Hayne sits, pen in hand, at a table, nervously facing a burly ruffian holding a large key who proffers a paper headed 'items'. Other debtors sit by the fire or gaze from the padlocked window of the sponging-house. There are pictures of the two chief debtors' prisons, 'Bench' and 'Fleet', and a framed table of 'House Fees. Fire 0 2.6. Candles 0.2.6. Bed 0.10.6. Warming do. 0.1.0. Breakfast 0.7.6. Eggs 0.2.0. Total £1.7.0. See British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Ms. note in pencil on front: Vol. 2, Page 240. Note came originally up to nose, then change in plate. Watermark 1825., and Watermark: J. Whatman 1825.
A view of wartime merriment: A procession of sailors and their women, escorted by fiddlers, passes a background of shops towards a gateway across the end of the street (left). The purveyor of the jollification, a sailor who has inherited money, sits astride a cask of 'real Jamaica' supported on poles carried by sailors, who wave hat and tankard towards the crowded first-floor windows. Men and women dance along the street. There are many incidents. A Jew, talking to another Jew outside a shop placarded 'Moses Slop-Shop', has his hat twitched off by the cane of a sailor who leans from above the doorway. The sailors carry an Ensign flag and a flag inscribed 'Leander', and are making for the Point. See British Museum catalogue
Alternative Title:
Coxswain's carousal
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15212 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 218.
The King's Bath with the heads of men and women emerging from steaming water. Robert Cruikshank (right) is in profile to the right, addressing a pretty woman, and pointing to 'Blackmantle' who swims (defying the rule), approaching a group of alarmed and pleased women. British Museum catalogue
Alternative Title:
Stewing alive
Description:
Title, printmaker, and imprint from published state., Sheet trimmed within plate mark., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15230 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 372.
Title devised by cataloger., Printmaker from later plate in series., Date of publication based on watermarks from prints in this series at The Lewis Walpole Library., Six designs on one plate, each with a letter etched above and a word and its definition etched below., Description based on imperfect impression; probable plate number has been erased from upper right corner of sheet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title devised by cataloger., Printmaker from later plate in series., Questionable date of publication based on watermarks from this print and another in the series at The Lewis Walpole Library., Six designs on one plate, each with a letter etched above and a word and its definition etched below., Description based on imperfect impression; probable plate number has been erased from upper right corner of sheet.., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1827.
Title devised by cataloger., Questionable date of publication based on watermarks from this print and another in the series at The Lewis Walpole Library., Six designs on one plate, each with a letter etched above and a word and its definition etched below., Description based on imperfect impression; probable plate number has been erased from upper right corner of sheet., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: T. Edmonds 1825.
The many windowed buildings are on the right, the high curved and spiked wall on the left. A lawyer, who invoked proceedings for gaming offences against former cronies, is being tossed high from a vast blanket, having been lured into the prison. A group of men with racquets is on the left. College=prison. See British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14952 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 1, page 410.
Men of fashion waltz with elegant courtesans in a magnificent pilastered room. A large orchestra is on a platform (right). Harriette Wilson (right) takes Stockdale's arm. Many names are given in the text of the published state. See British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15201 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Ms. note in pencil on front: Page 48, Vol. 2. Watermark 1824., and Watermarked: J. Whatman Turkey Mill 1824.
Publisher:
Sherwood, Jones & Co.
Subject (Name):
Wilson, Harriette, 1786-1846.
Subject (Topic):
Ballroom dancing, Balls (Parties), Courtesans, Couples, and Orchestras
Men, horses, and (mongrel) dogs in wild but spirited confusion in a forest glade pursue a cow (left); the stag is in the background running in the opposite direction, followed by one man on foot. One horse and rider struggle in a ditch while a second horse, which has kicked off its rider, leaps on top of them. A bald John Gilpin clasps his mount round the neck. In the foreground four men over-weight a two-wheeled cart drawn by a wretched but galloping jade. See British Museum catalogue
Alternative Title:
Cockney comicalities in full chace and Cockney comicalities in full chase
Description:
Title and imprint from published state., Sheet trimmed within plate mark., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No.15206 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 84, Vol. 2.
The palatial room, lit by a candle chandelier, is filled with members standing in conversation. Burdett, in breeches and boots, is recognizable. Four throw dice at a table in the foreground
Alternative Title:
Opposition members engaged upon hazardous points
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15217 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 252.
Publisher:
Sherwood & Co.
Subject (Name):
Brooks's (Club)
Subject (Topic):
Chandeliers, Conversation, Eating & drinking, Gambling, Men, and Private clubs
