"View down London Wall, with All Hallows Church, built by George Dance junior; a carriage advancing up street just behind two men pulling a wheelbarrow"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Imprint from impression in the British Museum., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., The Lewis Walpole Library impression: sheet trimmed with loss of imprint statement., The Lewis Walpole Library: From the Topographical Prints collection., and Window mounted to 48 x 36 cm.
"Six brutal-looking men, much caricatured, sit round a table in a cellar, listening with apprehensive intentness to their chairman, who reads a paper: 'State Arrests - O'Conner Binns Evans Quigley'. He sits in an arm-chair, a grotesque ragged creature with sleeves rolled up; in his right hand is a candle taken from a candle-stick on the table. Beside him is a tankard inscribed: 'Tom Treason Hell-Fire Celler Chick Lane'. Against his chair leans an open book: 'Proceedings of the London Corresponding Society Ts Firebrand Secretary - Delegates - Forging Sam Barber Joe Dick Butcher Dissenting Nick Sheepshead Will Cut down Lary'. These names belong to the persons depicted: a barber sits on an upturned tub on the chairman's left, a comb in his ragged hair, a pair of tongs leaning against the tattered hat which lies beside him. Next (left) is a butcher, his steel hanging from his waist. All are grotesque denizens of the underworld. Two prints are on the brick wall, bust portraits of 'Horne Tooke' and 'Tom Payne'. Through an open door (right) is seen a flight of stairs, steeply ascending."--British Museum online catalogue
Alternative Title:
London Corresponding Society alarmed
Description:
Title etched below image., "Price 1 sh., 6"--Below imprint., Sheet trimmed within plate mark., and Temporary local subject terms: Trades -- Barber -- Butcher -- Allusion to the planned French invasion of Ireland -- Interiors: cellars -- Dishes: tankards.
Publisher:
Pubd. April 20th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Paine, Thomas, 1737-1809, Tooke, John Horne, 1736-1812, and London Corresponding Society.
"Lord Moira, in regimentals, stands stiffly in profile to the left on the edge of a headland; in his right hand is an unstrung long-bow, much taller than himself. Across the water (left) is a fantastic night-scene in Ireland. Two soldiers by the waterside are seated over a large dish containing an infant which one is carving. The other, his hand on a barrel of 'Whiskey', drains the contents of a skull; human bones lie beside them. A little drummer beats his drum with bones. A soldier siezes a woman and is about to stab her with his bayonet. Behind this group a (?) woman is suspended by one wrist from three gigantic spears forming a tripod. Beside them (right) is a thatched cottage with a figure in distress just discernible through the door and with a lighted candle in the window. At this candle Moira is directing a blast (resembling a searchlight) from his pursed-up lips. On a cliff above the cottage a man supports in his arms a huge oak, in whose branches are many swans, some of which fly away to the right. Three frightened cows gallop off. Through the air, between Moira and the tree, gallops (right to left) a ram on which sits an old witch holding up a broom supporting a bonnet-rouge ; in her right hand she flourishes a bunch of serpents, emblem of discord or sedition. In the sky (right) behind Moira's head is a full moon with a grinning face which illuminates a semicircle of clouds surrounding Moira's head, its reflection making a broad path on the sea. ..."--British Museum online catalogue
Description:
Title etched below image., "Price 1 sh. plain, 2 sh. col." -- Following imprint., Three columns of text below title: Oh, my Lords, a man who walks erect like me, can plainly discover ..., One line of quoted text above image: "He had it from his father, who would tell you fifty in a breath--ay, & tell them,--'till he believ'd them all himself.", Sheet trimmed mostly within plate mark., and Temporary local subject terms: Ireland -- Soldiers: Irish soldiers -- Literature: George Ellis's Ode to Lord Moira -- Magazines: Anti-Jacobin -- Story of Moll Coggin -- Witches -- Emblems: serpents as symbol of discord -- Animals: rams -- Cannibalism -- Birds: swans -- Moon -- Spirits: whiskey.
Publisher:
Pubd. March 12th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Portrait of Marie du Deffand, after Carmontelle; half-length directed to left, her eyes closed, wearing dark hood and ruffled bonnet; in oval."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1868,0808.2306., Engraved after a wash drawing by Carmontelle that was kept by Horace Walpole in the Blue Breakfast Room at Strawberry Hill., Mounted on page 65 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching on wove paper, hand-colored ; oval sheet 7.3 x 5.8 cm and sheet 1.1 x 6.8 cm., Imperfect; oval portrait and title text cut from sheet and mounted one on top of the other, with imprint statement trimmed away., and For further information, consult library staff.
