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1. "And when Ahithophel saw that his councel was not followed, he saddled his ass, & arose & went & hanged himself &c." [graphic]
- Creator:
- Cruikshank, George, 1792-1878, printmaker
- Published / Created:
- [31 January 1821]
- Call Number:
- Folio 75 H89 821 (Oversize)
- Collection Title:
- Page 35. George Humphrey shop album.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "An imitation of British Museum Satires No. 6015, Gillray's 'Ahitophel in the Dumps'. Liverpool, emaciated and despairing, and much caricatured, rides an ass along a road on a desolate heath towards a gibbet (left), to which carrion birds are flying. His arms are folded, his head sunk on his breast; from his pocket hang a noose of rope and a paper: 'Paines & Penelties' [sic]. The bag to his wig is a green bag, see British Museum Satires No. 13735, and to the ass's tail is tied a clyster-pipe, emblem of Sidmouth."--British Museum online catalogue
- Alternative Title:
- And when Ahithophel saw that his counsel was not followed ...
- Description:
- Title etched below image. and Mounted on page 35 of: George Humphrey shop album.
- Publisher:
- Pubd. Jany. 31st, 1821, by G. Humphrey, 27 St. James's Street
- Subject (Geographic):
- England.
- Subject (Name):
- Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Ahithophel (Biblical figure)
- Subject (Topic):
- Politicians, Despair, Donkeys, Vultures, Nooses, Gallows, Bags, and Medical equipment & supplies
- Found in:
- Lewis Walpole Library > "And when Ahithophel saw that his councel was not followed, he saddled his ass, & arose & went & hanged himself &c." [graphic]
2. "Returning Justice lifts aloft her scale." Pope [graphic].
- Creator:
- Lane, Theodore, 1800-1828, printmaker
- Published / Created:
- June 1st, 1821.
- Call Number:
- Folio 724 835G v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
- Description:
- Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 27.3 x 22.6 cm, on sheet 27.5 x 23 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 79 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami," "Caroline," and "Wood" identified in ink below image; date "1 June 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted beneath print.
- Publisher:
- Pubd. by G. Humphrey, 27 St. James's St.
- Subject (Geographic):
- Como, Lake (Italy),
- Subject (Name):
- Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
- Subject (Topic):
- Justice, Adultery, Boats, Brooms & brushes, Cages, Carriages & coaches, Judges, Ladders, and Nudes
- Found in:
- Lewis Walpole Library > "Returning Justice lifts aloft her scale." Pope [graphic].
3. "Returning Justice lifts aloft her scale." Pope [graphic].
- Creator:
- Lane, Theodore, 1800-1828, printmaker
- Published / Created:
- June 1st, 1821.
- Call Number:
- 821.06.01.07
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
- Description:
- Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
- Publisher:
- Pubd. by G. Humphrey, 27 St. James's St.
- Subject (Geographic):
- Como, Lake (Italy),
- Subject (Name):
- Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
- Subject (Topic):
- Justice, Adultery, Boats, Brooms & brushes, Cages, Carriages & coaches, Judges, Ladders, and Nudes
- Found in:
- Lewis Walpole Library > "Returning Justice lifts aloft her scale." Pope [graphic].
4. "Tent-ation" [graphic].
- Creator:
- Lane, Theodore, 1800-1828, printmaker
- Published / Created:
- June 25, 1821.
- Call Number:
- Folio 724 835G v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Caroline lies on a sofa within a tent, dressed in her nightclothes and wearing a miniature of Bergami around her neck; her feathered hat rests on the ground, and on the small table beside her sit bottles of "Brandy" and "Essense of Bergamo" and a container of "Rouge". She smiles and looks over at Bergami, who sits beside her, his slippers and hat discarded on the floor below. Above, a man reaches into the tent to take a lit candle in the candlestick from Bergami, who hands it off with a pleased expression on his face. Beside him on the sofa is a book entitled "The Pilgrim's Guide".
- Alternative Title:
- Tentation
- Description:
- Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17898a)., Sheet trimmed within plate mark., One line of text below title: It is the cause, it is the cause, my soul, put out the light, and then -. Othello., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; sheet 27.2 x 22.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 86 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified in pencil below image; date "25 June 1821" written in ink in lower right corner.
- Publisher:
- Pubd. by G. Humphrey, 27 St. James's St.
- Subject (Name):
- Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
- Subject (Topic):
- Adultery, Sofas, Miniatures (Paintings), Bottles, Candles, and Books
- Found in:
- Lewis Walpole Library > "Tent-ation" [graphic].
5. "Tent-ation" [graphic].
- Creator:
- Lane, Theodore, 1800-1828, printmaker
- Published / Created:
- June 25, 1821.
- Call Number:
- 821.06.25.01
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Caroline lies on a sofa within a tent, dressed in her nightclothes and wearing a miniature of Bergami around her neck; her feathered hat rests on the ground, and on the small table beside her sit bottles of "Brandy" and "Essense of Bergamo" and a container of "Rouge". She smiles and looks over at Bergami, who sits beside her, his slippers and hat discarded on the floor below. Above, a man reaches into the tent to take a lit candle in the candlestick from Bergami, who hands it off with a pleased expression on his face. Beside him on the sofa is a book entitled "The Pilgrim's Guide".
