"Napoleon (right) stands between two Russians; one (left) he strikes on the chin with his fist, saying, "There Sir take that, and tel your Master, I'll thras every one who dares to speak to me I'll thrash all the World D -me I'll, I'll I,'ll be King of the Universe." The injured Russian stares, saying, "Why this is club Law; this is the Argument of force indeed the little Gentleman is Dêrangé." Behind Napoleon (right) an officer in fur cloak and hussar's cap watches with indignation, saying, "The Monarch I represent, will return this insult with becoming dignity." On the left John Bull, jovial and grossly fat, and wearing top-boots, puts his arm across the shoulders of a pugilist, and points to Napoleon, saying, "There my Boy is an Ambassador who will treat with you in your own way, but I say be as gentle with him as you can." The good-looking brawny pugilist, who is stripped to the waist, clenches his fists, saying, "what! is it that little Whipper snapper I am to set too with why I think the first round will settle his hash." [An early use of this phrase which disproves Partridge, 'Slang Dict., tracing it in England to 1825, and in U.S.A. to 1807, suggesting that the English may have learnt it in the war of 1812. It was clearly current in England by 1803] Bonaparte is small and youthful, caricatured chiefly by the disproportionate size of cocked hat and sabre."--British Museum online catalogue
Alternative Title:
John Bull introducing his new ambassador to the Grand Consul
Description:
Title etched below image. and Laid down on modern paper backing and matted to 36 x 46 cm.
Publisher:
Pub. by S.W. Fores, N. 50 Piccadilly, London
Subject (Geographic):
France, Russia., Russia, and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, and Markov, Arkady Ivanovich, 1747-1827
Subject (Topic):
Foreign relations, John Bull (Symbolic character), Boxers (Sports), and Insults
"Social satire: a man hides a plate with a roast pig carried to a table by a serving girl from two parsons, well practised in the art, who have sniffed it out and want a piece, saying it is only eggs and bacon and "I scorns to tell a lie your Honors. - I attends to your Sarmunts to much for that"."--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: T Edmonds 1825.
Publisher:
Pubd. Jany. 5th, 1803, by S.W. Fores, 50 Piccadilly
"Britannia, terrified, faint, and dishevelled sits on the ground supported by Addington and Hawkesbury, and defended by Sheridan, a Silenus-like and ragged Harlequin. They are on the coast towards which are advancing many rowing-boats filled with little French soldiers. Napoleon stands with drawn sword in the foremost boat, a tiny figure with a large head and no body, to show that he is Nobody, as in BMSat 5570, &c. The distant French coast (right) is covered with troops marching towards the shore. Clouds of smoke rise from the beach, which is concealed by the foreground. Britannia, wearing Roman dress with cothurnes, raises her arms, and shrieks (parodying Hamlet): "Doctors & Ministers of dis grace defend me!" The 'dis' is scored through but conspicuously legible. Addington holds a bottle of Gunpowder to her nose, and looks in alarm at the approaching army. He says: "Do not be alarm'd my dear lady! the Buggabo's (the Honest Gentlemen, I mean,) are avowedly directed to Colonial service, - they can have nothing to do Here - my Lady! - nothing to do with Us! - do take a Sniff or two, to raise your Spirits, and try to stand, if it is only upon One Leg!" Hawkesbury looks down with deep melancholy, supporting her (cracked) shield, and holding her (damaged) spear. He says: "Yes my Lady, you must try to Stand up, or we shall never be able to "March to Paris"". Sheridan holds Harlequin's wooden sword of 'Dramatic-Loyalty' in his right hand (cf. BMSat 9916). On his left arm is a shield with Medusa's head, the snaky locks inscribed: 'Abuse', 'Bouncing', 'Puffing', 'Detraction', 'Stolen Jests', 'Malevolence', 'Stale Wit', 'Envy'. He wears a hat turned up in front with a tricolour cockade; its crown is a fool's cap with two ears and a bell. Round his paunch is a tricolour sash through which is thrust a paper: 'Ways and Means to get a Living'. He shouts in defiance at the distant army: "Let 'em come! - dam'me!!! - where are the French Buggabo's? - single handed I'd beat forty of 'em!!! dam'me, I'd pay 'em like Renter Shares, sconce off their half Crowns!!! - mulct them out of their Benefits, & come ye Drury Lane Slang over 'em!" Behind, between Addington and Sheridan, is the head of Fox, holding his hat before his eyes; he says: "Dear me - what can be the reason of the Old Lady being awak'd in such a Fright? - I declare I can't see any thing of the Buggabo's!" In the foreground lies a long torn scroll, headed 'Treaty of Peace.'"--British Museum online catalogue
Alternative Title:
Britannia recover'd from a trance and Britannia recovered from a trance
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Harlequins -- Britannia -- Literature: Parody of Hamlet by Shakespeare, William, 1564-1616 -- Medical: Smelling salts -- Weapons: Ammunition -- Gunpowder -- Sword -- Emblems: Britannia's shield -- Britannia's spear -- Shield with Medusa -- France: Threat of invasion -- Peace treaties., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publd. March 14th, 1803, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sheridan, Richard Brinsley, 1751-1816, Napoleon I, Emperor of the French, 1769-1821, and Fox, Charles James, 1749-1806
"Social satire; two sailors on horseback, one with a pipe in his hatband on a small white horse with a spotted handkerchief on a stick attached to its bridle, the other smoking a pipe on a large brown horse; they ask each other how their journeys on their horses have been, using language associated with ships, for example: "endeavouring to double the point at Mile-end she fell foul of a dray, and smack she lay me keel upermost in a stinking ditch ... I hoisted my pocket handkerchief on her topmast as a sign of distress, which was seen by some comrades at anchor in the moorings. ..."."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1948,0214.711., For another print by Roberts dealing with sailors during the Peace of Amiens, see British Museum online catalogue, registration no.: 1990,1109.69., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by P. Roberts, 28 Middle-row, Holborn
Subject (Topic):
Sailors, British, Horses, Pipes (Smoking), Handkerchiefs, and Conversation
Title etched below image; title is a quotation from Shakespeare's Twelfth night., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman 1824.
Publisher:
Pubd. July 12th, 1803 by S.W. Fores, no. 50 Piccadilly
A fat woman sits on a sofa next to a thin man as she sings and plays a lute, apparently very badly given the pained look on the man's face
Description:
Title etched below image., Sheet trimmed within plate mark., Plate numbered 'No. 4' in upper right corner., "Price 1/col.", Printmaker from Grego., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. 1 Feb., 1803 by R. Ackermann, Repository of Arts, 101 Strand
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Plate numbered '299' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd May 24, 1803 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Sheet trimmed within plate mark., Plate numbered 'No. 3' in upper right corner., Price information in upper left corner: price 4/col., Printmaker from Grego., One line of verse below title: Music has charms to soothe the savage breast, To soften rocks & bend the knotted oak., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Vignette.
Publisher:
Pub. 1 Feb., 1803 by R. Ackermann Repository or Arts, 101 Strand
