Title from caption below image., Originally published by George Humphrey in 1821. Cf. British Museum catalogue no. 14297., Sheet trimmed within plate mark., and Variant state lacking imprint statement. Cf. no. 14297 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
"The dentist, short, fat, and bald, stands in back view on a low stool, his knees pressed against the chair, his left arm round the victim's neck; he tugs at an upper tooth. The thin elderly patient raises her left leg in agony, overturning the folding wash-stand on which the dentist's appliances are spread. These include a basin, cup (both spilling their contents), a double set of teeth, a hammer, and a stoppered jar which falls against a large pier-glass, starring it. Both are unaware of the accident, though a little dog barks from under the table. The glass reflects dentist and patient, showing the latter gripping the arm of the chair. There is a window (right), the lower part screened by a slatted green shade. Above this dangle teeth with large blood-stained roots. On a chest of drawers-bookcase are laid out sets of false teeth. The books are Warbler; Winter in London; Lock on the Gums; Miseries of Human Life [Beresford, see See British Museum catalogue No. 10815, &c]; Bible; Tales of the Devil; Tommy Two Shoes; Treatise on Tooth Powder & Brushes; Feast of Wit; Tales of Terror, and two big volumes of Frankensteiv [sic] [Frankenstein by Mary Shelley, published 1818]. The room is carpeted to the wall."--British Museum online catalogue
Alternative Title:
Tugging at a high tooth
Description:
Title etched below image., The word "high" in title remains visible but was scored through and replaced with "eye"., Temporary local Medical Library subject terms: Dentists -- Tooth extraction -- Dentures., and 1 print : etching with stipple, hand-colored ; plate mark 27.0 x 34.3 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Topic):
Bookcases, Dental offices, Dentistry, Dogs, Mirrors, Pain, and Reflections
"The dentist, short, fat, and bald, stands in back view on a low stool, his knees pressed against the chair, his left arm round the victim's neck; he tugs at an upper tooth. The thin elderly patient raises her left leg in agony, overturning the folding wash-stand on which the dentist's appliances are spread. These include a basin, cup (both spilling their contents), a double set of teeth, a hammer, and a stoppered jar which falls against a large pier-glass, starring it. Both are unaware of the accident, though a little dog barks from under the table. The glass reflects dentist and patient, showing the latter gripping the arm of the chair. There is a window (right), the lower part screened by a slatted green shade. Above this dangle teeth with large blood-stained roots. On a chest of drawers-bookcase are laid out sets of false teeth. The books are Warbler; Winter in London; Lock on the Gums; Miseries of Human Life [Beresford, see See British Museum catalogue No. 10815, &c]; Bible; Tales of the Devil; Tommy Two Shoes; Treatise on Tooth Powder & Brushes; Feast of Wit; Tales of Terror, and two big volumes of Frankensteiv [sic] [Frankenstein by Mary Shelley, published 1818]. The room is carpeted to the wall."--British Museum online catalogue
Alternative Title:
Tugging at a high tooth
Description:
Title etched below image., The word "high" in title remains visible but was scored through and replaced with "eye"., and Temporary local Medical Library subject terms: Dentists -- Tooth extraction -- Dentures.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Topic):
Bookcases, Dental offices, Dentistry, Dogs, Mirrors, Pain, and Reflections
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Musical trio with harp, bass and violin -- Dancers -- Couples -- Ballrooms.
Title from caption below image., Sheet trimmed within plate mark., and Temporary local subject terms: Carriages and coaches -- Crowds -- Street scenes --Coffee houses.
"Bergami, moustachioed, whiskered, and alluring, in a tight-fitting harlequin's suit over which is a short gold-laced jacket, sits on a tall stool, holding up a life-like puppet representing the Queen. He grasps it by the waist, and pulls a ribbon, making arms and legs fly up. She smiles delightedly down at him, her ringlets flying. She wears the décolletée over-dress of British Museum Satires No. 14103, open to show frilled and spotted drawers. Bergami, part courier, part Harlequin, has a heavy queue of hair hanging from his black curls, and wears a peaked cap with a big gold tassel. A heavy postilion's whip projects from his pocket. He is directed to the left, towards an open French window and a vine trellis, with a view of Lake Como (see British Museum Satires No. 13857). He raises his right leg, looking over his left shoulder, away from his puppet. On the floor are the courier's discarded pistol, powder-flask, holster, and saddle; behind his chair are portmanteaus, one inscribed 'B B'. A large book propped against a decanter inscribed 'A Boire' is: 'Hop Step and Jump, or, every man his own Courier. List of Postes on the high road from Dunghill, to Barona' [see British Museum Satires No. 14119]. A partly dropped curtain (right) reveals two figurines embracing below a shelf of books. The carpet is patterned with hearts."--British Museum online catalogue, description of a variant state
Alternative Title:
Harlequin courier's delight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Variant state lacking "London" at beginning of imprint statement. Cf. No. 14120 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted on page 6 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Harlequin (Fictitious character), Adultery, Fools & jesters, Puppets, and Whips
