"A young and very smart officer lunges forward, pointing his tasselled cane at one of a line of soldiers who stand rigidly at attention full face, but with 'Eyes right' (the words inscribed at the end of the cane). He shouts: "Hold up your Head that Man there!" He holds his (sheathed) sword, attached to a sword-belt, in his left hand. The soldiers wear plumed shakos, long gaiters, and shoes with very pointed toes. Behind is a row of spectators, men and women, and one little boy. Some are fashionably dressed; one is a fat butcher."--British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., and Mounted on leaf 60 of volume 10 of 12.
Publisher:
Publishd. Novr. 12th, 1801, by H. Humphrey, 27 St. James's Street
"A caricature of Hamilton, in back view, in the form of a porcelain vase standing on a (chipped) base inscribed: 'D AM.N.Q.V.I.Σ.Σ.Ω.N'. The wig, with black bag, forms the cover of the vase. The shoulders are enormously wide and curved, with large projecting epaulettes. The curved body of the vase, broadened by the arms, dwindles to the coat-tails, and rests on a stem consisting of two short and bulging legs terminating in ungainly buckled shoes. See BMSat 9753."--British Museum online catalogue
Alternative Title:
From Sir William Hamilton's collection
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 51 of volume 10 of 12.
Publisher:
Publishd. May 8th, 1801, by H. Humphrey, No. 27 St. James's Street
General peace and general war and Interview at Rhampton
Description:
Title from item., Sheet trimmed within plate mark., Penned note in modern hand on backing sheet., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Penned note in modern hand on backing sheet; mounted to 48 x 28 cm.
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with drypoint on wove paper, hand-colored ; plate mark 24.7 x 34.6 cm, on sheet 25.5 x 36.2 cm., Publisher's stamp "SWF" in lower right corner of sheet., and Mounted on leaf 77 of volume 7 of 14 volumes.
Publisher:
Pubd. Decr. 20, 1801, by R. Ackermann, No. 101 Strand
"A box-like room is suspended in the sea by ropes on pulleys, a shaft ascending from its roof. There is no front wall, enabling sea-monsters to attack the occupants, who are four terrified little men, naked except for breeches. In each of the three walls is a barred window; through one (right) a large fish has pushed its head to seize the head of a man in its jaws, while water gushes in."--British Museum online catalogue
Description:
Title etched above image., Printmaker identified as Gillray in the British Museum catalogue., and Mounted on leaf 58 of volume 10 of 12.
Publisher:
Publish'd July 19th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street
"The resigning Ministers issue from the arched gateway of the 'Treasury', led by Pitt (right) who, with an oratorical gesture, holds out a document: 'Justice of Emancipating ye Catholicks'. Behind him is Dundas (Secretary of State for War), holding Pitt's right arm, and not in the usual Scottish dress (though he wears a tartan waistcoat). He holds a document: 'Advantages of the Union'; from his coat pocket issues a paper: 'Successes in the East'. Next walks Grenville (Foreign Secretary) in peer's robes holding a paper: 'Acquisitions from ye War. Malta, Cape of Good Hope, Dutch Islands' [Ceylon captured 1796]. Behind him walk Spencer (First Lord), holding 'Enemies Ships taken & Des[troyed]', and Loughboroug in his Chancellor's wig. Three heads are dimly visible in the shadow of the archway. From the left the Opposition, in the guise of a plebeian rabble, advance towards the Treasury gate but are held back by a sturdy grenadier sentry at the point of the bayonet. He is back view, with 'G.R' on his busby, and is probably George III, possibly Addington. Facing him, against the Treasury wall, is his sentry-box, placarded: 'G.R Orders for keeping all improper Persons out of the Public Offices'. The rabble are led by Sheridan and Tierney; the former a butcher with cleaver raised to strike, the latter a ragged cobbler wearing a bonnet rouge; he is about to fling a cat which he holds by the tail. Behind them are Jekyll, as a chimney-sweep with brush and shovel, but wearing a barrister's wig and (tattered) gown, Bedford dressed as a jockey and holding out whip and cap (cf. BMSat 9261, &c), Nicholls and Tyrhwitt Jones, both holding up hats with tricolour cockades. At the back are Norfolk, about to hurl a bottle of wine, and Burdett. There is also raised above the crowd an arm which has just hurled a full tankard of 'Whitbread's Entire' [see BMSat 10421]. Other missiles include a lighted squib, a bludgeon, vegetables, and a book: 'Jacobin Charges, Speeches Essays'. Bedford cries: "Push on, dam'me! - work 'em! - its our Turn now!" The sentry answers: "Your Turn! - no, no! - whoever goes out You'll not come in!" In the foreground, on the extreme left, are two dwarfish and ragged little newsboys blowing their horns; on the cap of one is 'Morning Chronicle' [see BMSat 9240]. Below the design: "Men in conscious Virtue bold! "Who dare their Honest purpose hold. "Nor heed the Mob's tumultuous cries; "And the vile rage of Jacobins - despise.""--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 37 of volume 5 of 12.
Publisher:
Pubd. Feby. 24th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Spencer, George John Spencer, Earl, 1758-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Nicholls, John, 1745?-1832, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Jones, Thomas Tyrwhitt, Sir, 1765-1811, Burdett, Francis, 1770-1844, and Jekyll, Joseph, 1754-1837
A minister, possibly the Chancellor, holds out a large magnifying glass in his right and and gestures with his left hand. He is wearing a long coat and a long powdered wig. He addresses John Bull: Look through this glass Mr Bull and behold your future prosperity, looking towards a cloud within which the future is foretold. In the cloud John Bull is depicted in seven different scenarios: drinking unadulterated porter, free from taxes, smoking Trinidad tobacco, talking French & grown quite a fine gentleman, eating cinnamon from Ceylon, free from care, and with bread at 6d the quarter loaf. John Bull says: 'what be all those people I see. Mercy on us so many good things will be more than I can bear'. His companion replies: 'Look through this glass Mr. Bull & behold your future prosperity, it magnifies but very little I assure you'.
Alternative Title:
John Bull peeping into futurity
Description:
Title etched below image., Date of publication inferred from dates given in the British Museum catalogue for other prints after Woodward that were likewise etched and published by Roberts. Cf. Nos. 9729, 9850, and 9965 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by P. Roberts, 28 Middle Row, Holborn
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
National characteristics, English, Colonies, John Bull (Symbolic character), Hand lenses, and Ethnic stereotypes
John Bull winks his eye and licks his lip as he embraces a homely, larger woman with a patched-dress with warts on her face. His top hat, cane, and gloves are on a table to the right. In a speech bubble above his head: Come, come, no grinning!! A bad piece is better than no piece at all
Description:
Title from item. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
