A man stands on the sidewalk, both hands on his walking stick, as a woman greets him at the open door of her residence on a elegant city street. A dog stands at her feet. The door has a knocker with a beast's head and is numbered '50'.
Alternative Title:
All out
Description:
Title engraved above image., Plate numbered '274' in lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Three lines of caption below design: Pray young woman is your master at home. No Sir he is gone out along with my Mistress..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Octr. 12, 1802 by Laurie & Whittle, 53 Fleet Street, London
"Lord Clermont (left) gallops (right to left) on a white pony, closely followed by a tall trooper with a drawn sword on a large horse. A little chimney-sweep has fallen on his back by the trooper's horse, dropping his brush and shovel. Behind are rails and a green slope."--British Museum online catalogue
Alternative Title:
Clear the course and Virtue in danger
Description:
Title etched below image., Reissue, with added imprint statement; original imprint scored through but visible: Publish'd by J. Harris, July 1, 1800, No. 29 Gerrard St., Soho. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Horsemanship -- Military uniforms -- Chimney sweeps -- William Henry Fortescue, Earl of Clermont, 1722-1806., Pencilled note in modern hand on backing sheet: Probably by W.H. Bunbury., and Mounted to 30 x 46 cm.
Publisher:
Publish'd June 26th, 1802, by H. Humphrey, St. James's Street
"Lord Clermont (left) gallops (right to left) on a white pony, closely followed by a tall trooper with a drawn sword on a large horse. A little chimney-sweep has fallen on his back by the trooper's horse, dropping his brush and shovel. Behind are rails and a green slope."--British Museum online catalogue
Alternative Title:
Clear the course and Virtue in danger
Description:
Title etched below image., Reissue, with added imprint statement; original imprint scored through but visible: Publish'd by J. Harris, July 1, 1800, No. 29 Gerrard St., Soho. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Horsemanship -- Military uniforms -- Chimney sweeps -- William Henry Fortescue, Earl of Clermont, 1722-1806., 1 print : etching on wove paper ; plate mark 25.0 x 41.1 cm, on sheet 28.5 x 44.3 cm., Watermark: 1804 J. Whatman., and Mounted on leaf 39 of volume 10 of 12.
Publisher:
Publish'd June 26th, 1802, by H. Humphrey, St. James's Street
Title from item., Originally published in 1784?, Possibly a companion print of Rowlandson's "Comfort in the gout"., Watermark: Russel & Edmeads 1799., and Printseller's identification stamp located in lower right corner of sheet: S·W·F.
Title etched within image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Quacks -- Diseases: Consumption -- Medical Procedures: Pulse Taking -- Medicine Bottle.
Publisher:
Publish'd July 12th, 1802 by T. Williamson, No. 20 Strand, London
"Bonaparte (left) and Cornwallis play chess. Bonaparte, not caricatured, alert and military, wearing his large plumed cocked hat, leans forward, pointing to his move; his left arm lies on the table and in his left hand is his sheathed sabre. He says: "Check to your King, remember it is not the first time, and I think a very few Manoeuvres more will completely convince you that I am better acquainted with the Game I am playing than you are aware of." Cornwallis, plump and civilian despite his regimentals and profession, sits without a hat, scratching his head apprehensively. He says: "Curse it I shall lose this Game; You are too much for me." He wears his ribbon and star, 'Honi soit' on his garter. The chairs are symbolical: that of Bonaparte has ormolu laurel wreaths, the legs are formed of fasces and axes; that of Cornwallis, with plain oval back, suggests an English drawing-room."--British Museum online catalogue
Description:
Title etched at bottom of image., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement below imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Budgen 1799., and Early gilt paper strips pasted to margins as a mount.
Publisher:
Pubd. Jany. 9th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, and Cornwallis, Charles Cornwallis, Marquis, 1738-1805
Subject (Topic):
Generals, French, English, Chess, Daggers & swords, and Hats
Title etched below image., Text below title: Graciously dedicated to the Honble. Mrs. R-n, custodi morum &c &c., Six lines of verse below image, three on either side of title: Farewell ye girls! and still alas! As mama bids sad Red Coats shun! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Jamaica: Governor's house in Spanish Town -- Dancing: Jamaican ball -- Farewell for 67th Regt., Nov. 1801 -- Jamaican blacks -- Negro musicians -- Military musicians -- Ball costume, 1802 -- Military uniforms -- Officers uniforms -- Dances: Creoleon Hop -- Ballrooms -- Social customs: Jamaica, 1802., Matted to 56 x 72 cm., and Date in imprint altered in ms. from "1802" to "1803."
Publisher:
Published by William Holland, No. 50, Oxford Street
"Three pedestrians are walking (right to left) into the teeth of a storm. In front is a very stout man with a globular figure, the lower part of his tightly buttoned coat blows backwards. He wears spurred top-boots, and his hands meet across his chest, holding a stick. He resembles caricatures of Captain Grose, see British Museum Satires Nos. 4683, 5511, 5787, 5802. The next man wears a cloak which streams behind him as does his wig; he has a laced coat and hat, with two large keys tied to his wrist. A lean man (right) puts his head down grimacing as he hastens along, his hair, queue, cravat, coat and breeches all blowing in the wind; his hands are clasped in front holding a stick which rests on his shoulder. Farther off, between the two foremost pedestrians, a man on horseback holds his nose, his bag-wig, cravat, and coat-tails blown by the wind. In front of him (left) a short man is crouching in the lee of a bush, his hat and wig have blown off, a paper flutters from his hand. The clouds extending diagonally from the upper right corner of the design indicate driving hail."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with altered imprint statement, of a print originally published 19 April 1782 by J.R. Smith. Cf. No. 6145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Watermark: J. Ruse 1799.
Publisher:
Publish'd April 19, 1802, by Jno. Harris, No. 3 Sweetings Alley, Cornhill, & 8 Old Broad Street
A "find lady" presumably an anonym of the period, finds herself in the fastness of a spunging house; she is made as welcome as circumstances will permit; a bottle of wine, the refreshment customary, is ordered, and the stern hearts of the sheriff's men are appealed to, while bail is sent for. It was a well-known practice at the beginning of the century, and earlier, to pay some obscure individual a trifling fee to become security on emergencies. Similar fictitious householders were always in attendance, and producible from the bar-rooms in the neighborhood. In the present case a professional limb, of the Hebrew persuasion, is presented, decently made up for the occasion, to tender himself as bondsman for the lady's due appearance. It is evident, however, that a suspicious recognition is taking place; 'Harry Holdfast, Officer of the Four Counties,' or his deputy, does not, judging from his expression, seem to approve of the surety, and the Jew looks somewhat disconcerted under his inspection. The tears of the unfortunate captive, and the plausible reassurance--as to the respectability of the bail offered--of her chaperone, or duenna, are powerless to move the stoic breast of the experienced catchpole
Alternative Title:
Jew bail rejected
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly
