"Holiday-making 'cits' drive, ride, and walk (right to left) on a dusty road, in the direction of a sign-post (right) pointing 'To Wimbledon' (left); the opposite arm points (right) to: 'a near Cut to Batter sea'. [An allusion to the retort to a simpleton: 'You must go to Battersea to get your simples cut.' E. C. Brewer, 'Dict, of Phrase and Fable'. Cf. No. 12831.] On the extreme left is the back of a coach, with outside passengers, one with a huge frothing tankard. A fat man trudges between two women, followed by a bloated dog. A 'cit' on a bucking horse follows. Next is a family party: a fat woman carrying an infant, her lean husband holding a bag and a telescope, and dragging a go-cart in which sit four young children, while a chimney-sweep stands on the back of the cart, followed by another hanging to his coat; a child angrily threatens them with a coral and bells. Two meretricious-looking women walk arm-in-arm, closely followed and ogled by two absurd men in extravagant dandy costume, also arm-in-arm. These have enormous bell-trousers as in No. 12840. Driving beside these two groups is John Bull with his wife and four children in a two-wheeled cart drawn by a lean horse, flogged into a gallop. The cart is inscribed 'J.B Tax Cart N° 1816'. Behind him a would-be dandy drives a lady in a gig. In the background is the front of the procession which has turned to the right on to open common, where are tents, a swing, with a large bonfire to which men are dragging a whole tree, just cut down."--British Museum online catalogue
Alternative Title:
Waterloo review!!!!!!
Description:
Title from caption below image., Temporary local subject terms: Cits -- Crowds -- Families -- Fires -- Tents -- Carriages -- Dustmen., and Watermark: 1801.
"One of designs in lines and dots, attributed to G. Cruikshank (British Museum Satires Nos. 12955-12958). Tiny figures, composed of lines, one each for trunk and limbs, with small dots for head, hands, and feet, are generally in violent action. Women are denoted by petticoats. Animals and accessories are as a rule more realistically drawn. A sequence of six designs in two rows, divided by intersecting lines, each with a caption, a number showing the cockney's age, and inscription. 'Fishing at 16 for Turbot, & Salmon, in the New River Islington'. He sits on the bank, his line hanging vertically. A sign-post points (left) 'To Sadlers Wells'; behind, St. Paul's dominates houses and spires. Cf. No. 8939. 'Spouting 18 Performing the Part of Romeo before the Cook & Errand Boy in the Kitchen'. He rants to a fat cook and boy. 'Shooting 20 In practising Sparrow Shooting at Hornsey Wounds a Young Porker'. He fires point-blank at a pig beside a cottage; birds fly off. St. Paul's is in the background. 'Hunting 22 at the Easter Hunt, getting on at a Good rate, ....... not at all behind!' His horse leaps a low fence, he flies over its head, not far from the stag. Cf. No. 10813. 'Sporting 30 In Attempting to kill Game Shoots his Faithful Pompey'. He fires at his dog, which rolls on its back, birds fly off. 'Stuffing 40 At a Civic Feast very lucky indeed! hits the Mark every time'. He carves a plum-pudding, a waiter behind his chair holds two bottles. Two other guests are depicted."--British Museum online catalogue
Alternative Title:
Cockney's amusements and sports
Description:
Title etched above image., Attributed to George Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., and Watermark: Smith & Allnutt 1816.
Publisher:
Published according to act by Fores, Sackville Str. Piccadilly
Title from caption below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Oriental pipes -- Costume: male, Chinese -- Flags: Union Jack -- Swords -- Costume: female, 1816 -- Mandarins -- Bloomfield, Benjamin Bloomfield, 1st Baron, 1768-1846 -- Queen Charlotte's snuffboxes., Watermark: W[?]SS, and Manuscript "189" in upper center of plate.