- Alternative Title:
- Tentation
- Description:
- Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17898a)., Sheet trimmed within plate mark., One line of text below title: It is the cause, it is the cause, my soul, put out the light, and then -. Othello., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
- Publisher:
- Pubd. by G. Humphrey, 27 St. James's St.
- Subject (Name):
- Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
- Subject (Topic):
- Adultery, Sofas, Miniatures (Paintings), Bottles, Candles, and Books
- Found in:
- Lewis Walpole Library > "Tent-ation" [graphic].
6. "Travellers see strange things!" Logic without his specs; the mistake of the night; the hotel in an uproar; Tom sword in hand backed by a petticoat false alarm! but no ghost the somnambulist awake! up, but not down!! [graphic]
- Creator:
- Cruikshank, Robert, 1789-1856, printmaker
- Published / Created:
- [1821?]
- Call Number:
- 821.00.00.16
- Image Count:
- 1
- Resource Type:
- still image
- Alternative Title:
- Travellers see strange things logic without his specs
- Description:
- Title from caption below image., Date of publication from unverified data from local card catalog record., Sheet trimmed within plate mark., Imprint statement erased from sheet., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman Turkey Mill.
- Publisher:
- publisher not identified
- Found in:
- Lewis Walpole Library > "Travellers see strange things!" Logic without his specs; the mistake of the night; the hotel in an uproar; Tom sword in hand backed by a petticoat false alarm! but no ghost the somnambulist awake! up, but not down!! [graphic]
7. "What ever is, is right. Pope! A weighty argument in favour of the Catholic Emancipation / [graphic]
- Creator:
- Cruikshank, Robert, 1789-1856, printmaker
- Published / Created:
- [April 1821]
- Call Number:
- 821.04.00.03+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A scene in the House of Commons, showing the Ministerial benches, with the Speaker's Chair and the Table partly cut off by the right margin. The Speaker (Manners Sutton) and one of the Clerks are just within the design. Castlereagh is speaking; he stands in profile to the right, hat in hand, with the Pope on his shoulders. The Pope holds crosier and keys, and wears an odd tiara. A demon crouches on his shoulders dressed as an acolyte, but displaying a cloven hoof; a mask with bland features (a device deriving from Gillray, cf. British Museum Satires No. 11384) is tied in front of his black horned head; he holds up a lighted candle, and clutches the Pope's hair. Castlereagh, with a blandly disingenuous smile: "I have the authority of the Head of the Catholic Church, for saying that there is no solidity in the objection taken on the other side: thus I am legislating with the Pope at my back!!!" The benches behind Castlereagh are crowded; the members listening intently; all wear hats, except Peel who sits immediately behind Castlereagh's empty seat, on the corner of which he has put a hat, inscribed 'Peel'. He looks up to say: "I hope that when the noble Lord observed that [he was legislating with the Pope at his back] he had no allusion to me, even if the noble Lord were willing to put the Popedom in Commission, I should not be willing to accept the office of one of the Commissioners." Men look down from the gallery. On the floor is a paper: 'St Steevens March 28 1821'."--British Museum online catalogue
- Alternative Title:
- Whatever is, is right. Pope! and Weighty argument in favour of the Catholic Emancipation
- Description:
- Title etched below image. and Watermark: J. Whatman 1820.
- Publisher:
- Pubd. April 1821 by G. Humphrey, 27 St. Jamess Street, London
- Subject (Geographic):
- Great Britain.
- Subject (Name):
- Castlereagh, Robert Stewart, Viscount, 1769-1822, Canterbury, Charles Manners-Sutton, Viscount, 1780-1845, Pius VII, Pope, 1742-1823, Peel, Robert, 1788-1850, and Great Britain. Parliament. House of Commons,
- Subject (Topic):
- Catholic emancipation, Legislative bodies, Politicians, Public speaking, Popes, Crosiers, Keys (Hardware), Demons, Masks, and Candles
- Found in:
- Lewis Walpole Library > "What ever is, is right. Pope! A weighty argument in favour of the Catholic Emancipation / [graphic]
8. *Waiting room at the Admiralty (*no misnomer) [graphic]
- Creator:
- Cruikshank, George, 1792-1878, printmaker
- Published / Created:
- July 19th, 1821.
- Call Number:
- 821.07.19.05
- Image Count:
- 1
- Resource Type:
- still image
- Alternative Title:
- Waiting room at the Admiralty no misnomer
- Description:
- Title from text above image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified by British Museum online catalogue., One line of text below image: "Tis the curse of service that preferment goes by favor & affection"--Othello., Plate numbered in upper right corner: P. 6., and Earlier state. For 1835 reissue by Thomas McClean see no. 14095 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
- Publisher:
- Pubd. by G. Humphrey, 27 St. James's St.
- Found in:
- Lewis Walpole Library > *Waiting room at the Admiralty (*no misnomer) [graphic]
9. A "look in" at Tattersal's Tom taking Jerry's judgment in purchasing a "prad"/ [graphic]
- Creator:
- Cruikshank, Robert, 1789-1856, printmaker
- Published / Created:
- [1 February 1821]
- Call Number:
- 821.02.01.01
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title from caption below image., Publication information from British Museum catalogue., Sheet trimmed within plate mark with loss of imprint., and Imprint from no. 14333 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
- Publisher:
- Sherwood, Neely, & Jones?
- Found in:
- Lewis Walpole Library > A "look in" at Tattersal's Tom taking Jerry's judgment in purchasing a "prad"/ [graphic]
