"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
Sheet trimmed to plate mark on one side., Printseller's identification mark located in lower right corner: S·W·F., Giles Grinagain is a pseudonym., Temporary local subject terms: French Poodle -- Blunderbus., and Watermark: Strasburg Lily.
"An invalid sits, with contorted features, at a table (left) on which are basin, tea-pot, medicine-bottle, glass. His head is held by a compassionate friend, standing behind him. He wears night-cap, shirt, breeches, and unbuttoned waistcoat."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., and Temporary local subject terms: Glasses: Tumbler -- Medicine Bottles.
Publisher:
Publish'd Jany. 28th, 1804, by H. Humphrey, St. James's Steet
Subject (Topic):
Emetics, Medical procedures & techniques, Basins (Containers), Drinking vessels, Medicines, Bottles, and Teapots
"An invalid sits, with contorted features, at a table (left) on which are basin, tea-pot, medicine-bottle, glass. His head is held by a compassionate friend, standing behind him. He wears night-cap, shirt, breeches, and unbuttoned waistcoat."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Temporary local subject terms: Glasses: Tumbler -- Medicine Bottles., 1 print : etching with engraving and stipple, hand-colored ; sheet 255 x 192 mm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Jany. 28th, 1804, by H. Humphrey, St. James's Steet
Subject (Topic):
Emetics, Medical procedures & techniques, Basins (Containers), Drinking vessels, Medicines, Bottles, and Teapots
"An invalid sits, with contorted features, at a table (left) on which are basin, tea-pot, medicine-bottle, glass. His head is held by a compassionate friend, standing behind him. He wears night-cap, shirt, breeches, and unbuttoned waistcoat."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of a set of Gillray prints of medical conditions that were apparent studies in facial expression., Temporary local subject terms: Glasses: Tumbler -- Medicine Bottles., 1 print : etching with engraving & stipple on wove paper, hand-colored ; plate mark 26.1 x 19.8 cm, on sheet 30.6 x 22.6 cm., and Mounted on leaf 18 of volume 11 of 12.
Publisher:
Publish'd Jany. 28th, 1804, by H. Humphrey, St. James's Steet
Subject (Topic):
Emetics, Medical procedures & techniques, Basins (Containers), Drinking vessels, Medicines, Bottles, and Teapots
Title from caption below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Sabre -- Trident -- St. Vincent., Watermark: A. Stace 1797., and Mounted to 29 x 38 cm.
Publisher:
Pubd. May 22d., 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Melville, Henry Dundas, Viscount, 1742-1811
Pitt, looking terrified, stands in a barrel inscribed 'Perquisites of Office'. He is surrounded by dogs who all look up at him. On the left is a dog with the collar 'Greyhound Breed'; he says to Pitt: 'Don’t be alarmed I shall only pretend to growl - keep quiet and I'll bring you through. Next to the greyhound is 'Wy[n]dhaminian or Bull Dog Breed'. To the right of the barrel is 'Fox Breed', 'Norfolk Breed' and one other dog without an inscription on its collar
Alternative Title:
Great man badger'd!! and Great man badgered!!
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Feby. 1804 by W. Holland, Cockspur Street, London
Subject (Name):
Pitt, William, 1759-1806, Grey, Charles Grey, Earl, 1764-1845., Grenville, William Wyndham Grenville, Baron, 1759-1834., Windham, William, 1750-1810., and Fox, Charles James, 1749-1806.
Title from item., Sheet trimmed within plate mark., Probable a book illustration. Possibly from a version of the "London Cries" or related title., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published April 25, 1804 by Richard Phillips, 71 St.. Pauls Church Yard
Title from item., Giles Grinagain is a pseudonym., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms:, and Printseller's identification mark located in lower right corner: S·W·F.
