"Interior of the Athenian Lyceum on Piccadilly, during a meeting of the Debating Society."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 29., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 223., and Mounted on leaf 27 of volume 9 of 14 volumes.
Publisher:
Pub. Augt. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
"Interior of the Athenian Lyceum on Piccadilly, during a meeting of the Debating Society."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 29., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 223., and 1 print : aquatint and etching on wove paper, hand-colored ; plate mark 23.2 x 28 cm, on sheet 26.5 x 33.9 cm.
Publisher:
Pub. Augt. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
"The five chief members of the Cabinet sleep round a small round table on which are punch-bowl (decorated with the Royal Arms), bottles of 'Port' and 'Madeira', and glasses. Portland sits full face, above the others, in a Gothic chair, a crutch beside him, one gouty bandaged hand supported by his Garter ribbon; Hawkesbury (r.) leans against him in profile to the right. Perceval, in his Chancellor of the Exchequer's gown, sits on Portland's r., leaning on the table. Facing each other sit Castlereagh (l.) and Canning (r.), leaning back in their chairs. From the former's coat-pocket hangs a long scroll, resting on the floor, headed 'Defence of the Country. Mr Speaker.' It is covered with meaningless arrangements of letters which dwindle into illegibility: 'aaaa, ccccc, iiiii [&c.]'. At the end: 'Nine Hours & a half long'. On the back of his chair and against his head is poised a squalling cat; under its paws is a piece of music: 'Air by Catalani' [see BMSat 10792, &c.]. Manning's legs are stretched out on the back of Melville [Mulgrave in W. & E. The profile and a tartan plaid indicate Melville.] who lies face downwards under the table, clutching a bottle. In his pocket is a paper: 'Secret Correspondence from Copenhagen' [cf. BMSat 11564]. All register delight at their entrancing dreams. On the floor (r.) used (gold) plates are stacked, all inscribed 'Treasury'. Two rats nibble at them; beside them lies a 'Bill of Fare - 1st Course Loaves & Fishes - 2d Course Loaves & Fishes [&c., &c.]'. Empty bottles are scattered about. Clouds rise from Canning's head and float above the other sleepers, supporting their vision, which, framed in clouds, fills the upper part of the design. Britannia rides in a triumphal car shaped like a boat with the British Lion as figure-head. She holds a trident and an olive branch. Behind the car, chained to the axles, walks a dejected Napoleon. Behind him is a huge polar bear (Russia), muzzled, and on a chain. Last come three captive sovereigns, some of the 'gingerbread kings', see BMSat 10518. They are followed by a cheering crowd with a flag inscribed 'Britannia rules the World'. From the car flies a Union flag, honourably tattered. The car is drawn by a huge bull (John Bull), led by a sailor, who is preceded by soldiers, one beating a drum another blowing a trumpet. They are part of a crowd of tiny figures which is disappearing under the gate of the Tower of London, whose buildings, with cheering crowds, form a background to the triumphal procession."--British Museum online catalogue
Description:
Title etched below image., Text following title: Vide, an afternoon nap after the fatigues of an official dinner., 1 print : etching on wove / laid paper, hand-colored ; plate mark x cm, on sheet x cm., Watermark, partially trimmed: J. Whatman 1807., and Mounted on leaf 51 of volume 6 of 12.
Publisher:
Publish'd April 10th, 1808, by H. Humphrey, 27 St. James's Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Perceval, Spencer, 1762-1812, Melville, Henry Dundas, Viscount, 1742-1811, and Napoleon I, Emperor of the French, 1769-1821
"An elderly man sits in the middle of a garden seat, taking snuff, and looking delightedly to the left. Behind the seat are plants in pots, including an orange-tree and a rose. Behind these is a large tree; a thrush sings on a branch. There is a background of trees. The seat is constructed for wheeling from place to place (like a modern garden chaise-longue), with wheels at one end in place of legs, and with handles projecting horizontally from the other end."--British Museum online catalogue
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Seasons: Spring., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 25.7 x 20.6 cm, on sheet 29.8 x 24.3 cm., and Mounted on leaf 58 of volume 11 of 12.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, 27 St. James's Street
"An elderly man sits in the middle of a garden seat, taking snuff, and looking delightedly to the left. Behind the seat are plants in pots, including an orange-tree and a rose. Behind these is a large tree; a thrush sings on a branch. There is a background of trees. The seat is constructed for wheeling from place to place (like a modern garden chaise-longue), with wheels at one end in place of legs, and with handles projecting horizontally from the other end."--British Museum online catalogue
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Seasons: Spring.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, 27 St. James's Street
"View within the dining hall of the asylum in Lambeth; girls dressed in simple purple dresses with white bonnets seated at long narrow tables along sides of plain large room, with flagstones and grey walls; a few more elegantly dressed figures strolling between the tables."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 25., Plate numbered in upper right, above image: Plate 5., Temporary local Medical Library subject terms: Asylum, or House of Refuge., and 1 print : aquatint and etching, hand-colored ; plate mark 242 x 292 mm.
