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1. A bold stroke for a wife, or, The benefit of clergy [graphic]
- Creator:
- Marks, John Lewis, printmaker
- Published / Created:
- [approximately February 1821]
- Call Number:
- Folio 724 835G v.1 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The Queen stands beside the King, taking his arm; he drives away and kicks Lady Conyngham, who is surrounded by four other fugitives. He says: "Out ye Harlots--for such as you Kings have come to beggary--for such as you Kings have been Idolist [sic]--for such as you Kings have been Adulterers;--yea even lost their crowns!--God save the Queen--." Lady Conyngham answers, weeping, "Ah G--ge there was a time you did not use me thus--when you call'd me your Cunning -one." One of the women has fallen prone; she exclaims: "O how hath the mighty fallen." On the extreme right and next the Queen stands a bishop with a drink-blotched profile. He reads from a book: "Thou shalt not commit Adultery.--Put no faith in a woman that is wife to another; for she who is not constant to her husband will never be so to you,--for she who hath her husband to deceive every day, can deceive a gallant at leisure!"."--British Museum online catalogue
- Alternative Title:
- Benefit of clergy
- Description:
- Title etched below image., Date of publication from the British Museum catalogue., Text following title: From the cottage to the crown, 'Tis folly all alike, he cries; How few endeavour to be wise. Royal Fables., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 46 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham & other mistresses," "Geo. IV," and "Caroline" identified in black ink below image. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
- Publisher:
- Pubd. by J.L. Marks, 28 Fetter Lane
- Subject (Name):
- Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
- Subject (Topic):
- Adultery, Mistresses, Bishops, and Kicking
- Found in:
- Lewis Walpole Library > A bold stroke for a wife, or, The benefit of clergy [graphic]
2. A companion to the Q-ns ass in a band-box [graphic].
- Creator:
- Williams, Charles, active 1797-1830, printmaker
- Published / Created:
- [May 1821]
- Call Number:
- Folio 724 835G v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A counterblast to British Museum Satires No. 14110, and an imitation of its manner, in the guise of a companion plate. As in that plate, a zebra with a man's head stands in an oval bandbox, but in profile to the right. The head is (presumably) Lord Conyngham; the creature is grey, scraggy rather than plump as before, and with much longer (ass's) ears. On it sits Lord Francis Conyngham; in place of the Queen's bandbox is a larger box, torn to show that it contains fur, and inscribed 'Lady Eliza[beth's] Muff Box'; this covers the rider from chest to thigh. In his right hand is a rolled document: 'Bishop [of Londo]n's golden rule Kings can do no wrong' [see British Museum Satires No. 14133]. The zebra's neck is encircled by necklaces of jewels; in place of the sieve in British Museum Satires No. 14110, a hand (the King's) from the right margin holds out a plate of jewels close to its voracious mouth. The lid of the bandbox in which it stands is inscribed 'Hertford [lightly scored through] Cunningham' [see British Museum Satires No. 13847]. The box, which is patterned with roses, is full of papers: 'Essays by exalted writers bought by the Pall Mall Booksell[er]'; 'Croker Poetical Slanders'; 'Malicious Anecdotes for John Bull', and a newspaper headed 'John Bull Sunday Mag . . .' Behind (right) is the Cottage with a group of stag, doe, and fawn, and (left) Windsor Castle."--British Museum online catalogue
- Alternative Title:
- Companion to the Queens ass in a band-box
- Description:
- Title etched below image., Attribution to Charles Williams and date of publication from British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement at bottom of plate: NB. In a few days will be published a companion to the Black Ram by the same author., Mounted to 58 x 39 cm., Mounted on leaf 46 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Names of "George IV" and "Ld. Conyngham" written in pencil at bottom of sheet, the former an incorrect identification. Typed extract of eighteen lines from the British Museum catalogue description is pasted beneath print.
- Publisher:
- Pubd. by S.W. Fores, corner of Sackville St., Picadilly [sic]
- Subject (Name):
- Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876, Conyngham, Henry Conyngham, Marquess, 1766-1832, George IV, King of Great Britain, 1762-1830., Conyngham, Elizabeth Conyngham, Marchioness, -1861., Huntly, Elizabeth, Marchioness of, 1799-1839., Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834., Croker, John Wilson, 1780-1857., Howley, William, 1766-1848., and Windsor Castle,
- Subject (Topic):
- Adultery, Zebras, Boxes, Documents, Jewelry, Dwellings, and Castles & palaces
- Found in:
- Lewis Walpole Library > A companion to the Q-ns ass in a band-box [graphic].
