"A giant mushroom reaches the upper margin of the design; in its summit a cask is embedded. The butler stands on a ladder (left) holding out the spigot, and saying to Banks who stands below (right): "here's a pretty "Tale of a tub, all the Wine's gone!!" Sir Joseph stands in back view, capering delightedly; he holds up both arms, a stick in the left hand, and says with head thrown back: "It is a most Glorious discovery cut it down & send it to the Museum had the Wine been Bottled, it wod not have been half so Interesting." Against the wall of the cellar are wine-bins, stacked with bottles, four inscribed respectively 'Curious Tinta'; 'Cypress'; 'Very Curious'; 'Wine drank by the Grt Mogul'. Flasks on the top of the bins are 'Nile Water' and 'Water from Tombuctoo'. On the ground (left) is a two-handled covered vase: 'A small portion of the Sabine left by Horace at his death contained in this Vase preserved for dinners of the R S.'."--British Museum online catalogue and "Below the title: '--Dedicated to the worthy President--Sir Joseph Banks having a Cask of Wine rather too sweet for use, he directed that it shod be placed in a Cellar that the Saccharine matter it contain'd might be more perfectly decomposed by age--At the end of three years he directed his Butler to ascertain the state of the Wine, when on attempting to open the Cellar door he was prevented by some powerful obstacle--the Door was therefore cut down & the Cellar was found to be completely fill'd with a firm fungus vegetable production--the Cask was Empty & carried up to the deling where it was supported by the surface of the Fungus.--(vide Monthly Magazine).'"--British Museum online catalogue
Alternative Title:
View of a fungus lately grown on their own banks
Description:
Title etched below image. and Sheet trimmed to plate mark on lower edge.
Publisher:
Pub. by J. Sidebotham, 287 Strand & sold also at No. 20 Princes St.
Subject (Name):
Banks, Joseph, 1743-1820,
Subject (Topic):
Mushrooms, Barrels, Ladders, Butlers, Staffs (Sticks), Bottles, and Vases
A satire of a Gretna Green marriage, taking place in front of smithy's shop. Erskine, disguised in woman's dress with a huge feathered bonnet over a barrister's wig, holds the right hand of a demure-looking woman, modishly dressed and apparently pregnant. He holds a paper: 'Breach of Promise'. With them are three young children. The smith wears Highland dress; he holds a red-hot bar on the anvil and raises his hammer, saying, "I shall make a good thing of this Piece at last." Erskine says: "I have bother'd the Courts in London many times, I'll now try my hand at the Scotch Bar--as to Miss C-- she may do her worst since I have got my Letters back." The woman says: "Now who dare say, Blacks the White of my Eye." In the background (right) a young woman rushes down a slope towards the smithy, shouting, "Oh Stop Stop Stop, false Man, I will yet seek redress tho you have got back your letters--" Beside her is a sign-post pointing 'To Gretna Green'. A little boy with Erskine's features, wearing tartan trousers, stands on tip-toe to watch the smith; on the ground beside him is a toy (or emblem), a cock on a pair of breeches. A little girl stands by her mother nursing a doll fashionably dressed as a woman, but with Erskine's profile. Another boy with a toy horse on a string stands in back view watching 'Miss C'. Behind the smith is the furnace; on the wall hang many rings: 'Rings to fit all Hands.'
Alternative Title:
More legitimates
Description:
Title etched below image. and Printed on paper watermarked "1818".
Publisher:
Pubd. Feby. 4th, 1819, by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Subject (Geographic):
Scotland, Gretna Green, Gretna Green (Scotland), and Gretna Green.
Subject (Name):
Erskine, Thomas Erskine, Baron, 1750-1823, Erskine, Sarah Buck, Baroness, -1825, and Erskine, Thomas Erskine, Baron, 1750-1823.
Subject (Topic):
Elopement, Breach of promise, Elopements, Ethnic stereotypes, Forge shops, Metalworking, Furnaces, Anvils, and Hammers
Title from caption below image., Date of publication from British Museum catalogue., Variant state with altered title. Cf. no. 13420 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, vol. 9., and Watermark.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Burdett, young and handsome, stands between two contrasted men. He takes the left hand of a stout good-looking fellow: 'The Genius of Honour and Integrity', and points with a gesture of dismissal to 'The Monster of Corruption', a hideous and grotesque old man who departs to the right, clutching money-bags. Above Burdett's head: 'Look here upon this picture, and on this, And then Judge for Yourselves'. He wears a ribbon like a Garter ribbon inscribed 'MAGNA CHARTA Bill of Rights'. Against the head of 'The Genius of Honour' are inscriptions: 'A sound Mind'; 'An Eye ever watchful to the Welfare of his fellow Citizens.'; 'A Tongue that never belied a good Heart'. On his shoulder: 'A Shoulder that never shrinks in trouble'. A placard across his chest: 'An Upright Breast and an Honest Heart'. On his paunch: 'A Lover of Peace and Plenty A Plain Liver'. His pocket: 'Pocket ever open to the Necessities of his Fellow Creatures'. Knee: 'A Knee to Religion'. Leg: 'Legs ever steady in his Country Cause'. In his right hand, inscribed 'Hand of Justice', he holds a paper: 'A Staunch Supporter of the Bill of Rights An Advocate for a Fair Representation of the People An Enemy to Bribery and Corruption'. 'The Monster' has a large grotesque head; his bald scalp is inscribed 'Professions and Promises'; the eye-socket is covered with a white disk: 'An Eye to Interest'; his projecting nose: 'A Scent for Interest'; his projecting toothless jaw: 'A Mouth of Guile'. He wears a 'Collar of Corruption'. The arm: 'Arms of Power'; hand: 'Hands of Extortion', holding a bag: 'Pensions Reversions Perquisites of Office'. In the left hand: 'Bag of Bribery'. On his chest: 'A Cringinge Soul'. On his paunch: 'Pampered Appetite'. His coat-pocket bulges with 'Secret Service Mony'. His right leg: 'Legs of Luxury'; his left thigh: 'A Rotten Borough'; shoe: 'Feet of Connivance'."--British Museum online catalogue
Alternative Title:
Rough sketch of the times as deleniated by Sir Francis Burdett and Rough sketch of the times as delineated by Sir Francis Burdett
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue, with publication year "1810" altered to "1819" in imprint statement. See British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling couloured [sic].", and Leaf 15 in volume 1.