Publisher:
Pub. Feb. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Lambeth (London, England), London (England), Great Britain., England, and London.
"View within the dining hall of the asylum in Lambeth; girls dressed in simple purple dresses with white bonnets seated at long narrow tables along sides of plain large room, with flagstones and grey walls; a few more elegantly dressed figures strolling between the tables."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 25., Plate numbered in upper right, above image: Plate 5., and Temporary local Medical Library subject terms: Asylum, or House of Refuge.
Publisher:
Pub. Feb. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Lambeth (London, England), London (England), Great Britain., England, and London.
"Pitt is borne upwards (left to right) in a chariot of swirling clouds of flame drawn by four horses abreast, and snorting fire, while his eyes are fixed on a broad beam of light inscribed 'Immortality'. He flings down his mantle, which his disciples below hold up their arms to receive. The mantle is blue faced with red (the colours of the Windsor uniform); on it a flaming sword lies across a pair of balanced scales, symbolizing Justice. Rays from the mantle strike down on the disciples; thunderbolts radiate from it, against the 'Republican-Mantle' with which the ghost of Fox tries to shelter the Opposition, and also against a tiny Napoleon. The disciples are grouped on a cliff, 'The Rock of Ages', rising from the sea. They surround a rectangular altar, of quasi-classical shape: 'The Altar of the Constitution'. Its two pilasters are 'Prudence' and 'Fortitude'. On this is a book inscribed 'Truth' on which is a royal crown. At its base lies 'Magna Charta'. The central and most prominent of the disciples, in the place of Elisha, is Canning, as the pupil of Pitt (see BMSat 10972); he stands behind the altar. Before it kneel Eldon (left) in Chancellor's wig and gown with the Purse of the Great Seal, and Perceval (right) in the gown of the Chancellor of the Exchequer. Next to Eldon (left) kneels Portland. On each side of Canning stand Hawkesbury (left) and Castlereagh (right). Behind are (?) Camden (left) and Melville (right). The four peers wear peer's robes. On the right, and in the foreground, separated from the 'Rock of Ages' by a narrow chasm, is the 'Broad-Bottom-Dunghill' [cf. BMSat 10530]. On this are the Opposition fleeing in terror from the thunderbolts from the Mande despite the gigantic figure of Fox who flies over them, protectingly spreading his cloak. Fox is naked under his cloak, except for a bonnet rouge, and a shroud which floats back from his head. He has webbed wings and a cloven hoof, and he looks up at the Mantle in angry terror. His cloak is set on fire by a thunderbolt. The most prominent of the 'Priests of Baal' is Grenville, who stoops, clutching at his rent breeches; a cardinal's hat flies from his head (cf. BMSat 10404), and over his coat he wears a short cope-like garment with a large cross on it. ..."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 55 of volume 6 of 12.
Publisher:
Publish'd June 25th, 1808, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Napoleon I, Emperor of the French, 1769-1821, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dundas, Henry, 1742-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sidmouth, Henry Addington, Viscount, 1757-1844, Lauderdale, James Maitland, Earl of, 1759-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Grattan, Henry, 1746-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Holland, Henry Richard Vassall, Baron, 1773-1840, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, St. Vincent, John Jervis, Viscount, 1735-1823, Windham, William, 1750-1810, Whitbread, Samuel, 1764-1815, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. An ugly foppish apothecary, with drink-blotched profile, kneels at the feet of a handsome young woman, one hand on his breast, the other pointing to a cloth at his feet on which are spread clyster-pipes, knife, pestle and mortar, and a bottle: 'Elixer of Life Drops'. She stands, making a gesture of surprise. Behind are the curtains of a bed, and a door (right) round which looks an amused man."--British Museum online catalogue
Description:
Title etched below image., Temporary local Medical Library subject terms: Apothecaries., and Probably a later impression from a worn plate, with some areas of aquatint lightly printed.
Publisher:
Published by Reeve & Jones, No. 7 Vere Street
Subject (Topic):
Courtship, Pharmacists, Medical equipment & supplies, and Mortars & pestles
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. An ugly foppish apothecary, with drink-blotched profile, kneels at the feet of a handsome young woman, one hand on his breast, the other pointing to a cloth at his feet on which are spread clyster-pipes, knife, pestle and mortar, and a bottle: 'Elixer of Life Drops'. She stands, making a gesture of surprise. Behind are the curtains of a bed, and a door (right) round which looks an amused man."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with alterations to plate; imprint statement has been removed, a new border has been added in aquatint around design, and a border of etched lines has been added around title. For original issue before these changes, see no. 11114 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication based on earlier state with the imprint "Published by Reeve & Jones, No. 7 Vere Street, Novr. 1, 1808." See British Museum catalogue., Sheet trimmed within plate mark on three sides., Watermark., and Mounted on leaf 17 of volume 9 of 14 volumes.
