"Ghosts (right) stand in a row at the foot of Fox's bed; he sits up, staring in terror, hands raised, large tears on his cheeks. The ghosts emerge from clouds; they are headless, with bloodstained necks round which are nooses, except for Lord Edward Fitzgerald, who stands above the others, in profile to the left, with blood-stained hair and shirt. His right hand is on his breast and he says: "" Who first sedue'd my youthful Mind from Virtue? - "Who plann'd my Treasons, & who caus'd my Death? - "Remember poor Lord Edward, and despair!!! - " Fox says: ""Why do'st thou shake thy, Goary Locks at me? "Dear, bravest, worthiest, noblest, best of Men! "Thou can'st not say, I did it! - " The body on Lord Edward's right and on the extreme right is that of Grogan, a leader of rebels in Wexford, it was said under compulsion, hanged from Wexford Bridge, his head fixed on a pike. Lecky, 'Hist. of England', 1890, viii. 95, 166-7. On Lord Edward's left is a body, the label from the neck inscribed 'Remember Hervay'. (Bagenal Harvey, commander-in-chief in Wexford (ibid. viii. 91), executed with Grogan.) Next is 'Quigley' (or O'Coigley), see BMSat 9189, executed 7 June 1798 at Maidstone. Next, a label, 'Shears's', rises from clouds in which the bodies are concealed. (John and Henry Sheares, elected to the Directory in Dublin on the arrest of Bond and others, were arrested 21 May and executed on 14 July 1798. Lord Edward died of the wounds received when he resisted arrest, see 'Auckland Corr.' iv. 414 ff., 442-4.) Above Fox's head fly two naked creatures with infantine bodies, webbed wings, and the serpents of faction or discord springing from their heads and writhing round their bodies. They hold up between them a paper inscribed 'Confessions \ of O'Conner \ Ol Bond'. The bed is framed in heavy curtains. Mrs. Fox lies asleep with her back to Fox. On the ground at his side is an open book partly hidden by the bed-draperies: ' . . . Head Quarters London. Plan of the Irish Rebellion.'"--British Museum online catalogue
Description:
Title etched below image., Two lines of paraphrased quote following title: "In glided Edward's pale-eye'd ghost and stood at Carlo's feet.", Sheet trimmed within plate mark., and Temporary local subject terms: Irish Rebellion, 1798 -- Allusion to St. Ann's Hill -- Ghosts -- Literature: quotation from The Excursion: A Poem in Two Books by David Mallet (?1705-1765) -- Literature: quotation from Macbeth by William Shakespeare (1564-1616), iii, 4.50 -- Banegal Harvey, d. 1798 -- Allusion to Arthur O'Connor, 1763-1852 -- Allusion to Oliver Bond, 1760-1798.
Publisher:
Pubd. Sepr. 21, 1798, by H. Humphrey, 27 St. James's Street
"View from the street looking towards the Bank of England, the arcade across north front of Exchange on the left; elegantly dressed figures and street traders outside"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Imprint from impression in the British Museum., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., Sheet trimmed with loss of imprint statement., and Window mounted to 48 x 36 cm.
Publisher:
Published Decr. 15th, 1798, by T. Malton
Subject (Geographic):
England and London.
Subject (Topic):
Banks, Commercial facilities, and Arcades (Architectural components)
"Three opera dancers, holding a garland of roses, are dressed alike in short transparent petticoats partly covered by a shorter apron. The centre dancer holds out her left leg horizontally . Mme Rose [Parisot] is in back view, her sharp features in profile to the right. On each side of the stage is a column on the plinth of which stands a figure: (left) a satyr holding a mask; (right) a woman wearing a clumsy undergarment, in the attitude of the Venus dei Medici. In front of the stage are the musical instruments of the orchestra, including a violin on which is a cap perhaps intended for a bonnet-rouge. ..."--British Museum online catalogue
Alternative Title:
Dance a l'eveque
Description:
Title etched below image, in lower left., Printmaker from British Museum catalogue., Four lines of verse in two columns below image: 'Tis hard for such new fangled orthodox rules, that our opera-troop should be blam'd ..., Sheet trimmed within plate mark., and Temporary local subject terms: Theatre: stage -- Opera: dancers -- Musical instruments -- Stage lighting -- Devil -- Dancing -- Newspapers: reference to Morning Herald.