Publisher:
Publd. Novr. 12 by S. Harding, 127 Pall Mall
Subject (Name):
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780, and Strawberry Hill (Twickenham, London, England)
"Mary Aubrey, dismembering her husband's body with a broad-bladed knife, encouraged by two demons behind; her twelve-year-old son holding his severed head at left; small image inset behind at left showing her being burnt at Tyburn."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Copy of an 1688 print, with the supplied title in the London Picture Archive (record no. 26631): Murder in Long Acre. The original print, with a transcribed title from the caption below the image: A representation of the bloody murder committed by Mary Aubrey, a French midwife, which was burn [sic] to death the 2d day of March 1687/8. Cf. London Metropolitan Archives collections, reference code SC/GL/PR/LC/42/021/p7500042., Text to the left of title: Her son 12 years of age acquitted as acting by compulsion., Text to the right of title: She was hanged & burnt at Tyburn., and Mounted to: 32.5 x 27.5 cm.
Publisher:
Published Jany. 1, 1798 by J. Caulfield
Subject (Name):
Hobry, Marie, -1688,
Subject (Topic):
Homicides, Criminals, Dismemberment, Burning at the stake, Knives, and Demons
Reduced copy of Hogarth's satire in the form of a mock admission ticket; a masquerade consisting of debauched looking characters in costume; at left, 'A', 'a sacrifice to Priapus', an altar to Priapus decorated with ram's heads and antlers, in front of which the figure of Time is stabbed by a bishop and a butcher, his blood pouring into a bowl held up by a monkey in a surplice; opposite at right, burning hearts on an altar to Venus and Cupid decorated with doves and wigs; at the back of the room, a painting of a Bacchic subject, to either side shelves with jellies and cakes, labelled provactives, and two signs with the obscene pun 'Supper below'; to either side, 'B', two 'Lecherometers' in the form of barometers, at left labelled 'Expectation Hope Hot desire Extreem Hot Moist Sudden Cold', at right 'Cool Warm Dry Changable Hot moist Fixt'; above the design at centre, a clock with Heidegger's face at top, the hour hand 'Wit', the minute hand 'Impertinence', the second hand 'Nonsense', to either side a lolling unicorn and lion, stroking their tails between their legs. Cf. British Museum online catalogue
Description:
Title etched below image., "Page 325". Upper right corner. From Ireland's Supplement to Hogarth illustrated., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 108., Ms. note in Steevens's hand at bottom of print: From J. Ireland's Hogarth illustrated., and On page 46 in volume 1.
Publisher:
J. Ireland
Subject (Name):
Heidegger, John James, 1659?-1748
Subject (Topic):
Allegories, Animals, Goddesses, Gods, Erotica, Masquerades, and Sacrifices
"Beneath the title is etched on a separate plate: 'Description - A Row of English People in Tatters, and wooden Shoes, hoeing a Field of Garlic. A tall raw-boned Frenchman, with a long Queue behind, like a Negro Driver with a long Waggoner's Whip in each Hand, walking by their side. The People very sulky, but tolerably obedient & tractable for so short a Time ; John Bull being a bad Lad only when you are very good to him. The Group of the hoers are, a Husbandman, his Wife, a Manufacturer, a Curate, & an Old man; - in another Part of the Field [middle distance, left], four other English people, a Father & Son (Husbandmen) with two Seamen, in a Yoke, drawing a Plough ; a French Farmer guiding it with one Hand, & with the other flourishing & cracking a French Postillion's long Whip ; a French Boy walking by the side of the Yoke with a Goad, which has a Point as sharp as a Needle, the French Hoe-driver gives his Instructions thus: "Jacques Roast-Beef, hoe straight, deep, quick & rest not." - The Instructions of the French Holder of the Plough are - "Monsieur John Bull mon Ami", (in English) My Friend, Mr John Bull, pull hard, plough deep, trot quick, turn sudden, & rest not," - A Messager d'Etat, (in English) a Messenger of State in his Habit of Office, with a Letter in his Hand, comes to hurry on the work for the Exigencies of War. - In another part of the Plate [left] stand the Farm Offices ; a vast oak, withered, above them, - A Caldron boiling, on which is engraved, Soup Maigre, with a stack of Onions & Turnips close by it. On a large Board is painted - "Regulations of this Farm., - ["At Five o'clock in the Morning the Hogs & English Slaves are \ "to be fed; at Twelve O'Clock at Night they are to be suppered, \ "& littered up with the best Straw that the Scotch & Irish part \ "of the Slaves can steal from the neighbouring Farms, & then \ "locked