V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A man sells rabbits at the door of a corner-house (right); an ugly old woman sniffs at a rabbit, saying, "Sweet indeed why it smells Quite Strong"; a pretty young maidservant stands beside her. The man answers: "Yes Ma'am and so would you were you held in the same position". He holds the rabbits slung to the ends of a pole held across his shoulder, with another bunch in his left hand. A dog bites at the rabbits behind the man's back to the amusement of a chimney-sweep's boy (left), who passes by, bent under his bag of soot. The houses on the opposite side of the cobbled street are old-fashioned, gabled, and irregular; against one (left) is a bulk or stall inscribed 'Coblers Work Done here', the cobbler leans out to talk to a woman. Next is the sign of 'The Flowerpot'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Publisher and date of publication from British Museum catalogue and Grego., Plate numbered "25" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., and Leaf 23 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Four realistic figures stand in niches divided by slender pillars. Below each is the title, supported on an emblematic carving; above are his words. [1] 'The King'; he stands arrogantly, wearing crown and robes and holding sceptre and orb. Above: 'I reign over all'. [2] 'The Bishop', in robes and mitre, holding a crosier, his fingers together, is gross and sanctimonious. Above: 'I pray for all'. [3] 'The Soldier', an officer, wearing cocked hat and gorget, draws his sword. Above: 'I fight for all'. [4] 'Farmer Bull', wearing a smock, elderly and careworn, though sturdy, holds out a bag of 'Hard Earnings'; in his left hand are his hat and pitchfork; while behind him is his dog, barking angrily. Above: 'But I pay for All'."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered in upper left corner: No. 13., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., and Mounted to 28 x 39 cm, matted to 30 x 41cm.
Publisher:
Thomas Tegg
Subject (Geographic):
England. and British
Subject (Name):
George IV, King of Great Britain, 1762-1830
Subject (Topic):
John Bull (Symbolic character), Bishops, Farmers, and Military officers
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Four realistic figures stand in niches divided by slender pillars. Below each is the title, supported on an emblematic carving; above are his words. [1] 'The King'; he stands arrogantly, wearing crown and robes and holding sceptre and orb. Above: 'I reign over all'. [2] 'The Bishop', in robes and mitre, holding a crosier, his fingers together, is gross and sanctimonious. Above: 'I pray for all'. [3] 'The Soldier', an officer, wearing cocked hat and gorget, draws his sword. Above: 'I fight for all'. [4] 'Farmer Bull', wearing a smock, elderly and careworn, though sturdy, holds out a bag of 'Hard Earnings'; in his left hand are his hat and pitchfork; while behind him is his dog, barking angrily. Above: 'But I pay for All'."--British Museum online catalogue
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered in upper left corner: No. 13., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 34.8 cm, on sheet 25.6 x 41.8 cm., and Leaf 12 in volume 1.
Publisher:
Thomas Tegg
Subject (Geographic):
England. and British
Subject (Name):
George IV, King of Great Britain, 1762-1830
Subject (Topic):
John Bull (Symbolic character), Bishops, Farmers, and Military officers
"A young woman stands in profile to the left, at a dressing-table, while a buxom ladies' maid laces a pair of long stays. She wears a boudoir cap tied under the chin, and holds a flat ruler-shaped stick under the stays in front to regulate the operation. The stays fit closely over a pair of plain knickerbockers, cf. No. 9608. The dressing-room is luxuriously furnished. The dressing-table is draped in muslin and has a swing-mirror. On it are toilet-articles, bottles (two inscribed 'Milk of Roses' and 'Esprit de Lavande'), a rosary, a mask, a ticket inscribed 'Masquerade Argyll Street', and a lap-dog, looking at itself in the mirror. The furniture is ornamented with ormolu. A small hanging book-case with curtained glass doors hangs on the wall. A picture of a woman draped in a cloak, walking, with a landscape background, is inscribed 'Morning'. On a console table is a Chinese vase with a bouquet of roses. Jug, basin, &c, are on the ground beside a chair on which are boxes for toilet appliances. Heavy fringed curtains cover the window (left)."--British Museum online catalogue
Alternative Title:
Progress of the toilet : the stays
Description:
Title etched below image, following series title and preceding plate number., First of three prints in a series entitled: Progress of the toilet., and Temporary local subject terms: Corset -- Pin cushion.
Publisher:
Publish'd February 26th, 1810, by H. Humphrey, 27 St. James's Street
"A street-lamp containing three gas-jets stands like a light-house on a rough stone mound between the sea (right) and a hill; these are lit by rays from the lamp which irradiate a dark sky and impinge upon a waning moon with a profile inset in a dark circle, and a dusky sun whose irradiated face looks out from clouds."--British Museum online catalogue
Description:
Title from text in image., Signed with the monogram of James Sayers., Text below title: Extract from Moore's Almanack for the year 1811., Six lines of quoted verse at bottom of plate: "And it shall come to pass, that Mr. Winsor's Patent Gas, will very soon eclipse the Moon, and when that's done put out the Sun.", and Mounted to 37 x 27 cm.