Publisher:
Pubd. March 14th, 1798, by H. Humphrey, St. Jamess [sic] Street
"The upper part of a telegraph, not the usual screen in one plane (cf. BMSat 8837), but two screens at right angles to each other, the point of junction in the centre of the design. This is supported on a rectangular structure the upper part of which is open, with an aperture below each telegraph. From each of these Jekyll looks out in profile to the left and right, respectively. The telegraph, which is in the foreground, the lower part cut off by the lower margin of the design, overlooks from a height two views of the mouth of the Bruges Canal, flowing from an undulating landscape with a small town and distant windmills. Each Jekyll pulls strings which are attached to circular disks (for letters) in the upper part of the apparatus. On the left he looks through a rolled paper inscribed 'Morning Chronicle' over the intact sluice at the mouth of the canal, outside which are a few boats. From the disks above floats a label: "Ay, now let us see what are the fruits of this miserable Ostend Expedition! - ay, I see that the intelligence I had from Bruges, was of undoubted authority! - yes, yes, our Informations are always to be depended upon! - ay! sure enough there's the great Sluice of Sluykens, which was blown up! - the damages have all been repaired in a Week, & the Canal is now as full as at any former period! - O Lord! O Lord! - this is the way that poor John Bull's money goes!" Above each telegraph floats a tricolour flag surmounted by a bonnet-rouge; on the left the flag is inscribed 'June 20 1798', on the right it is 'June 21. 1798'. On the right Jekyll looks through a rolled paper: 'Capt Pop'em's Information from Capn Winter'. The landscape below shows a block of masonry exploding in the middle of a turbulent flood in which are carried down timbers and wrecked boats. His telegraph signals: 'Why what the devil do I see? - sounds, why here's incontestable evidence that the Sluices are all destroyed! - the Masonry all blown up! - and the Navigation of the Canal at an end! O Lord! what damages they have done!- why it can't be repaird by any effort, in less than 12 Months! - Mercy upon me, what will my Lord Malagrida say when I tell him about the business?' Jekyll's two profiles are identical; both smile waggishly. ..."--British Museum online catalogue
Alternative Title:
Little second-sighted lawyer gving a true specimen of patriotic information
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of text below title: "After so candid & honorable a statement, no man can suspect the Honble. Gentleman of wilful misreprentation [sic]." - Mr. Ds remark., One line of text above image: "I trust the world will not regard me as a person ready to bring before them any matter which does not rest on a proper foundation!", and Temporary local subject terms: Military expeditions: Ostend expedition, May 1798 --Telegraphs -- Newspapers: Morning Chronicle -- Reference to taxation -- Reference to John Bull -- Reference to Captain Sir Home Riggs Popham, 1762-1820 -- Reference to the Marquis of Lansdowne.
Publisher:
Pubd. June 23d, 1798, by H. Humphrey, 27 St. James Street
Title from item., Printmaker identified from the original drawing in the Huntington Library., From Laurie and Whittle series of drolls., Two lines of text below title: Fire Man -- get up my friend, get up directly, the house is on fire ..., Plate numbered '212' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors: bedrooms -- Firemen -- Lighting: torches -- Tools: axes -- Pets: dogs -- Male dress: night clothes.
Publisher:
Published 16th March 1798 by Laurie & Whittle, 53 Fleet Street, London
Illustration to verses printed in two columns. An elderly parson, holding his pipe, his back to the fire, makes gestures of rage towards his servant (right) who hurries terrified from the room as he drops a jug. His wife (left) holds his coat to restrain him, dropping a book from her lap as she sits in a chair with a slipcover. The verses in letterpress below the image relate that after a sermon on the misfortunes of Job, the parson told his wife that his 'patience and strength of mind' were equal to Job's, though she (like other women) was incapable of such restraint. His servant enters to tell him that the contents of a cask of ale had been spilt. His wife reproaches him for his violent abuse: "Job was not half so vext ..."; he says: "Answer me this, I say- Did Job e'er lose a barrel of such ale?" On the wall behing is a picture of Job suffering by the road as described in the Bible. See British Museum catalogue
Alternative Title:
Bad job
Description:
Titie from letterpress printed below the image. On this impression part of the title is printed below plate., Printmaker identified from the original drawing in the Huntington Library., Text of the tale in letterpress printed in two columns below title: Twas at some country place, a parson preaching, The virtue of long sufferance was teaching ..., One of the series of Laurie & Whittle drolls., and Watermark: E & P 1796.