up. But there are Holes in the Bottom of the Walls \ "for the Hogs to go out, & get the Benefit of Fresh Air. - \ "Punishment of Laziness, for the first Offence, five hundred \ "Lashes; for the second, the Guillotine. All other Crimes, ex \ "-cept those which affect Frenchmen, are forgiven on Promise \ "of Amendment." - A Ballad is lying on the Ground in the English Language, entitled, "Recantation of British \ & Irish Republican Husbandmen & Manufacturers. - The Burden of the Song is - "Oh, England, England! \ "King, Wife, Sons & Daughters of our King, of \ "whom the Sons are all brave, & the Daughters \ "all beautiful: Parliament & Judges, who covered \ "us with Blessings, which are repaid with Reproaches. \ "Clergy who taught us to die as well as to live for \ "our country - Landaff, Landaff. - Nobles & \ "Squires in whose Hospitality & Bounty we shared. - \ "St Vincents & Duncans. Merchants, Master Manufacturer[s] \ "who lived as simply as ourselves, but both of us well; "how could we forget you? You would not have de- \ "serted us; but we deserted you. - But with the same \ "Weapons which should have defended you, we will \ "punish ourselves. We despise Life, we could submit to \ "Misfortune, but cannot bear the Consciousness of \ "not having stood or fallen with you. Oh England, \ "England, Country of every Bliss, for ever farewell!' [Dalrymple, op. cit., pp. 5-6, 33-5.] The hoe-driver stands on the left of the line of hoers (right), who advance diagonally. The husbandman is a fat John Bull, his wife a comely woman. Beyond the 'old man' is a fifth man on the extreme right Gillray has added in the foreground a ragged hoer suspiciously like Fox, cf. BMSat 9180, &c. The four men yoked to the plough do not resemble seamen. The print otherwise follows the description; the 'Messager d'État' is dressed exactly as in BMSat 9213. All the Englishmen wear large wooden shoes, emblems of servitude."--British Museum online catalogue
Description:
Title etched below image., Publisher's name and publication date in imprint are scored through with lightly etched lines., "Price 6 d. Colourd. 1 sh. 3 d.", Smaller plate consists entirely of etched text and is printed below title of plate with image., Three columns of text on lower plate begins: Description. A row of English people in tatters and wooden shoes, hoeing a field of garlic ..., Sheet trimmed to plate mark on upper edge., Temporary local subject terms: Allusion to Duncan, Adam, viscount, 1731-1804 -- Allusion to St. Vincent, John Jervis, 1st earl, 1734-1823 -- Allusion to Watson, Richard, 1737-1816 -- Farming equipment: Plough -- Hoes -- French costume: Hoe driver -- French uniforms: Messenger of State -- Threat of French invasion -- Songs: 'Oh, England, England!' -- Literature: Allusion to Address to the people of Great Britain, by Richard Watson -- Frenchmen -- Farms -- Soup maigre -- Goads -- Caldrons -- Navy: Sailors -- French hoe drivers -- John Bull -- Wooden shoes -- Propaganda -- Husbandmen -- Clergy: Curate -- Hoers -- Whips: Postilion -- Food: Garlic -- Turnips., With: Gillray, J. Me teach de English republicans to work: scene, a ploughed field. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., and Watermark: 1794 J. Whatman.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street
"Fox stands, declaiming violently to his supporters, who surround him. He holds out a paper: 'Ruination - New Tax one Tenth of Income & Property, to Support the accursed War, of the Infamous Minister'. His clenched right fist is raised, and he says: "Gentlemen; - we are all ruin'd we sha'n't have Five Guineas left to make a Bett with! - one Tenth dead, without a single throw of the Dice! - why its worse than the French Game of Requisition; - for in that there would be some chance of coming in for Snacks!" He is dishevelled and ragged, with a padlocked 'Begging Box' slung round his shoulder (see BMSat 8331, &c). Erskine stands beside him in profile to the left as in BMSat 9246, holding a brief-bag: 'Republican Causes'. He says: "I wish it was to come on in the Kings-Bench for I would take up a Brief against him there, gratis; - but I dont like to say any thing to him in t'other place" [see BMSat 8502]. M. A. Taylor, like a small fat boy, wearing a tricolour suit and a bonnet-rouge in the form of a fool's cap, says, looking up at Fox: "One Tenth? - why he takes us for Boys or Chicks! [see BMSat 6777] zounds what a funk I am in." Tierney, wearing a ragged coat, stands in profile to the right, saying, "10 per Cent? - why it will make Bankrupts of all my Friends in in [sic] the Borough [see BMSat 9045]; ah the Villainous Cutthroat he wants to bring us to St Georges's Fields at last." Next Tierney