Title and artist's attribution from ms. inscription in the printmaker's hand. Unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title, artist's attribution, and date in ms. added to print in the hand of the printmaker: Thomas Howell Jones.
Title from caption below image., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Octr. 1,1825 by J. Robins & Co., Ivy Lane, Paternoster Row
An angry wife confronts her husband over an upturned tea table
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Four lines of verse below title: "Loud she proclaims the thousands which she brought him, He cool retorts 'twas only that which caught him; "The world shall know your conduct brute", she cries, "Sooner the better, sweet" the your replies., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by Hunt & Pyall, 18 Tavistock Street, Covent Garden
"Four young naval officers, two being mere boys and apparently midshipmen (though the scene is unlike the cramped squalor of the midshipmen's berth), dine at a tilting table, from which decanters, a capon, &c., have fallen to the ground. A cabin-boy struggles up the slanting desk with a ham. One of the very flimsy chairs is overturned. A gun projecting through a port-hole is marked 'Clyde'."--British Museum online catalogue
Alternative Title:
Fetching lee-way, or, One of the comforts of a Channel cruize in November and One of the comforts of a Channel cruize in November
Description:
Title from caption below image., Later printing. Date of printing based on watermark., and Watermark: J. Whatman Turkey Mill 1825.
Holding a candlestick, a wife departs from a room, which shows sign of an altercation with a turned over chair and pillow and book on the floow, her back to the viewer turns back looking at her husband
Description:
Title from text below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Four lines of verse below title: "Fierce and more fierce, the wordy contest grows, Taunts, gibes, and sneers, and every thing but blows; Each to a sperate couch in rage retires, Whence sleep is banished by vexatious fires.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Date of publication burnished from plate. Date from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Date of publication erased from sheet.
"Hunting scene, hounds in the distance in full cry. In the foreground two riders gallop across a field; one is in pink, the other is a neatly-dressed parson in tricorne hat, and bushy powdered wig. The former: Holloa Hark!--Doctor--d'ye hear that charming Music? --The other: Music! I hear no Music--those dogs make such a confounded Noise!!"--British Museum catalogue
Description:
Title from caption below image., Date of publication from British Museum catalogue., Four lines of dialogue below title: Holloa hark! Doctor d'ye hear that charming music? Music! I hear no music these dogs make such a confounded noise!!, and Sheet trimmed within plate mark.
Publisher:
Pubd. by Chas. Hunt, 18 Tavistock Street, Covent Garden