Publisher:
Pubd. by J. Sidebotham No. 96 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Amherst of Arracan, William Pitt Amherst, Earl, 1773-1857, Hertford, Isabella Anne (Ingream Shepheard), Marchioness of, fl. 1813, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822,, Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865, Eldon, John Scott, Earl of, 1751-1838, Ellenborough, Edward Law, Baron, 1750-1818, Sligo, Howe Peter Browne, Marquess of, 1788-1845, Castlereagh, Robert Stewart, Viscount, 1769-1822, Charlotte, consort of George III, King of Great Britain, 1744-1818, and McMahon, John
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Father of the fameily takeing his eldest boy from school and Father of the family taking his eldest boy from school
Description:
Title etched below image., Questionable attribution to John Cawse from unverified data in local card catalog record., Publisher and date of publication from unverified data in local card catalog record., Plate numbered "365" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Crowns -- Devils -- Satan., Watermark: Basted Mill 1817., and Leaf 95 in volume 5.
"In a room at the Pavilion Prince Leopold is introduced to Princess Charlotte, a bashful girl holding a skipping-rope in her gloved hands. She is pushed forward by Queen Charlotte (right), lean, ugly, and wearing court dress with a tiara. The Queen holds a large snuff-box inscribed 'Strasbo[urg]' (see British Museum Satires No. 12066) and says: "Go along Scape grace speak kindly to him." The Regent in the doorway on the extreme left propels the prince forward with the end of a crutch, using the other as a support to his gouty left leg. He says: "Courage Man! don't be bashfull!" A garter inscribed 'Honi soit' holds up the bulky covering of his gouty leg. Prince Leopold wears a braided and fur-bordered hussar tunic with tight pantaloons and spurred Hessian boots. His left hand is on the hilt of a large sabre, and he holds his heavily plumed and tasselled shako before his face. He says: "Madam I have no money, but I'm of the right breed, true German, an blood Royal." The Princess answers: "I had rather you was English! but a German husband is better than none." Both stand with flexed knees and lowered eyes. Behind Princess Charlotte is a much-festooned window looking on to the sea. Dragons dominate the decorations of the room, and, as in British Museum Satires No. 12754, the Regent's crutches. They support the curtains, a window-seat, and a console-table (right) where a large china mandarin sits with his back reflected in a wall-mirror; below it is a large Chinese jar. Bells dangle from the curtain draperies."--British Museum online catalogue
Alternative Title:
Miss out of her teens
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1816 by Johnston, Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, Léopold I, King of the Belgians, 1790-1865, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, and Royal Pavilion (Brighton, England),
Subject (Topic):
Gout, Interiors, Princesses, Jump ropes, Snuff, Crutches, Doors & doorways, Draperies, and Windows
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a thieves' kitchen or cellar into which a steep flight of steps (left) descends. All the inmates have seen Matthew Wood, the Mayor, followed by constables, coming quietly down the stairs except for a sleeping woman and a watchman seated with his back to the stairs and holding up a glass of gin. He says, with a grin, to a terrified woman who falls over backwards, kicking his hand: "You had like'd to have kick'd the Blue Ruin [gin, generally bad gin, from c. 1810; Partridge, 'Slang Dict'., 1938] out of my hand, come let's have our Old toast! Industrious Thieves, and Idle Magistrates." The woman screams: "Oh the Night Mare!! we're ruind by the Lord." A man wearing top-boots crouches behind her chair, trying to hide his plunder, a watch, seals, &c., under his hat. He says: "We are dish'd Bet by G-- if I escape I'll live honestly as long as this chaps in Office --for he'l ruin the Consarn!" Two men and a woman try to escape through a door: she says: "D-- his Eyes when does he sleep!!" The watchman wears a helmet-like hood, a long coat with his rattle thrust through the belt, his staff and (smoking) lantern lie on the floor. Wood is handsome and fashionably dressed in a long frogged overcoat. He says to the constables: "Here's a pretty fellow for a Guardian of the Night--Blue Ruin shall bring him to the Black hole!"."--British Museum online catalogue
Alternative Title:
Night mare, or, Magistratical vigilance, Nightmare, or, Magistratical vigilance, and Magistratical vigilance
Description:
Title etched below image; the letters "re" in "mare" are scored through and "yor" is etched above., Printmaker and date of publication from British Museum catalogue., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Three lines of text following title: "Seest thou a man diligent in his business? He shall stand before kings. Prov. xxii. 29. If you enquire not attentively and diligently, you shall never be able to discern a number of mechanical motions - Bacon., Plate numbered "198" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 52 in volume 3.