Publisher:
Published 20th November 1798 by Laurie & Whittle, 53 Fleet Street, London
Subject (Name):
Job (Biblical figure)
Subject (Topic):
Biblical events, Chairs, Clergy, Fireplaces, Interiors, Pipes (Smoking), Pitchers, Religious dwellings, Servants, and Spouses
"Pitt and Dundas (in tartan), back to back, vigorously ply long whips against a herd of swine with human faces whom they drive through broken palings from the enclosure in which they stand (right). On the extreme left is the corner of a pound through which poke the heads of two (normal) swine, ringed and shedding tears. The swine who are being flogged have, beside their human heads, ringed snouts, both heads being enclosed in a wooden triangle. The leaders are Fox, with Norfolk (cf. BMSat 9205) on his right and Bedford (cf. BMSat 8684) on his left, the others are less prominent: Erskine, Tierney, looking over Fox's back, Burdett, Derby, and Nicholls (left), while M. A. Taylor (right), smaller than the others, scampers to right instead of left. Beside the pound (left) stands a grinning yokel (John Bull); on its post is a placard: 'London Corresponding Society - or the Cries of the Pigs in the Pound'. The background is a row of conical haystacks behind which is a thatched and gabled farm-house. ..."--British Museum online catalogue
Alternative Title:
Swine flogg'd out of the farm yard and Swine flogged out of the farm yard
Description:
Title etched below image., Three columns of verse etched below title: Once a society of swine, liv'd in a paradice [sic] of straw, a herd more beautiful & fine, I'm sure Sir Joseph never saw ..., and Temporary local subject terms: Allusion to George III as Farmer George -- Allusion to the London Corresponding Society.
Publisher:
Pubd. June 22d, 1798, by H. Humphrey, 27 St. James Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Nicholls, John, 1745?-1832, Erskine, Thomas Erskine, Baron, 1750-1823, and Taylor, Michael Angelo, 1757-1834
Subject (Topic):
John Bull (Symbolic character), Farms, Haystacks, and Swine
"The Irishman, with coarse features and cropped hair, stands on a rounded hill, left arm raised oratorically, right hand on one of two pistols in his belt, saying, "No Union, Erin go Brack!" He wears a round hat tilted to one side, and with a small tuft or plume, a double-breasted coat with the skirts looped up, pantaloons and half-boots, a long sabre. He looks to the left On the plain beneath (right), across which run tiny fugitives, are burning buildings and clouds of smoke."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Irishmen -- Irish Rebellion, 1798 -- Mottoes: Erin go bragh -- Guns: pistols -- Weapons: sabre -- Male dress: pantaloons.
Publisher:
Pubd. July 10th, 1798, by H. Humphrey, St. Jamess [sic] Street
Title from item., Fifth plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Early state, with the likeness of Sheridan. See British Museum catalogue., and Temporary local subject terms: French costume: Directory municipal official.
Publisher:
Pubd. April 18th, 1798, by H. Humphrey, 27 St. James's Street
"Horne Tooke stands directed to the left, behind a table covered with a green cloth. His arm-chair is behind him (right). His right hand is on a hand-bill, his left is outstretched admonishingly. He looks with a severe frown in the direction to which he points. Behind his chair against the wall is a table of the 'Droit de l'Homme'; beside it hangs a tricolour flag. He wears (correctly) a plain black suit over which is a tricolour scarf. On the table is his round hat with small tricolour scarf and tricolour feather. On the sides of the table are partly visible the fasces which were an emblem of the Republic. Behind is a wall with Ionic pilasters."--British Museum online catalogue
Description:
Title etched below image., Later state, with the likeness of Horne Tooke. See British Museum catalogue., Fifth plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory municipal official.
Publisher:
Pubd. April 18th, 1798, by H. Humphrey, 27 St. James's Street