"A street-lamp containing three gas-jets stands like a light-house on a rough stone mound between the sea (right) and a hill; these are lit by rays from the lamp which irradiate a dark sky and impinge upon a waning moon with a profile inset in a dark circle, and a dusky sun whose irradiated face looks out from clouds."--British Museum online catalogue, description of a variant state
Description:
Title from text in image., Signed with the monogram of James Sayers., Text below title: Extract from Moore's Almanack for the year 1811., Six lines of quoted verse at bottom of plate: "And it shall come to pass, that Mr. Winsor's Patent Gas, will very soon eclipse the Moon, and when that's done put out the Sun.", For a variant state with publisher's street address and day of publication present in imprint statement, see no. 11606 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Mounted on leaf 89 of James Sayers's Folio album of 144 caricatures., and Watermark: 1803.
"Diogenes stands in the House of Commons between the two front benches; both arms are thrown out towards Burdett with a dramatic gesture; in one hand is his lantern, illuminating the patriot at close range; small clouds at his feet indicate that he is a ghost. He turns his head to look steadily at three members on the front Ministerial bench (left), saying: "An Honest Man is the noblest work of God" [Pope, 'Essay on Man', quoted by Burns, cf. British Museum Satires No. 11562]. The three culprits (unrecognizable) register shame and terror, their hair standing on end. Burdett stands by the front bench (right) on which is his hat, displaying to the frightened Ministers (one intended for Perceval) a document headed 'Magna Charta--Pro Rege, lege, grege' [see British Museum Satires No. 11547]. Except for one member on the front bench, those behind Burdett stand, five being depicted, three of whom wave their hats. All the occupants of the gallery wave still more emphatically. In the background and on the left is the Speaker's Chair; the diminutive Abbot, author of the famous Warrant, see British Museum Satires No. 11545, &c., holds up a hand in astonished alarm. Burdett was in the Tower during May, see British Museum Satires No. 11558. 'Hair on end' is an allusion to Lethbridge, see British Museum Satires No. 11538."--British Museum online catalogue
Alternative Title:
Ghost of Diogenes, more hair on end
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Lettered above image: Tegg's Caricatures, No. 111 Cheapside, no. 13. Price one shillg. colod., and Text below title: Diogenes being observed looking about with a lanthorn alight a noon day, was asked what he was hunting after when he replied, for an honest man.
Publisher:
Pubd. May 1810 by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Diogenes, -approximately 323 B.C., Burdett, Francis, 1770-1844, Perceval, Spencer, 1762-1812, Abbot, Charles, Baron Colchester, 1757-1829, Lethbridge, Thomas Buckler, 1778-1849., and Great Britain. Parliament. House of Commons,
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A rustic ogles a young lady riding towards him on the back of a donkey."--British Museum online catalogue
Alternative Title:
Way to stretch it
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from British Museum online catalogue., Later state; date has been removed from imprint statement., Date of publication based on complete imprint on earlier state: London, Pub. by T. Tegg, 111 Cheapside, May 1, 1811. Cf. British Museum online catalogue, registration no.: 1991,0720.38., Plate numbered "26" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Price statement has been mostly burnished from plate but is still visible in lower left corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 24 in volume 1.
"The lady sits facing her reflection in a pier-glass. She wears a plain muslin gown with long sleeves and holds an open book: 'Delphine'. Her hair is cropped; the maid holds the brown wig with tight curls which she is about to place on her mistress's head. The dressing-table has been pushed to the left; the end remaining in view is covered with bottles of 'Honey Water', 'Eau de Cologne', 'Otto de Rose', and 'Esprit de . . .', &c. On a plain table beside the maid (right) are an open box labelled 'Ross's Elastic Wigs' [cf. No. 11597], a bottle of 'Huile Antique', two small combs, and a tiny hair-brush. The doors of the book-case are open showing volumes inscribed 'Tales of Wonder' [see No. 9932], 'Fashionable . . . Me . . .', 'Faublais' [two], 'Uncle Thoma[s]', 'Rosa Matilda'. The picture on the wall is 'Noon', a lady walking with an open parasol. In the foreground are an open coffer with a garment hanging from it, the lap-dog sleeping on a stool, an open music-book, 'Opera Dances', with pan-pipes. On a chair are a cloak and large cylindrical bonnet. Another table stands against the wall, heavy and ornate, supported on pilasters like a chimney-piece. On it is a different vase of flowers from that in No. 11608."--British Museum online catalogue
Alternative Title:
Progress of the toilet : the wig
Description:
Title etched below image, following series title and preceding plate number. and Second of three prints in a series entitled: Progress of the toilet.
Publisher:
Publish'd February 26th, 1810, by H. Humphrey, 27 St. James's Street