Publisher:
Pubd. May 9th, 1819, by Thos. Tegg, No. 111 Cheapside
Title from caption below image., Publication date from British Museum catalogue., "Price 1 s.", Temporary local subject terms: Augusta, of Hesse-Cassel, Duchess of Cambridge, 1797-1889 -- Adolphus Frederick, Duke of Cambridge, 1774-1850 -- Frederica of Mecklenburg-Strelitz (Princess of Solms-Braunfels), Duchess of Cumberland, fl. 1819., and Manuscript "79" above plate.
Publisher:
Pubd. 1819 by S.W. Fores 50 Piccadilly
Subject (Name):
Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, William IV, King of Great Britain, 1765-1837, Edward Augustus, Duke of Kent, 1767-1820, Victoria Mary Louisa, Duchess of Kent, 1786-1861, Ernest Augustus, King of Hanover, 1771-1851, and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
"A burlesqued tailor with a huge paunch and small legs stands in profile to the left, facing a gale and rain, encumbered with a little girl clinging to his neck, and by large roll of cloth under the right arm; he tries to open his umbrella, having placed his cane between his legs; tied to the handle in a handkerchief are books of patterns, which are blowing away, like his wig, hat, and the child's bonnet; his coat, with tape-measure, streams behind him ..." (Source: George)
Alternative Title:
Embarras des richesses
Description:
Title from caption below image., Anchor symbol is the artist's mark of Frederick Marryat., Artist from British Museum catalogue., Below title: Drawn from the life on the Cliff Brighton., Five lines of verse from Byron's Bride of Abydos inscribed below title: Through rising gale and breaking foam and shrieking sea birds warned him home ..., and For further information, consult library staff.
"Below the title: '(i e) Being dragg'd through mud & Mire by your Cockney friend, (who has lately taken-- a -- seat in the Country) to show the improvements! & his ignorance in Farming.' The fat 'cit', wearing top-boots, stands deep in mire, his hand resting on a heap of straw and dung (left); he turns to a file of agonized visitors who are picking their way on stones, saying, "Here's a charming lot of dung for you -- Now tho' you would not think it I made every bit of this dung myself since I came here! & you know that's not long!" A little boy, standing on the heap with a pitchfork, points to a pool, saying, "Yes & that pond was'nt there when papa first came; Papa made all that water too, all himself!" The foremost visitor registers astonishment; the other three are concerned only with the mud. A frightened boy watches the procession. On the right a woman tries to help her husband, a dandy, from mire that is sucking off his boot, and who holds by the hand (but disregards) a small child who has fallen deep in the muck, terrified at the onset of a menacing duck followed by ducklings. The fat hostess, standing before an unmistakable garden-latrine (right), takes his shoulder, saying, "Never mind my husbands nasty dung--come this way Mr B, & I'll show you my Grotto & Waterfall!" She points to water gushing into a pool from a tiny artificial cave on which stands a Venus pudica. This is flanked by little arbours (each surmounted by a flower-pot which indicates the scale) and each containing a seat. A dove-cot is surmounted by the figure of Harlequin or Mercury holding a purse. Behind are small trees, a haystack, and the roof of the house."--British Museum online catalogue
Description:
Title from caption below image., An anchor is the symbol of artist Captain Frederick Marryat., Sheet trimmed within plate mark., Lines of text below title: (ie) being dragg'd through mud & mire ..., and Temporary local subject terms: Chickens -- Farms -- Obesity.
Publisher:
Pubd. May 25th, 1819 by G. Humphrey 27 St. James's Strt
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "327" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on two sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject tersm: Mirrors -- Dandies -- Serums -- Rugs.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered "327" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark on two sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject tersm: Mirrors -- Dandies -- Serums -- Rugs., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 25.1 cm, on sheet 41.8 x 25.6 cm., and Leaf 90 in volume 5.
Title from caption below image., An anchor is the symbol of artist Capt. E.J. Marryat., Traces of artist's name spelled out and former publication line visible., Later state with different publication line. Cf. No. 13044 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Black servants -- Ships -- Accidents -- Dining -- Sailors -- Passengers -- Familes with children.