stands Horne Tooke, saying, "One Tenth? - mum! - get it of me if you can tell how to get blood from a Post - or from one of the Gibbets at Wimbleton! - why its a better Subject to Halloo about than the Brentford Election." (He lived largely on the bounty of his friends.) On the right, behind Erskine, are the Duke of Bedford, dressed as a jockey (cf. BMSat 9380), saying, "Damn their 10 per Cents, I'll warrant I'll Jockey 'em as I did with the Servants Tax" [see BMSat 9167], and Norfolk, a bottle of Port in each waistcoat pocket, saying: "Why it will ruin us all! - One whole Tenth taken away from the Majesty of the People? - good heavens! - I must give up my Constitutional Toasts, & be contented with 4 Bottles a day" [see BMSat 9168, &c.]. Derby, in hunting-dress, says: "I must sell my Hounds, & hang up my Hunting Cap, upon my Horns!" [cf. BMSat 6668]. Nicholls peers through a glass, saying, "I see clearly he wants to keep us out of place, & fill his own pockets". On the extreme right stands Burdett, saying, "Dam'me! if my Lady Ox------d [see BMSat 9240] must not leave off wearing Trousers & take care of her little 10 pr Cent." On the left, outside the Foxite circle, stand four others: Sinclair, barefooted and wearing a kilt and plaid, scratches his arm (cf. BMSat 5940), saying "De'el tak me, but it gees me the Itch all o'er, to be prime Minister mysell; - out o' the 10 pr Cents I could mak up for ye loss of my place at the Board" (see BMSat 9271). George Walpole [Identified by Wright and Evans as Tarleton.] (see BMSat 9376), very thin, and wearing his enormous cocked hat, says with clenched fists: "Pistols! - I say, - Pistols! for the Villain! - zounds, I wish I had my Long-Sword here, & a few Moroons, I'd teach him how to humbug us out of our Property." (He had been Tierney's second, see BMSat 9218, and had taken a leading part in suppressing an insurrection of maroons in Jamaica in 1795.) Moira stands stiffly erect, saying: "An upright Man can see things at a distance; - yes! [See BMSat 9184.] I can plainly perceive, he would cut us down One Tenth, that he may be above us all." Pulteney, on the extreme left, peers through an eye-glass, saying, "10 per Cent? mercy upon me! where am I to get 10 per Cent? - ay I see I shall die a Beggar at last" [see BMSat 9212]. Behind Fox are two silent supporters: (left) Stanhope (or perhaps Grafton) saying "Mum", and (right) Sir George Shuckburgh, full-face."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Taxation: Income Tax -- Sir William Pulteney, 1729-1805 -- Quizzing glasses., and Mounted to 33 x 48 cm.
Publisher:
Pubd. Decr. 13th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Tooke, John Horne, 1736-1812, Taylor, Michael Angelo, 1757-1834, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, Nicholls, John, 1745?-1832, Sinclair, John, Sir, 1754-1835, Walpole, George, 1761-1830, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Fox and Norfolk meet on the pavement outside Brookes's. Fox (left), much caricatured, with his shaggy hair standing on end and stockings slipping down, says, with an expression of angry despair: "Scratch'd off! - dishd! - kick'dout! - dam'me!!!" Norfolk (right), with fingers outspread in dismay, answers: "How? what! - Kick'd out? - ah! morbleu! - chacun a son tour! morbleu! morbleu!" Fox holds in his right hand a paper: 'List of Privy Council C. J. Fox', the name scored through. From the pocket of his bulging waistcoat hangs a paper: 'Whig Toasts & Sentiment[s] Sovereignty of People - Jacobins of Ireland - French'. Under Norfolk's left arm is his baton of hereditary Earl Marshal; from his coat-pocket hangs a paper: 'Honours List Ld Lieutenant of Yorkshire] Colonelship of Militia'. Both wear small bonnets-rouges. Behind, Brooks's is indicated with the balcony; only one house separates it from the gateway of St. James's Palace, at which Pitt (right) and Dundas (left) stand as sentinels, in Grenadier uniform (with the addition in Dundas's case of a tartan plaid), each before his sentry box, and facing each other in profile. On the gateway (right) is a placard: 'Proclamation against Sedition & Treasonable Meetings'; on each sentry box is a proclamation headed 'GR'. On Pitt's box: 'Whereas . . . for carrying secret correspondence with ye French - God sa . . .'; on Dundas's box: 'Whereas . . . apprehension of Traitors . . . God save ye King'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Temporary local subject terms: Dismissals -- Clubs: Brookes's -- Soldiers: sentry -- St. James's Palace.
Publisher:
Pubd. May 12th, 1798, by H. Humphrey, 27 St. James Street
Subject (Name):
Fox, Charles James, 1749-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
