"The patient sits on a stool, averting his head from the surgeon who supports his left arm, from which the blood spurts into a bowl. The operator wears spurred top-boots, and has a bucolic appearance suggesting a veterinary surgeon. The patient wears a nightcap and buttoned waistcoat over his shirt."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., and Temporary local subject terms: Veterinary surgeons -- Bleeding -- Top boots.
Publisher:
Publish'd Jany. 28th, 1804, by H. Humphrey, St. James's Street, London
A full-length image of a young crier in Portman Square, with a container of brick dust in his right hand and his left hand cupped by his check as he calls out. He stands near the wrought-iron fence in the fashionable neighborhood beside his horse
Alternative Title:
Portman Square
Description:
Title etched below image., Sheet trimmed within plate mark., Probable a book illustration. Possibly from a version of the ubiquitous "London Cries" or related title., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published April 25, 1804 by Richard Phillips, 71 St. Pauls' Church Yard
"The patient, buttoned up in a coat, sits full face in a water-closet."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Temporary local Medical Library subject terms: Purgatives., 1 print : etching with engraving and stipple, hand-colored ; sheet 25.5 x 20.1 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Jany. 28th, 1804, by H. Humphrey, St. James's Street, London
Title from text below image., Text above image: Bethlem Hospital., Possibly from a version of the "London Cries" or related title., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published April 25, 1804 by Richard Phillips, 71 St. Pauls Church Yard
A young woman stands on a city street breast feeding her young baby who is cradled in a shawl tied around her body. She carries a large bundle of reeds over her left shoulder as she stands probably calling out words of her trade. She stands next to a pillar, her body obscuring the writing: Reign [...]412 [...]ine [...um].
Alternative Title:
Soho Square
Description:
Title etched below image., Probable book illustration. Possibly from a version of "London Cries" or related title., Sheet trimmed within plate mark., and Watermark: John Hayes 1804.
Publisher:
Published April 25, 1804 by Richard Phillips, 72 St. Pauls Church Yard
Subject (Geographic):
London (England)
Subject (Topic):
Breast feeding, City & town life, Infants, Mothers, and Reeds (Plants)
"The convalescent sits full face behind a small dinner-table. He holds up a glass of wine with a smile of satisfaction, and is about to carve a bird. He wears his nightcap. Behind his chair stands a stout footman in livery, smiling broadly."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Temporary local subject terms: Domestic service: Footman in Livery -- Table Settings -- Food: Fowl -- Convalescents -- Medical Procedures -- Dishes: Gravy Boat., and 1 print : etching with engraving and stipple ; 265 x 204 mm.
Publisher:
Publish'd Jany. 28th, 1804, by H. Humphrey, St. James's Street, London
"The convalescent sits full face behind a small dinner-table. He holds up a glass of wine with a smile of satisfaction, and is about to carve a bird. He wears his nightcap. Behind his chair stands a stout footman in livery, smiling broadly."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., and Temporary local subject terms: Domestic service: Footman in Livery -- Table Settings -- Food: Fowl -- Convalescents -- Medical Procedures -- Dishes: Gravy Boat.
Publisher:
Publish'd Jany. 28th, 1804, by H. Humphrey, St. James's Street, London
"A violent disturbance in a luxuriously furnished breakfast parlour. The only lady present has risen from her chair to pull a bell-pull. The frantic efforts of five elderly men to stop her have produced a sequence of disasters. An urn overturns and pours boiling water on a fat man who puts a large lump of food speared on his fork into his eye. A man behind him, rushing to seize the bell-rope, spears the former's wig with his knife. Crockery cascades to the floor, the contents of a tea-pot falling on a dog, who bites the knee of a man in regimentals; he leans forward, planting his toe on the gouty foot of a man behind. The latter, about to fall, grasps the officer's pigtail, flourishing a knife, his mouth choked with food. A fifth man stands behind the table with raised hands and shrugged shoulders. The fare is boiled eggs, bread, and muffins. Over the chimney-piece is a picture of a fat Cupid firing his bow; his quiver is reversed, and one leg is transfixed with an arrow. The walls of the room are ornamented by gilt pilasters in the shape of palm-trees (as in BMSat 10472). Between them are empty candle-sconces decorated with palm-branches. The men appear to be the suitors of a rich widow. Cf. BMSat 9822."--British Museum online catalogue
Description:
Title etched below image., Printmaker from Wright., Print signed using Brownlow North's device: A compass pointing north., Temporary local subject terms: Fireplace -- Sconces -- Cupid -- Eggs: Boiled -- Breakfast -- Urn -- Bell Pull -- Carpet., and Watermark: 1832.
Publisher:
Publish'd November 20th, 1804, by H. Humphrey, No. 27 St. James's Street
"Two tiers of single English figures expressing appropriate opinions about the coronation of Napoleon."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in dealer's description. Questionably attributed to Isaac Cruikshank in the British Museum online catalogue, registration no.: 1985,0119.188., Sheet trimmed to plate mark leaving thread margins., "Folios of caracatures [sic] lent out for the evening"--Below image in lower right., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. July 16th, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
France and Great Britain.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Foreign public opinion, British, Public opinion, Soldiers, French, Sailors, and British
"Scene in a kitchen. An Irishman wearing smart (spurred) ton-boots, bastes a bird which turns on a spit. A man dressed as a (stage) African prince approaches the fire with clasped and extended hands. Beneath the title: 'Actor, Zounds that Fowl will never be done in time - Irishman, No by St Patrick it will not be done in time for You, you outlandish looking Rascal what do you want here, the Fowl is Roasting for my Supper - Actor, My Dear Sir I dont want your Fowl I am going to play Oroonoko in this House and we cannot begin for want of the Jack Chain.'"--British Museum online catalogue
Alternative Title:
No tricks upon travellers
Description:
Title from item., Plate numbered "365" in the lower left corner., From the Laurie & Whittle series of Drolls., and Three lines of caption below title: Actor, zounds that fowl will never be done in time Irishman, no by St. Patrick it will not be done in time for you, you outlandish looking rascal what do you want here, the fowl is roasting for my supper ...
Publisher:
Publish'd Aug't. 20th, 1804 by Laurie & Whittle, 53 Fleet Street, London
