Title from item., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from item., Sheet trimmed to plate mark on top, bottom and left., Eight lines of verse in two columns below title: Observe how I step in the line ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in J. Grego's Rowlandson the caricaturist. London, Chatto and Windus, 1880., and Temporary local subject terms: Couples -- Drunkards.
Publisher:
Pubd March 15, 1798, by Hooper & Wigstead ; printed for Hooper & Wigstead, No. 212, High Holborn
Title from item., Imperfect; sheet trimmed within plate mark at bottom resulting in partial loss of imprint., Eight lines of verse in two columns below title: O say thou delight of Dukes place ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Not in Joseph Grego's Rowlandson the caricaturist. London, Chatto and Windus, 1880., and Temporary local subject terms: Couples.
Publisher:
Pubd. Feby 21, 1797, by Hooper & Wigstead ; printed for Hooper & Wigstead, No. 212 High Holborn
"French men-of-war are tossed helplessly by huge waves, which are lashed to fury by blasts from the mouths of (left to right) Pitt, Dundas, Grenville, and Windham, whose heads emerge from clouds. Fox is the (realistic) figure-head of 'Le Révolutionaire' (right) which, with broken masts, is about to founder. He receives the full strength of the blasts from Pitt and Dundas, and looks up despairingly, his head against the tricolour stripes which encircle the mast. Playing-cards float in the water by the ship. On the left 'L'Egalité' is wrecked by a blast from Grenville, which shatters a flag-staff, with a flag inscribed 'Vive . . Egalité'. Behind, a vessel disappears in a whirlpool. In the foreground (left) 'The Revolutionary Jolly Boat' is being swamped under the influence of a blast from Windham; the occupants throw up their hands despairingly: Sheridan, standing in the stern, is still unsubmerged; the others (left to right) are Hall the Foxite apothecary, [So Wright and Evans. He has perhaps more resemblance to Dr. Towers.] Erskine, in wig and gown, M. A. Taylor, and Thelwall, washed overboard, with a paper: 'Thelwall's lectures' (see BMSat 8685). [Wright and Evans put Dr. Lawrence's name between that of Sheridan and Erskine; he is not depicted.]."--British Museum online catalogue
Alternative Title:
Destruction of the French Armada
Description:
Title etched below image., Another signature etched in bottom right portion of image: Js. Gy. des. et f., Another publication line etched in lower left but mostly obscured within margin of image., Sheet trimmed within plate mark., and Temporary local subject terms: Fleets: French fleet -- Storms: gale.
Publisher:
Pubd. Jany 20th, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Taylor, Michael Angelo, 1757-1834, Thelwall, John, 1764-1834, and Erskine, Thomas Erskine, Baron, 1750-1823
Title from item., Numbered 'Plate 72' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Temporary local subject terms: Buildings: inns -- Inns: 'The Bull's Head' -- Signs: inn sign -- Signs: 'Licensed to deal in post horses' -- Clergy: parsons -- Male dress: spencer, 1797 -- Loughborough -- Horsemen.
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 148., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published December the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Facsimile of a sketch with hand-written descriptions, with outlines of Garrick and Quin from the back, next to a scale of feet, with profiles of a 'short proportion' to the left of Quin, and a 'tall proportion' to the right of Garrick
Alternative Title:
Facsimile of a letter and Facsimile of the proportions of Garrick and Quin
Description:
Title engraved above image., Also lettered with a facsimile hand-writing, including the date "Oct 21 1746", and signed "W H" [i.e., William Hogarth]., Dobson records “from a drawing belonging to Mr. Stevenson or Norwich, after to J. P. Kemble. See Dobson, A. William Hogarth., Copy of no. 2808 in v. 3, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Formerly on page 108 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Published 12th May 1797 by Robert Laurie & James Whittle, No. 53 Fleet Street, London
Subject (Geographic):
British.
Subject (Name):
Garrick, David, 1717-1779 and Quin, James, 1693-1766
Title from caption below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., and Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each pair.
Publisher:
Pubd. October 12th, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Title from item., Publication date based on that of companion print: Spiritual Lovers., Sheet trimmed within plate mark at bottom., Eight lines of verse in two columns below title: 'Tis an adage most true without doubt ... ., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., One of six 'Lovers' prints published by Rowlandson in 1797, not recorded in Grego or British Museum catalogue., and Temporary local subject terms: Couples -- Kissing.
"Nicholls stands directed to the left, almost in profile; his left eye is closed, but he gazes through a pair of double glasses held in his right hand, his face wrinkled in a sour grimace. Rays of light stream outward from the glasses. He wears a round hat with up-curved brim, half-boots, and holds a long cane in his left hand. Beneath the design: '"get thee glass Eyes And like a scurvy Politician, seem To see the things thou dost not" - Shakespeare'."--British Museum online catalogue
Alternative Title:
Frontispiece to citizen John Nicholls's parliamentary and unparliamentary letters, speeches and visions
Description:
Title etched at bottom of plate., Signed with the monogram of James Sayers., Temporary local subject terms: Members of Parliament -- Looking glasses -- Male dress, 1797 -- Literature: Quote from Shakespeare's King Lear, IV.5., 1 print : etching with stipple on wove paper ; sheet 30 x 19.5 cm., Sheet trimmed within plate mark on top edge., and Mounted on verso of leaf 76 of James Sayers's Folio album of 144 caricatures.