3. A kick up among the whigs [graphic]
- Creator:
- Heath, William, 1795-1840, printmaker
- Published / Created:
- [January 1828?]
- Call Number:
- 828.01.00.05+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A satire on the formation of a Tory Ministry by Wellington in 1828. Wellington is shown in the uniform of a Life Guards officer riding his charger over little men made of large wigs -- judges' wigs, barristers' wigs, bag-wigs -- as they flee in confusion. One clings to the strap around Wellington's arm, crying "Hold tight Huskey" (Huskisson). George IV stands in the background, hands on his hips, laughing at the scene
- Alternative Title:
- Kick up among the wigs
- Description:
- Title from caption below image., Date of publication from British Museum catalogue., Print signed using William Heath's device: A man with an umbrella., and Paul Pry is the pseudonym of William Heath.
- Publisher:
- Pub. by Tho. McLean, 26 Haymarket
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Huskisson, W. 1770-1830 (William),, and Whig Party (Great Britain)
- Subject (Topic):
- Wigs
- Found in:
- Lewis Walpole Library > A kick up among the whigs [graphic]
4. A royal brewery, or, How to cook a wife [graphic].
- Published / Created:
- Jany. 1, 1821.
- Call Number:
- Folio 724 835G v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Print shows George IV, "a conning stoker," of some "Mischief brewing," stirring up the "Flames of Persecution," with "vengeance," saying, "If this trial fail I'l brew no more." Behind him is a vat "Filthy composition" into which flows "a pure stream to expose the secrets" which spills on a couple in an embrace, "How do you like it - non mi Ricordo." Passing an open door is Caroline, "The brewers wife." On the right are three men, one says, "Be just in all your dealings." Another, holding a pitcher labeled "a trial" says, "I can't swallow this, it is all froth." The third says, "I wonder at our commander engaging in such a business."
- Alternative Title:
- How to cook a wife
- Description:
- Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 39 x 58 cm., Mounted on leaf 38 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Sidmouth," "Liverpool," "Caroline," "Wellington," and "Geo. IV" identified in ink below image; date "1 Jan. 1821" written in lower right corner.
- Publisher:
- Published by Benbow, 269 Strand
- Subject (Geographic):
- England, London, and Great Britain.
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and George IV, King of Great Britain, 1762-1830.
- Subject (Topic):
- Trials, litigation, etc, Brewing industry, Divorce, Adultery, Politicians, Demons, Vats, Faucets, Pails, Pitchers, Doors & doorways, and Skeletons
- Found in:
- Lewis Walpole Library > A royal brewery, or, How to cook a wife [graphic].
5. A scene at Hamilton Place, or, Cunning condescension!! [graphic]
- Creator:
- Marks, John Lewis, printmaker
- Published / Created:
- [1821?]
- Call Number:
- Folio 724 835G v.1 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "George IV stands on the doorstep of a London house, his hat under his arm. Lord Conyngham, standing beside him, and bowing low, motions him towards the open door. The King asks: Is your Wife at Home, holding up his right hand so that the fingers simulate horns above the Marquis's head. The latter, who wears a court suit, answers: At your Service! Lady Conyngham peeps from a ground-floor window, saying, He's coming 'pon my Honour. John Bull (right), a sturdy fellow in ill-fitting brown wig and gaiters, and with a heavy cudgel for walking-stick, walks towards them along the pavement. He registers astonishment, saying, Dash my Wig! A footman looks up from the area (left), saying, Cuckoo and holding up two fingers derisively. On the wall: Hamilton Place. ..."--British Museum online catalogue
- Alternative Title:
- Cunning condescension!!
