"Four men, raffishly prosperous, dance forward together in a line, three in tipsy joviality, one dragged forward, ill and dejected. The Irishman and Englishman have their arms entwined, one flourishes a cane, the other a handkerchief. The melancholy Scot holds the Englishman's coat-tail. The jovial Welshman takes the Scot's left arm, waving his hat. Each wears, in top-hat and coat, his national flower: shamrock, rose, thistle, leek. The Scot wears quasi-tartan trousers."--British Museum online catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. by Pyall & Hunt, 18, Tavistock Street, Covent Garden
Subject (Topic):
Dancers, Ethnic stereotypes, National emblems, English, Scottish, Welsh, and Irish
Title from caption below image., Text above image: Now exhibiting at 26 St. James's Street., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Jany. 21, 1825, by S.W. Fores Piccadilly
Title from caption below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Year of publication altered. Ms. '6' added over last digit of 1825.
Title from caption below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Date of publication altered. Ms. '6' added over last digit in 1825., and Watermark partially trimmed: J Whatman Turkey Mill 1825.
Title from caption below image., Publication information from British Musem catalogue., Two columns of verse with stanzas alternating between speakers below title: Emma "Tell me dear Anna if you can what you most admire in man ..., Lacking imprint statement. Print published by Pyall & Hunt in 1825, Cf. No. 15006 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Sheet trimmed within plate mark.
Title from caption below image., Publication information from British Museum catalogue., Two columns of verse: Two men of ton no matter what their titles were for I've forgot ..., Sheet trimmed within plate mark., and Lacking imprint statement. Print published by Pyall & Hunt in 1825, cf. no. 15007 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
"A dandy walking on a London pavement cuts an acquaintance. In profile to the left a moustached man gazes up open-mouthed; walking to the right, nearer the tree-topped wall forming a background, is a man who touches his bell-shaped top-hat; he carries a bag under his arm, a paper behind his back. Behind him on the wall is a bill: A Dunn Tailor Fashionable Cut. Other bills are Walkers Orrery--Lent--Heavenly Bodies; Meeting of Creditors of J Skylark 1 April. Below the title: "Cut the first--is the Celestial: When you meet "your dunning Tailor, or story-telling Uncle, or a "Respectable Man with a Shabby-drest Wife and "poodle dog. You are suddenly struck with the "beauty of the Heavens! What a magnificent Structure "Herschell--Georgium Sidus: [see BM Satires 8115] By that time your Tailor "is gone by--& you pursue your walk--solus.""--British Museum online catalogue
Description:
Title from caption below image., Seven lines of text below title: "Cut the first is the celestial ...", Sheet trimmed within plate mark., One of a set of three prints. See nos. 15484 and 15485 for other titles., and State with a different imprint: Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 10, no. 15483.
Publisher:
Pubd. June 1, 1825 by H. Pyall Mole Hill Lodge, Hercules Buildings, Lambeth
"A dandy (right), in frogged tight-waisted coat, glove-tight pantaloons or breeches, Hessian boots, a riding-whip under his arm, an eyeglass in his hand, stares over the head of a fashionably dressed man (left), accompanied by a poodle, who faces him. The latter raises a hand in salute. On the wall behind, as in BM Satires 15483, are bills (left to right): Theatre Royal What Next Not at Home; Puppy lost; York Highflyer; Theatre Royal He would & He would not-- Farce Who's the dupe. Below the title: "Cut third and last--is the Cut Direct,--and "requires little more than down right impudence, "In this case you must suppose Cuttee to meet you "full front,--Meet his Salute with elevated "eyebrows,--stare him full in the face--& pass on; "as much as to say--Who the Devil are you? One Cut is a "Dose"."--British Museum online catalogue
Description:
Title from caption below image., Imprint from companion print: The cut celestial., Seven lines of text below title: "Cut third and last is the cut direct ...", Sheet trimmed within plate mark., One of a set of three prints. See nos. 15483 and 15484 for other titles., and For later imprint, see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 10, no. 15485.
Publisher:
Pubd. June 1, 1825 by H. Pyall Mole Hill Lodge, Hercules Buildings, Lambeth
Subject (Topic):
Dogs, Dandies, British, and Picture sheets (Broadsides)