"Bergami, moustachioed, whiskered, and alluring, in a tight-fitting harlequin's suit over which is a short gold-laced jacket, sits on a tall stool, holding up a life-like puppet representing the Queen. He grasps it by the waist, and pulls a ribbon, making arms and legs fly up. She smiles delightedly down at him, her ringlets flying. She wears the décolletée over-dress of British Museum Satires No. 14103, open to show frilled and spotted drawers. Bergami, part courier, part Harlequin, has a heavy queue of hair hanging from his black curls, and wears a peaked cap with a big gold tassel. A heavy postilion's whip projects from his pocket. He is directed to the left, towards an open French window and a vine trellis, with a view of Lake Como (see British Museum Satires No. 13857). He raises his right leg, looking over his left shoulder, away from his puppet. On the floor are the courier's discarded pistol, powder-flask, holster, and saddle; behind his chair are portmanteaus, one inscribed 'B B'. A large book propped against a decanter inscribed 'A Boire' is: 'Hop Step and Jump, or, every man his own Courier. List of Postes on the high road from Dunghill, to Barona' [see British Museum Satires No. 14119]. A partly dropped curtain (right) reveals two figurines embracing below a shelf of books. The carpet is patterned with hearts."--British Museum online catalogue
Alternative Title:
Harlequin courier's delight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Temporary local subject terms: Female costume: over-dress, drawers -- Wigs: queue -- Postilion whips -- French windows -- Trellises -- Couriers -- Guns: pistols -- Powder flasks -- Holsters -- Saddles -- Portmanteaus -- Male costume: spurs., and Manuscript "1." in upper left corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Harlequin (Fictitious character), Adultery, Fools & jesters, Puppets, and Whips
Three horizontal strips in between borders. First image on top left: two men greet each other bowing excessively. The one on the left says: Sir, I am proud to see you. The other replies: Sir, you do me honor
Description:
Title devised by cataloger; captions etched above each image., Sheet trimmed within plate mark resulting in loss of publication information., Publication date and attributionsd to Rowlandson and Woodward from mss. notes on verso of print., Possibly a restrike from one of 24 plates of Borders for rooms drawn by Woodward, etched by Rowlandson, and published by Ackermann in 1799-1800. See British Museum Catalogue, nos. 9488-9492., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman 1821.
"A short and broad Corinthian column standing on grass is almost covered by little scenes emblematical of social classes, from high to low. Across the centre, enclosed in a garland, the three heroes carouse, Corinthian Tom and his country cousin Jerry Hawthorne raise their glasses; Bob Logic (1.), more dandified, sprawls in his chair. Broken bottles are on the ground. The capital, Corinthian Capital, is covered with a scene at Court: George IV on the throne, lords and ladies in court dress. Inscriptions: Roses Pinks, and Tulips, and The Flowers \ of Society. Two figures flank the column immediately below the capital: Noble, a peer wearing a star, and Respectable, a stout citizen with a pen behind his ear. Between these and above the central circle, a blood drives a woman in a curricle; they are Ups and, the corresponding group below the circle and at the base of the column being Downs \ of \ Life in London: a thin, ragged, and desperate man sits on a stone between a beggar-boy and an old basket-woman. Two flanking scenes on projecting slabs are (1.) Mechanical, a knock-kneed artisan holding a frothing tankard and a hammer and (r.) Tag Rag & Bob tail, a scarecrow figure with bare legs hideously splayed, bawling a Last Dying Speech. Between these four single figures are projections from each side of the circle: (1.) Ins &, a man looking from a prison window, and (r.) Outs, a man just released and waving his hat. On the plinth: (The Base), is a tiny scene in a cellar, dimly lit by a fire; a woman smoking a pipe sits on a truckle bed; a ragged man seated on a stool smokes and drinks. Over the hearth is a gibbet broadside. On the r. a man sieves rubbish; sacks, one inscribed G C, and a spade lean against the wall. Below: Bunches of Turn-ups [turnips = ruined persons]-Vegetables, Strings of Ing-ens [onions]. The base of the whole is a slab inscribed: Here are we met three merry Boys,/Three merry boys, I trow are we,/And mony a night we've merry been,/And mony mae we hope to be. Burns. Bound in the 1821 edition of Pierce Egan's Life in London, printed for Sherwood, Neely and Jones. (See 1864,0611.376-412. 184.c.7)"--British Museum online catalogue
Description:
Title and publication information from British Museum catalogue., Four lines of verse in lower portion of image: Here are we met three merry boys, three merry boys I trow are we ..., Sheet trimmed within plate mark., and Lacking imprint statement. For intact imprint statement cf. no. 14320 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
A rare surviving example of a volume that a printseller would put together in order to showcase for clients visiting the shop the satirical prints available for purchase, either from existing inventory or to be printed on order from copperplates in the publisher's stock. Includes a complete copy of: Horrida bella : Pains and penalties versus Truth and Justice
Description:
Title devised by cataloger., Date based on dates printed on individual items bound in., House trade label pasted on the inside of both the upper and lower boards: Humphrey, Printseller, No. 27, St. James's Street / engd. by Lockington Shug Lane., Unidentified trace of a bookseller's pencil stock note from 1943 on first leaf., Binding very worn and soiled, spine missing. Some damage and some staining to the prints., and For further information, consult library staff.
Subject (Geographic):
Great Britain and England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, and Lockington, J., active 1776-1790,