A very plump young woman in a bonnet stands in a park leaning forward into the wind ; her skirt is blown tightly around her backside and above her knees. Two foppish looking men eye her with amusement, the one using an eyeglass, the other holding his hat and wearing a long braided coat. Another couple on the right, struggle with an umbrella in the wind. Like the woman on the left, this woman's dress is also blown above her knees; her companion is dressed in wide trousers tied at the ankles. Between these two scenes, in the distance, a young woman walks along a rail toward the left struggling against the wind; a little black footboy follows her holding the hem of her skirt and her reticule. Beyond the rail another man and a woman struggle in the wind with their hats and she with her umbrella
Description:
Title from item., Sheet trimmed within plate mark at bottom resulting in loss of imprint., and Numbered '199' in upper right corner. Cf. British Museum copy which is numbered '385'.
Publisher:
Pubd. Septemr. 1816 by T. Tegg, 111 Cheapside
Subject (Geographic):
England and London
Subject (Topic):
Blacks, Clothing & dress, Dandies, Parks, Servants, and Umbrellas
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A plump young woman stands with feet together bending before the wind, and holding down the short (muslin) skirt of her high-waisted décolletée dress. The wind makes it define her plump posterior and she says, "La, Bless me how cool it is." Her brightly coloured ankle-boots have a border of swan's-down. Two absurd fops walking close behind inspect her with amusement, one using an eyeglass says: "It is certainly more gratifying to view, than the Regents Bomb!!!!!!" [see British Museum Satires No. 12799, &c.]. The other says: "I think she intends it as an opposition, to that in St James's Park." One wears a long braided coat to the ground, the other loose trousers and narrow coat-tails which blow round his legs. Both wear stocks, collars, small hats, and fluffed-out hair like those of the dandies in British Museum Satires No. 12840. On the right a couple walk off to the right, in difficulties with an umbrella. The woman's dress is well above her knees; the man wears wide trousers tied in at the ankle, and coat-tails like streamers of ribbon. Farther from the spectator, and walking from right to left is a young woman followed by a little negro foot-boy. She holds on her bonnet, and holds down her very short skirt in front, saying, "What a rude wind this is, old [sic] fast behind Mung." He holds down the hem of her skirt, and carries her reticule; he answers: "Yes, Miss'e I wont let Loose if you dont." In the background, behind the rails, a man chases his hat, a woman holds an umbrella which is inside out, and sees her bonnet blow away."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "385" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. Septemr. 1816 by T. Tegg, 111 Cheapside. Cf. No. 12842 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "199" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 53 in volume 3.
"Portrait of John Jervis, half-length, seated to left in an armchair, with arms on chair arms; wearing a double-breasted coat fastened with four buttons, and star on his chest at right."--British Museum online catalogue
Description:
Title from Catalogue of engraved British portraits.
"The corner of a house seen from a walled garden. Death throws down a ladder which gave access to a window from which a distraught girl looks out; her lover, a young lieutenant, falls from it towards a pond, while an elderly colonel, the father, fires a blunderbuss towards cats on the wall, the charge being intercepted by the falling man. A prancing dog barks."--British Museum catalogue
Alternative Title:
Assailant does not feel a wound; but yet he dies, for he is drown'd
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: The assailant does not feel a wound; but yet he dies, for he is drown'd., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 241., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Jany. 1 - 1816, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Accidents, Courtship, Military officers, British, Gardens, Garden walls, Skeletons, Ladders, Falling, Firearms, Dogs, Cats, and Lakes & ponds