- Description:
- Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate marks., Twenty-four lines of verse are engraved on a second plate printed below; they begin "My island home dear Frank you know, is here thy smiling looks ..." and end "Thy charms will make each place appear, to me my island home.", Mounted to 58 x 39 cm., Mounted on leaf 77 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "Geo. IV," and "Ld. Conyngham" identified in ink below title; date "1820" written in lower right corner of sheet. Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
- Publisher:
- publisher not identified
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Conyngham, Henry Conyngham, Marquess, 1766-1832
- Subject (Topic):
- John Bull (Symbolic character), Adultery, Dwellings, Doors & doorways, Bowing, Windows, and Staffs (Sticks)
- Found in:
- Lewis Walpole Library > A scene at Hamilton Place, or, Cunning condescension!! [graphic]
6. A scene in the new farce as performed at the Royalty Theatre! / [graphic]
- Creator:
- Cruikshank, George, 1792-1878, printmaker, artist
- Published / Created:
- [14 February 1821]
- Call Number:
- Folio 75 H89 821 (Oversize)
- Collection Title:
- Page 33. George Humphrey shop album.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "George IV, dressed as Henry VIII and with cavalry boots decorated with rosettes, sits on the throne (right), shrinking angrily from oxen wearing civic gowns who bow, presenting petitions. All the horns of the oxen are tipped with tiny caps resembling caps of Liberty; a slightly larger pair protects the prongs of a fork held up on the extreme left above the massed heads of the beasts. On this a placard is speared: 'Petitions from every Part of the World--(Hole's and Corner's excepted) to Dismiss the Ministers-- signed by upwards of 999,999--Millions of the Brute Creation.' The petitions of the four beasts in the front row are headed: 'Petition of Lord Mayor & Citizens of London to Dismiss Ministers'; 'Petitions from every part of England & Wales to Dismiss Ministers &c &c &c'; '. . . ions from every Part of Scotland to Dismiss Ministers &c &c &c'; 'Petitions from every part of Ireland . . . [ut supra]'. Hooves rise from cattle behind holding more petitions: 'from Europe'; 'From Asia'; 'from Africa'; 'from America'; 'from every Honest Man'. The canopied throne is raised on a dais of three steps, the footstool is a cushion supported on a (carved) elephant; but the King's feet are drawn back. His right hand is on his hip; he holds an oddly shaped sceptre in the left hand. The back of the throne is framed by carved mannikins with shackled hands and feet; a large crown rests on the heads of the two uppermost. The back of the canopy has a pattern of writhing serpents. Ministers, much caricatured, stand on the right and left of the dais. In the foreground (right) and on the King's left, Wellington, with the apron and steel of a butcher (as in British Museum Satires No. 13288), with gauntlet gloves and with a star on his tunic, holds a blood-stained battle-axe. Sidmouth, as Court-fool, sits in profile to the left on an apothecary's mortar, wearing a double-peaked fool's cap and a star, and holding a bladder which is his clyster-pipe. Behind is Eldon, scowling savagely and holding the mace and the Purse of the Great Seal. A bishop holding a crosier stands on either side of the throne, behind the Ministers. A staff supports an emblematical cask which a naked Bacchus bestrides. On the King's right is Liverpool, holding a tall staff to which a green bag is tied (see British Museum Satires No. 13735). Next him is Castlereagh, blandly sinister, holding a scourge, and with a bunch of keys hanging from his belt; he stares at the petitioners. A tiny Vansittart is beside him, in his Chancellor of the Exchequer's gown, with an 'X' on his breast above a chequered pattern, hung diamond-wise. Immensely fat and absurd beefeaters stand along the back of the room under quasi-Gothic windows of stained glass. All hold tridents and turn their eyes towards the petitioners, grinning grotesquely. Each window is centred by an escutcheon on which a decanter is the chief object. The upper part of each is filled by a design of three large peacock's feathers (see British Museum Satires No. 13299). The Gothic roof, caricaturing that at Carlton House (cf. British Museum Satires No. 11727), is filled with tracery in the form of antlers."--British Museum online catalogue
- Description:
- Title etched above image., Text below image: Historical fact, King Henry VIII, being petitioned to dismiss his ministers & council, by the citizens of London & many boroughs, to releive [sic] his oppressed subjects, made the citizens this sagacious reply: "We, with all our cabinet, think it strange that ye, who be but brutes, & inexpert folk, shd. tell us who be & who be not fit for our council." Vide La Belle Assemblée for October 1820, p. 151., and Mounted on page 33 of: George Humphrey shop album.
