounted on a pedestal of three rectangular blocks, diminishing in size. On the middle block: 'PATER URBIUM subscribi Statuis." Juvel'. The Prince, in regimentals, very fat, sits in profile to the left, holding a drawn sabre. He holds the left curb rein, the snaffle lying on the animal's neck. The toe of his spurred boot is in the stirrup. He wears a feathered cocked hat, a star on his breast and on his hat, a broad sash round his ample waist. A large holster hangs from the saddle beneath which is a leopard-skin with a 'GR' and crown on each corner. The horse's near foreleg and off hind leg are raised. Beneath the design: '"------"I saw him with his Beaver on "His Cuisses on his Thighs gallantly arm'ed "Rise from the ground like feather 'd Mercury "And vaulted with such ease into his seat "As if an Angel dropt down from the Clouds, "To turn & wind a fiery Pegasus "And witch the world with noble Horsemanship - Kg Henry 4th'."--British Museum online catalogue
Alternative Title:
Pater urbium subscribi statuis
Description:
Title etched at top of image., Thomas Adams is one of the pseudonyms used by Gillray., Sheet trimmed within plate mark., and Temporary local subject terms: Monuments -- Military uniforms: regimentals -- Literature: quotation from Shakespeare's King Henry IV, Part I, iv.i.
Publisher:
Pubd. May 3d, 1796, by H. Humphrey, New Bond Street
"Portrait of Horace Walpole, 4th Earl of Orford, after Reynolds; standing three-quarter length to left and leaning his right elbow on table with books, quill and print, his right hand to his cheek, eyes to front, wearing plain coat and waistcoat, lace collar and cuffs; in an oval, with Walpole's villa at Strawberry Hill below."--British Museum online catalogue description of a later state, registration no.:1985,1109.129
Description:
Title etched below image., Proof state with lettering. For an earlier proof before letters, see Lewis Walpole Library: Portraits W218 no. 5., "Strawberry Hill" in all capitals is etched above title and below image of the estate., and Kirgate's notes for revisions to the plate written in pencil in the right margin.
Publisher:
Published June [...]th, 1796, by J. Barlow, No. 5 St. George's Place, Black-friars Road, Surry
"A family, grouped round a small round table, see with consternation that the candle has a large blue flame. They are an elderly woman who is sewing, an elderly man in a smock frock, a youth, a small child, and a dog, whose raised head appears in the foreground. Behind the woman (left) stands a ghost in white drapery, with a beard and corpse-like face, glaring down at the group."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Watermark: J Whatman 1794., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pub. July 30, 1796, by S.W. Fores, No. 50 Piccadilly
A depiction, in three rows, of some 20 fanciful designs for spritely demons, ranging from the buxom to the bizarre, probably meant to mock the contemporary early-Romantic interest in 'fairy painting' by such artists as Henry Fuseli (1774-1825) and William Blake (1757-1827), especially their well-known interpretations of Shakespeares A Midsummer Night's Dream and Fuseli's highly sexualized depictions of nightmares
Description:
Title etched at bottom of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Formerly mounted on blue sheet, with residue remaining.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Name):
Fuseli, Henry, 1741-1825 and Blake, William, 1757-1827
"Two men, wearing patched and ragged clothes, stand together. One (left) stands full-face, arms folded, shoulders hunched, staring to the right with fierce despair. From his pocket issues a bulky document: 'By Law I'm Ruin'd quite'. The other (right) stands in profile to the left, his left hand in his coat-pocket from which hang papers inscribed: 'Spent all my Money & Lost my Cause'; 'Mortgage'; 'Officer's Fees'. He looks down with an expression of angry melancholy."--British Museum online catalogue
Alternative Title:
John Doe & Richd. Roe, brothers in law and John Doe and Richd. Roe, brothers in law
Description:
Title etched below image., Temporary local subject terms: Law: legal fees., Leaf 62 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 20.8 x 16.4 cm, on sheet 31.1 x 25.5 cm.
"Two men, wearing patched and ragged clothes, stand together. One (left) stands full-face, arms folded, shoulders hunched, staring to the right with fierce despair. From his pocket issues a bulky document: 'By Law I'm Ruin'd quite'. The other (right) stands in profile to the left, his left hand in his coat-pocket from which hang papers inscribed: 'Spent all my Money & Lost my Cause'; 'Mortgage'; 'Officer's Fees'. He looks down with an expression of angry melancholy."--British Museum online catalogue
Alternative Title:
John Doe & Richd. Roe, brothers in law and John Doe and Richd. Roe, brothers in law
Description:
Title etched below image., Temporary local subject terms: Law: legal fees., and Watermark: Horn on shield.
