Title etched below image., Figure identified as the physician Sir Isaac Pennington; see National Portrait Gallery, London, NPG D10751., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and "Mrs. Fuller" written in ink in upper left on recto; figure identified as Sir Isaac Pennington in pencil verso.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in the kitchen of a large London house, area railings being just visible through a high barred window (left). A grossly fat doctor, his cane under his arm, grasps with both hands the hand of a French chef (left), who says: "Ah Mister Docteur! how you do Sare! you see I make de friqasee de ragoo, and de Kickshaw!!!" The doctor: "Yes my good friend I see you are hard at it, and I never can quit the house of my rich patients without shaking hands with the cook. I owe you much, for you confer great favours on me, your skill in kickshaws and the ingenious art of poisoning enables us medical Men to ride in our carriages, without your assistance we should all go on foot and be stared [sic]!!-" A fat cook (right) with a rolling-pin says to a kitchen-maid who holds a spitted sucking-pig: "I say Bet let's kick him for a fee." There is a wide fireplace with a large pot on the flames, and a huge joint of beef on a spit protected by a screen. Beside this is a flat-topped brick stove, with two fireplaces (left), on which pots are cooking. The floor is flagged."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Four lines of quoted text following title: "Some mans wit "found th'art of cook'ry to delight his sense ..., Plate numbered "349" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., and 1 print : etching, hand-colored ; plate mark 245 x 345 mm.
"A runaway horse dashes over a bank towards the sea. The driver, a stout 'cit', falls backwards, broken reins in his hands. A young woman flings herself out. Death sits beside the road on a mile-stone, '56 Miles from London', holding up his hour-glass at the pair. (In the text the accident is on Shooters Hill.)"--British Museum catalogue
Alternative Title:
Away they go in chaise & one, or to undo or be undone
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: Away they go in chaise & one, or to undo or be undone., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 158., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Octr. 1 - 1815, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Accidents, Skeletons, Carriages & coaches, Horses, Dogs, Traffic signs & signals, and Hourglasses