- Publisher:
- Pubd. by G. Humphrey, Feby. 14, 1821, 27 St. James's Street
- Subject (Geographic):
- England.
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Henry VIII, King of England, 1491-1547., and Dionysus (Greek deity)
- Subject (Topic):
- Politicians, Boots, Thrones, Oxen, Bowing, Petitions, Liberty cap, Pitchforks, Podiums, Crowns, Scepters, Butchers, Fools & jesters, Mortars & pestles, Medical equipment & supplies, Ceremonial maces, Bishops, Bags, Whips, Honor guards, and Windows
- Found in:
- Lewis Walpole Library > A scene in the new farce as performed at the Royalty Theatre! / [graphic]
7. A soliloquy on death [graphic]
- Creator:
- Marks, John Lewis, printmaker
- Published / Created:
- [approximately August 1821]
- Call Number:
- Folio 724 835G v.1 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Heading to a printed broadside, a parody of Hamlet's soliloquy spoken by George IV, beginning 'To be or not to be? and ending 'I'd rather drink and revel here in secret, | Than fly | Where I might meet her face to face'. The King, much burlesqued, stands with legs astride on the boards of a theatre, framed by curtains patterned with grapes, bottles, glasses, crowns, and antlers. On the back-cloth are crude Chinese figures. He has a huge head, with heavy drink-blotched face crowned by the towering curls of his wig, and holds a full goblet and a bottle of Curaco. With an expression of calculating melancholy he meditates suicide, on account of 'The scorns and satire of an injur'd Nation', but fears to meet his wife's ghost."--British Museum online catalogue
- Description:
- Title printed in letterpress below image., Date of publication from the British Museum catalogue., Thirty-two lines of letterpress text beneath title, beginning: To be or not to be? That is the question ..., Price statement and publisher's advertisement following imprint: --Price 1s. coloured.--Where may be had "Hush-a-bye baby upon the tree top.", Mounted to 58 x 39 cm., Mounted on leaf 36 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Geo. IV" identified in black ink below image; letters written in red ink within the blanks in the letterpress text, completing the censored words "York's," "Queen," "royal," and George." Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
- Publisher:
- Printed and published by I.L. Marks, 37, Prince's Street, Soho
- Subject (Name):
- Shakespeare, William, 1564-1616. and George IV, King of Great Britain, 1762-1830
- Subject (Topic):
- Draperies, Bottles, Alcoholic beverages, and Drinking vessels
- Found in:
- Lewis Walpole Library > A soliloquy on death [graphic]
8. Adulation, or, A coronation oration by the Jack Pudding of the nation [graphic].
- Creator:
- Williams, Charles, active 1797-1830, printmaker
- Published / Created:
- [July 1821]
- Call Number:
- 821.07.00.04
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
- Alternative Title:
- Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
- Description:
- Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., and Sheet trimmed within plate mark.
- Publisher:
- Pubd. July 1821 by S.W. Fores, Piccadilly
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
- Subject (Topic):
- Interiors, Coronations, Spectators, Crowns, Scepters, Bishops, Miters, Robes, Kneeling, Feathers, and Fools & jesters
- Found in:
- Lewis Walpole Library > Adulation, or, A coronation oration by the Jack Pudding of the nation [graphic].
9. Adulation, or, A coronation oration by the Jack Pudding of the nation [graphic].
- Creator:
- Williams, Charles, active 1797-1830, printmaker
- Published / Created:
- [July 1821]
- Call Number:
- Folio 724 835G v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
- Alternative Title:
- Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
- Description:
- Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., Sheet trimmed within plate mark., 1 print : etching ; sheet 23.1 x 32.8 cm., Printed on wove paper with watermark "Fellows"; hand-colored., Window mounted to 24.6 x 34.3 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 95 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George Canning" identified in pencil below image; date "July 1821" written in ink in lower right corner. Typed extract of eleven lines from the British Museum catalogue description is pasted below print.
- Publisher:
- Pubd. July 1821 by S.W. Fores, Piccadilly
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
- Subject (Topic):
- Interiors, Coronations, Spectators, Crowns, Scepters, Bishops, Miters, Robes, Kneeling, Feathers, and Fools & jesters
- Found in:
- Lewis Walpole Library > Adulation, or, A coronation oration by the Jack Pudding of the nation [graphic].
