Engraved title page with vignette from: The poetical works of John Dryden . London : Printed for C. Cooke, and sold by all the booksellers in Great-Britain and Ireland, [1798]., Below image: vide Cock and Fox, vol. III, page 154, line 579., and Temporary local subject terms: Literature: Cock and Fox by John Dryden -- Buildings: cottages.
"View of the Gothic mansion with pinnacles on the battlemented roof and pointed arched windows, seen across the lawn to the right, surrounded by trees, with others to the left and two men in the left foreground, one sweeping the lawn, the other guiding a horse which draws a roller."--British Museum online catalogue
Description:
Title etched below image., Printmaker unidentified; after a drawing by Paul Sandby., Later state of the plate, with volume and page numbering added in upper right corner. Plate originally engraved for: A description of the villa of Mr. Horace Walpole. Strawberry-Hill : Printed by Thomas Kirgate, 1784., Plate from: The Works of Horatio Walpole, Earl of Orford. London : Printed for G.G and J. Robinson, 1798, v. 2., Numbered in the upper right: Vol. II. Pl. II. P. 512., and Single crease through the center of the image.
Publisher:
G.G. and J. Robinson
Subject (Geographic):
Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England),
Subject (Topic):
Homes and haunts, Buildings, structures, etc, and Estates
"View of the Gothic mansion with pinnacles on the battlemented roof and pointed arched windows, seen across the lawn to the right, surrounded by trees, with others to the left and two men in the left foreground, one sweeping the lawn, the other guiding a horse which draws a roller."--British Museum online catalogue
Description:
Title etched below image., Printmaker unidentified; after a drawing by Paul Sandby., Later state of the plate, with volume and page numbering added in upper right corner. Plate originally engraved for: A description of the villa of Mr. Horace Walpole. Strawberry-Hill : Printed by Thomas Kirgate, 1784., Plate from: The Works of Horatio Walpole, Earl of Orford. London : Printed for G.G and J. Robinson, 1798, v. 2., Numbered in the upper right: Vol. II. Pl. II. P. 512., and Two creases through the image.
Publisher:
G.G. and J. Robinson
Subject (Geographic):
Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England),
Subject (Topic):
Homes and haunts, Buildings, structures, etc, and Estates
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., and Temporary local subject terms: Clergy: bishops -- Dancers --Female dress: petticoats -- Female dress: stays -- Tools: measuring stick.
Publisher:
Pubd. March 19th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Barrington, Shute, Bishop of Durham, 1734-1826 and Porteus, Beilby, 1731-1809
Title etched below image., Attributed to Richard Newton on unverified card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Lewis Walpole prints 798.03.14.01: Sheet trimmed within plate mark at bottom resulting in loss of part of title. Remainder of title transcribed from the Library of Congress record (cf. LC PC 3 - 1798).
"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
Title etched below image; the word "bookseller" is scored through and the word "blacksmith" is etched above, inserted with a caret., Printmaker from British Museum catalogue., Text following imprint: Price 6 d., for the benefit of the Philanthropic Society., One line of text below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., Sheet trimmed to plate mark on bottom edge., and Temporary local subject terms: Interiors: Bow Street Court -- Emblems: scales of Justice -- Blacksmith's tools -- Bundle of books -- Porter's knot.
"French soldiers, who have just landed, are being bayoneted and ridden down by English troops. They flee in terror-stricken confusion. Among the Englishmen are yokels with pitchforks. Three Frenchmen, dead or painfully dying, lie in the foreground ; beside them is a drum. The scene is a grassy slope leading to the sea, where distant ships are in action and where four French troop-carrying rafts, cf. BMSat 9160, are foundering. Tiny figures flee into the sea (right)."--British Museum online catalogue
Alternative Title:
Frenchmen naturalized
Description:
Titles etched below image., Sheet trimmed to plate mark on top and bottom edges., Temporary local subject terms: Invasions: French invasion., Watermark: 1794., and Mounted to 34 x 44 cm.
Publisher:
Pub. March 16, 1798, at Ackermann's Gallery, No. 101 Strand
Title from item., Printmaker identified from the original drawing in the Huntington Library., From Laurie and Whittle series of drolls., Two columns of verse below image: Smoak [sic] is the order of the night, this a tete a tete enjoyment , but smoaking is my friends delight / When he has no great employment ..., Plate numbered '222' in lower left corner., and Temporary local subject terms: Furniture: table -- Lighting: chandelier -- Dishes: tankards.
Publisher:
Published August 21st 1798 by Laurie & Whittle, 53 Fleet Street, London
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery & ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, & on the same piece of copper engraved the plate which is copied on the opposite page., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., "Page 233"--Above image, right., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
Publisher:
Published March 1798 for John Ireland, Poets Corner, Palace Yard
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
